Rimfire

This is a good little western from Lippert studios, and I don't understand the low rating by IMDb reviewers. The film is a mystery story and is well-written, taut and compact, and in only 64 minutes. The cast, led by James Millican, does a uniformly good job, and there is nary a bad acting performance in sight from the supporting cast. One is taken aback by seeing suave, urbane Reed Hadley out in the scrubbrush, but it turns out he's the suave, urbane gambler in the story.

Now, we're not talking MGM or Paramount here and so you have to consider economics, but production values are better than expected and there is a good deal of action during this just-over-an-hour affair. Overlook a couple of plot holes and a time-killing romance and you have an entertaining movie which has been unfairly neglected over the years. This was included in a DVD with "Little Big Horn", which is a better picture, but nevertheless, "Rimfire" is still a cut above.

Rimfire is directed by B. Reeves Eason and jointly written by Ron Ormond, Arthur St. Claire and Frank Wisbar. It stars James Millican, Reed Hadley, Mary Beth Hughes, Henry Hull, Fuzzy Knight and Victor Killian. Music is by Walter Greene and cinematography by Ernest Miller.

Captain Tom Harvey (Millican) is an undercover army officer working in a small Texas town investigating the theft of army gold shipments. Taking on the role of a deputy, he suddenly finds the town gripped by terror as they believe the ghost of a gambler who was wrongly convicted and hanged has come back from the grave to enact revenge.

"Gold and greed, it seems, go together. And so do. So do gold and death"

Clocking in at just over an hour, Rimfire is compact and unfussily directed for maximum impact. There's a slight irk that once the central hanging and conviction enters the story, the film barely has time to unfold the mystery element, in fact so much is crammed into the final twenty minutes you really can't afford to look away. But why would you look away when the film is so interesting in narrative and so visually arresting? The biggest character in the piece is Ernest Miller's black and white photography, low-key lighting with prominent shadows, there's a pessimistic ambiance given the production, a sense that humanity is rotten. Which when coupled with the unusual aspects of the story make this very much a unique Western of the 40s.

Well performed with the likes of Hadley, Hull and Millican turning in professional shows, and with super work from photographer Miller, this rounds out as very much a Western noir worth checking out. 8/10

There's quite a lot to enjoy in this quickly paced little spooky western. It all starts with an attempt to hijack the stagecoach, one that is luckily thwarted by "Harvey" (James Millican). One of those he rescues happens to be the neice of the local sheriff, and soon he finds himself deputised. "The Abilene Kid" (Reed Hadley), meantime, gets himself into a bit of bother with some marked cards, and after a cursory court hearing under the jurisdiction of the no-nonsense "Judge Gardner" (George Cleveland) is sentenced to hang. Now the film gets interesting. He was found guilty by public acclamation (i.e. A vote of those in the courtroom, rather than by a formal jury) - 11 to 6. Shortly after his execution, some of the eleven start to go the way of the dodo - and the townsfolk start to suspect a ghost! Could it be the "Kid" back for vengeance on this who wronged him? There's a decent sub-plot about some missing gold, too - just to keep it interesting, and a little romance with "Polly" (Mary Beth Hughes). The ending is a bit rushed, but hough the production is pretty basic and the acting really unremarkable, the whole is better than the sum of the parts and we are presented with an entertaining film for an hour.

The Abiline Kid is set up and convicted by a Kangaroo court for using marked cards. Executed by hanging, he seemingly returns as a ghost to terrorize and wreak vengeance on the guilty town that murdered him.

Rimfire is loaded with great character actors, including James Millican, Reed Hadley, Jason Robards Sr., and Fuzzy Knight, alongside two previous Universal monsters, The Werewolf Of London's Henry Hull and Glen Strange, the last of the classic Frankenstein monsters!

Although it's running time could (and should) have been stretched a little for greater suspense, this is still an entertaining, if compact, western whodunit with lots of great scenes.

It can also be viewed as sort of a forerunner (along with Django Il Bastardo) to Clint Eastwood's High Plains Drifter. In fact, the three would make a great triple feature.

Army officer James Milican comes to the small western town. He's undercover, looking for federal gold that went missing three years earlier. Sheriff Victor Kilian swears him in as a deputy to hide his true purpose. So, however, he is distracted by Kilian's niece, Mary Beth Hughes, and the entire town is distracted when gambler Reed Hadley is tried and hanged for cheating at cards. He pronounces a curse on the town, linking gold and death before he goes. Soon people are being shot by gold bullets fired from a rimfire gun, and a playing card is always found near their bodies.

B. Reeves Eason last big-screen feature as director has a lot going for it. There's a compelling story, the sort of cast that Lippert Pictures could assemble -- Henry Hull, Chris-Pin Martin, and Jason Robards Sr. All show up -- and some nice camerawork and brisk editing. Unfortunately, it's got a lousy conclusion to the plot, indicating the editing was a mite too brisk to make sense.