IMDb RATING
6.6/10
1.3K
YOUR RATING
As he is retiring, Jonathan L. Scott "Scotty" reminisces about his long Navy career and the development of the role of the aircraft carrier from the early 20s.As he is retiring, Jonathan L. Scott "Scotty" reminisces about his long Navy career and the development of the role of the aircraft carrier from the early 20s.As he is retiring, Jonathan L. Scott "Scotty" reminisces about his long Navy career and the development of the role of the aircraft carrier from the early 20s.
- Awards
- 3 wins total
Joel Allen
- Pilot
- (uncredited)
Roger Anderson
- Pilot
- (uncredited)
Gregg Barton
- Pilot
- (uncredited)
Roscoe J. Behan
- Ames' Attache
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This past week I watched "Task Force" on Turner Classic Movies. What a great movie about US Naval Aviation, before and during WWII. For starters, the actors play their parts masterfully. You can tell that Gary Cooper really enjoys playing this character and telling this Navy story. I also liked how the movie had continuity of time, being that the story spanned many years. Perhaps most of all, I enjoyed the footage of the aircraft carriers themselves. I thought to myself, how the carriers that they were filming on, only a few years before 1949, were the centerpiece of the most horrific combat of WWII. I am sure many of the actors and those who saw the film remembered vividly when the news from the Battle of Midway and Okinawa reached home. So many young Americans died. What brought a tear to my eye, was the video at the end of the movie when the USS Enterprise is returning to NY City. The camera man at the time in 1945, films the damage with NYC icons like the Statue of Liberty and Brooklyn Bridge in the background. It is amazing footage. I thought to myself how the young veterans in the audience in 1949 must have reflected on their war fought only a few years before. Therefore, I love how this movie of history is indeed history itself.
Gary Cooper does an excellent job playing a Gary Cooper-type character. This is one of the better WWII movies to come out of the 1940s era. Jane Wyatt and Walter Brennen also do a good job. Somehow, this film always gets a lower rating than it deserves. It is somewhat dated by today's standards but gives good background of naval aviation with some very good live action combat film footage. For another good 1940s era WWII action movie with lots of good gun camera shots, see "Fighter Squadron" with Edmund O'Brien and Robert Stack.
Task Force was the first of two films Gary Cooper made regarding the development of aviation. Here he plays the fictional Jonathan Scott who looks back on his life after retiring from the Navy. The second is the Court Martial of Billy Mitchell where he plays the real life Army Aviation pioneer.
For today's fans if one wants to see where Tom Cruise and the gang from Top Gun all got their start, take a look at Task Force. The idea of a floating flattop ship from where airplanes could take off and land was one that was scoffed at post World War I. Pilots didn't have the skills yet for that. What Task Force shows is Gary Cooper and a whole bunch of other people who believed in an idea living and dying to prove that idea.
Task Force was memorable in the career of Gary Cooper for two other reasons. It was the first film he did after leaving his original studio, Paramount, at Warner Brothers where he worked for about five years. It was also the last film he did with good friend Walter Brennan. They made eight joint film appearances, including some memorable ones in The Westerner and Sergeant York where they got Oscars, Brennan for The Westerner and Cooper for Sergeant York.
Jane Wyatt is Cooper's leading lady, playing the part of the faithful wife where if this had been made at MGM, June Allyson would have had the part. She's the widow of one of Cooper's early Navy flier friends who is killed trying to land on a new aircraft carrier.
Director Delmar Daves made good use of actual combat footage both black and white and in the last 15 minutes color. Lent a real air of authenticity to what we were viewing. Look for some good supporting performances from Brennan, Wayne Morris, Bruce Bennett and the best being an obtuse United States Senator played by Stanley Ridges.
The final shot of the film shows Cooper now in civilian attire with jets passing overhead. That was a whole new skill that had to be learned by the next generation of Top Guns. Very graphically demonstrated in The Bridges at Toko-Ri.
