The Spider and the Fly

A committed and cunning detective (Portman) is out to catch his nemesis and a man he respects - sophisticated burglar, Rolfe. During his investigations he falls in love with Rolfe's confederate (Gray), who in turn worships Rolfe. This triangle of love and crime comes to a head when WWI breaks out and Rolfe's skills could now become very useful.

Enjoyable thriller / drama focussing on 3 people who rather like / love each other, but how will it all get resolved. The characters are perhaps a bit cold and underdeveloped but the acting, particularly from Portman is strong and it has a playful, sometimes witty script.

Police inspector Eric Portman (Maubert) is permanently on the case of gentleman thief Guy Rolfe (Philippe), who is a character similar to David Niven's gentleman thief in the original "Pink Panther" film. The film is set in France just before World War 1 and we watch Portman and Rolfe play out a cat-and-mouse game as various robberies are carried out. Nadia Gray (Madeleine) plays the love interest for our two male leads. She is part of Rolfe's crooked network and Portman is constantly at her to shatter Rolfe's alibis. An undercover operation finally finds Rolfe caught in the act but the outbreak of war leads to new priorities and Portman asks for his old adversary to be released from prison to assist France in stealing some important documents from Switzerland. The film then turns into a buddy-buddy movie as these two characters work together to complete their mission. Can they succeed?

I really enjoyed this film. The acting is good and Portman (representing detection) and Rolfe (representing crime) are extremely likable in their roles and play off each other with a camaraderie that will have you relishing in them working together in the latter part of the film. The dialogue is good throughout and not one scene is wasted. An amusing occasion occurs when Portman arrests Rolfe and they go into a bar on the way to jail to share a cognac together. Portman pays way in excess of the cost of the drink and when this is pointed out by the barmaid, he replies that it is for the glasses as well at which point both Portman and Rolfe smash their glasses onto the floor. It's amusing and it strengthens the bond between them. I dare you to try it next time you have a drink in a bar.

There are a couple of twists at the end which are quite moving. It's a good film to keep and watch again.

A well cast and well paced police drama set in Paris just prior to WWI featuring Eric Portman as the professional and unemotional detective Fernand Maubert and his adversary the aristocratic gentleman thief and bank robber Philippe Lodocq played by the exceptionally tall Guy Rolfe. In some scenes I'm sure his lover, the demure Madeleine (Nadia Gray), is standing on something so as to kiss him. As the Hun approaches Paris, the French government tempts Philippe with a pardon and a wad of cash to do a little espionage. The film ends well with an unexpected twist. British film buffs should look out for a young George Cole (aka Arthur Daley)in the dual role as a trainee detective and actor. Also Arthur Lowe (Dad's Army) appears as a nervous town clerk. Note: This is not a film for those trying to quit smoking. In every scene every man smokes furiously and towards the end even the fair Madeleine lights up.

This is an unusual film from the highly-rated Robert Hamer containing two superb performances from Eric Portman and the statuesque Guy Rolfe. Rolfe is a revelation in that he is in no way overshadowed by Portman and his physical presence dominates his scenes. The script matches the performances and the locations, direction, lighting, and camera-work ensure is it wholly convincing throughout. Set in France just before and during the Great War, there are some truly tense and suspenseful scenes and the film holds you from start to finish. It is a picture which, because of its unusual atmosphere and setting, together with the performances and story-line, stays with you. The last two scenes are touching and beautifully played. Why more was not made of Guy Rolfe's talent and presence by giving him more prime roles in his career is a mystery to me. