Sorrowful Jones

This is a remake of 1934's Little Miss Marker, a Shirley Temple movie. Sorrowful Jones, the cheap bookie, is played to a tee by Bob Hope, who suddenly has a little girl to look after when her father leaves her in his care as a bet marker, and doesn't come back. But the little girl doesn't mix well with his lifestyle, and provides him with some close shaves involving some errant gangsters, and a bout of horse napping. A predictable and sappy ending, but still a sweet little movie, with some hilarious one liners by Bob Hope and Lucille Ball. (Make sure you're not eating when you watch this, because they shoot them out so suddenly that you're likely to end up wearing your lunch.) Overall? 8 out of 10.

Sorrowful Jones is both the first time Bob Hope teamed up with Lucille Ball as a leading lady and it's his first try at a Damon Runyon character. It succeeded, but it's not as good as some of the other of Bob Hope's Forties comedies.

This is a remake of Little Miss Marker where Adolphe Menjou played the role of Sorrowful Jones. The problem with this version is that in the first one the main character is the little girl left as a human marker for bookie Sorrowful Jones. The little girl back then was Shirley Temple and it was a Shirley Temple picture.

No child was going to steal the spotlight from Bob Hope and this one has the emphasis on Hope's character which is all wrong. Little Mary Jane Saunders is not Shirley Temple, but who is. Anyway she does not steal the film from Hope and that's wrong.

On the plus side Hope and Lucille Ball show some really good chemistry and they did far better in their next film together Fancy Pants. Also look for good performances from Bruce Cabot as the gambling kingpin and from William Demarest as Hope's sidekick.

But if you want to see Hope and Ball at their best I recommend Fancy Pants.

This movie, a re-make of Shirley Temple's "Little Miss Marker" gets little respect from the critics. As usual, I disagree with them: this is fun movie and one you should enjoy if you like Temple and laugh at Bob Hope's jokes.

I didn't always think Hope was funny but this movie had a lot of laughs, a great story and a cute kid. It isn't as hokey or dated as most of Hope's films and some of his lines in here are downright clever.

Mary Jane Saunders does a nice imitation of Temple-Margaret O'Brien, a combination of those two child stars. You also get Lucille Ball in here, although she's just okay, nothing hilarious. She does get some good wise-cracks in, however.

This is a solid, underrated comedy. I'm sorry to see I am only the second person to review this film on IMDb. A lot of people are missing out on a funny movie.

Humphrey 'Sorrowful' Jones (Bob Hope) is working the angles in New York City. He is a bookie operating behind a barbershop. Gangster Big Steve wants $1k from every bookie to fix a race. His ex Gladys (Lucille Ball) is dating Big Steve. A gambler leaves his daughter with Jones as a marker for a bet.

The girl is a cutie, but she's no Shirley Temple. This is very much Bob Hope's movie and he's good at doing this character. Lucille Ball is sassy, but she is not doing much more than hitting the ball back to Bob Hope. She is certainly capable. Their back and forth is pretty good. Mostly, this is pretty good.

What you will think about this probably depends a lot on if you are looking more for comedy or more for a cute family film...with a strong emphasis on cute. As far as a comedy goes, it's not terribly funny. As a cute film goes, it works reasonably well--mostly because the little tyke is awfully sweet--and not always in a saccharine way. It is clearly designed as a sweet family film and Bob Hope's comedy definitely takes a back seat to this.

The story is about a period in the life of the Damon Runyon character, Sorrowful Jones. All of Runyon's characters had colorful names like this, by the way. Jones is a professional gambler--a sharpie with an aluminum heart. First and foremost, he is interested in money and hasn't an ounce of sentiment about him. However, when a poor schnook leaves his four year-old child with Jones, temporarily, Jones is forced to care for the tyke. Sadly, however, her father runs afoul of a mobster and is killed--leaving the kid to either stay with Hope or go to an orphanage. Naturally, the struggle throughout the film is for Hope to show SOME nurturing skills and force down his natural impulse to be a money-grubbing jerk. To help him in this process is his on-again/off-again girlfriend played ably by Lucille Ball.

In a goofy twist (and one I didn't care for that much), the child becomes the owner of a racehorse...of sorts. Crooks decide to put the horse in the child's name in an effort to dodge the police--but the child becomes enamored with it. This leads to a schmaltzy portion of the film when the child is hurt and ends up in the hospital. They almost give up hope (not the actor) until Bob gets the idea of sneaking the horse into the hospital (this happens all the time). But, to do this, he has to fight thugs who are intent on killing the horse instead.

All in all, this was not a bad Bob Hope vehicle despite the emphasis on schmaltz instead of humor--though I would have preferred more humor and less sentiment. It's agreeable and cute, though as I said above, some may balk at the fact that the humor, such as it is, is pretty restrained. But, Hope did show that he could handle a role with a bit more to it than his usual characters...just a bit.

By the way, there have been four versions of this film. I haven't seen any of the others, so I cannot compare them. But based on the plot, I'm not in a huge hurry to see the rest. Meh.

FYI---Little Mary Jane Saunders grew up to marry Jay Johnstone, the major league baseball player.