I'd like to think that Tom Cruise and the rest of the cast of Top Gun saw those two films and realized the great heritage they were now going to portray.
For today's fans if one wants to see where Tom Cruise and the gang from Top Gun all got their start, take a look at Task Force. The idea of a floating flattop ship from where airplanes could take off and land was one that was scoffed at post World War I. Pilots didn't have the skills yet for that. What Task Force shows is Gary Cooper and a whole bunch of other people who believed in an idea living and dying to prove that idea.
Task Force was memorable in the career of Gary Cooper for two other reasons. It was the first film he did after leaving his original studio, Paramount, at Warner Brothers where he worked for about five years. It was also the last film he did with good friend Walter Brennan. They made eight joint film appearances, including some memorable ones in The Westerner and Sergeant York where they got Oscars, Brennan for The Westerner and Cooper for Sergeant York.
Jane Wyatt is Cooper's leading lady, playing the part of the faithful wife where if this had been made at MGM, June Allyson would have had the part. She's the widow of one of Cooper's early Navy flier friends who is killed trying to land on a new aircraft carrier.
Director Delmar Daves made good use of actual combat footage both black and white and in the last 15 minutes color. Lent a real air of authenticity to what we were viewing. Look for some good supporting performances from Brennan, Wayne Morris, Bruce Bennett and the best being an obtuse United States Senator played by Stanley Ridges.
The final shot of the film shows Cooper now in civilian attire with jets passing overhead. That was a whole new skill that had to be learned by the next generation of Top Guns. Very graphically demonstrated in The Bridges at Toko-Ri.
I'd like to think that Tom Cruise and the rest of the cast of Top Gun saw those two films and realized the great heritage they were now going to portray.
I thought I saw all of Gary Cooper's war movies, but I just caught this one today on TMC. As others have stated, Brennan and Cooper are a great pair and they were a very good pair in this movie. Except for the typical lack of bloody wounds (in forties war movies), it was impressive that the dramatic detail in this movie was more accurate than usual for this genre. The movie did a great job depicting the interaction in the CIC (combat information center) and elsewhere on the ships. However unusual it seemed, transitioning from black and white to color to show plot transition (The Wizard of Oz notwithstanding) was effective for me. Deep down, I think it might have been a way to sneak in color war footage. As I am also a Jane Wyatt (Spock's mother) fan, she was great as Scott's (Gary Cooper's character) wife. Although it did seem to be a bit incongruous that she dressed as well as she did considering her situation. (Sorry, you'll have to see the movie.) Summary: Whether or not you've seen Midway, see Task Force.
If you have Turner Classic Movies, it would behoove you to take the time to watch Task Force, a fine, passionate, and patriotic film about the advent of the aircraft carrier as the principal weapon of the US Navy in World War II. Although it is a product of the times--and the Production Code--TF delivers the story of how "flat-tops" superseded the battleship as the principal tool for, in Navyspeak, "projecting power." With the skillful use of lots of film footage (which helped tremendously in avoiding the use of cheesy ship models), TF tells the story of a young naval officer played believably here by a much older Gary Cooper. As Cooper advances in his skill as an aviator, he runs afoul of bureaucrats and bullies, both outside the navy and in. This results in his being disciplined and scolded for speaking his mind about naval aviation, and his frustration with a lack of personal advancement and the navy not being prepared for future conflict. Cooper is a lanky metaphor for the advent of the carrier as the Queen of the Seas.
With Pearl Harbor, Cooper's "Scottie" Scott is thrown into battle against an enemy that is much better prepared for air combat, and with the aid and leadership of his father figure, Walter Brennan, he (as metaphor) gains the recognition and ultimate victory he deserves.
I read somewhere that Gary Cooper surrendered his chance at ultra-stardom when he made certain decisions about parts that robbed his film persona of the sort of sex appeal that would have guaranteed his place as a film star/sex symbol. The reviewer said something about Cooper being more of a big brother than a lover.
I don't know if all this is true, but Cooper's image of being a friendly, decent, human hero is clearly seen in Task Force. He--and Brennan--carry this movie. The chemistry Coop has with his audience and his on-screen friend and C.O., Brennan, puts real blood and muscle into a movie that at times gets a bit too documentarian. Add in a sweet, loving performance by Jane Wyatt as the graceful and gracious military wife and you have a really human movie that works as history lesson, war film, political essay, and love story.
Finally, what I love about this film is its innate patriotism. There simply is no questioning of America's place and motive in the years leading up to and during the Second World War. We were a democracy threatened by tyranny. We were unprepared for war because we despised it so very much; once confronted, we prevailed. The stock footage of Cooper's carrier (in real life, the badly damaged USS Franklin) arriving at New York with her flight deck and upper hull twisted into scrap metal by Japanese explosives is startling, a metaphor for the cost of not being prepared with the sort of cutting-edge technology, training, and will that might have reduced the bloodiness of the war or prevented it all together.
With Pearl Harbor, Cooper's "Scottie" Scott is thrown into battle against an enemy that is much better prepared for air combat, and with the aid and leadership of his father figure, Walter Brennan, he (as metaphor) gains the recognition and ultimate victory he deserves.
I read somewhere that Gary Cooper surrendered his chance at ultra-stardom when he made certain decisions about parts that robbed his film persona of the sort of sex appeal that would have guaranteed his place as a film star/sex symbol. The reviewer said something about Cooper being more of a big brother than a lover.
I don't know if all this is true, but Cooper's image of being a friendly, decent, human hero is clearly seen in Task Force. He--and Brennan--carry this movie. The chemistry Coop has with his audience and his on-screen friend and C.O., Brennan, puts real blood and muscle into a movie that at times gets a bit too documentarian. Add in a sweet, loving performance by Jane Wyatt as the graceful and gracious military wife and you have a really human movie that works as history lesson, war film, political essay, and love story.
Finally, what I love about this film is its innate patriotism. There simply is no questioning of America's place and motive in the years leading up to and during the Second World War. We were a democracy threatened by tyranny. We were unprepared for war because we despised it so very much; once confronted, we prevailed. The stock footage of Cooper's carrier (in real life, the badly damaged USS Franklin) arriving at New York with her flight deck and upper hull twisted into scrap metal by Japanese explosives is startling, a metaphor for the cost of not being prepared with the sort of cutting-edge technology, training, and will that might have reduced the bloodiness of the war or prevented it all together.
Did you know
- TriviaWayne Morris who portrayed Lt.McKinney was the only actor in the cast who had actual combat experience as a carrier pilot in WWII. As a fighter pilot, Morris shot down seven enemy planes and contributed to the sinking of five enemy ships. He was awarded four Distinguished Flying Crosses and two Air Medals. He was the only combat "ace" of all the Hollywood actors who went to war.
- GoofsDuring the attack sequence on the Japanese carriers at Midway, the film shows the dive bombers striking first. Actually, it was the torpedo bombers that attacked first. This was caused by missed communications between the torpedo planes and the fighter cover. It was supposed to be a coordinated high-low attack. Almost every torpedo plane was shot down. No torpedoes made hits. While a tragic accident, the torpedo planes drew the Japanese fighter cover down to wave top height. When the U.S. fighters and dive bombers arrived there were very few Japanese fighters to intercept them.
- Quotes
Pete Richard: The disarmament conference is over. They've sunk the fleet. The Missouri, the South Dakota, the Maine, the Virginia, Nebraska Georgia. 30 capital ships. More ships sunk with the stroke of a pen than have been sunk in our entire history.
- ConnectionsEdited from December 7th (1943)
- SoundtracksTea for Two
(uncredited)
Music by Vincent Youmans
Played when Cmdr. Richard introduces Lt. Scott to the Admiral and his wife
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Details
- Release date
- Country of origin
- Language
- Also known as
- El horizonte en llamas
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 56m(116 min)
- Color
- Aspect ratio
- 1.37 : 1
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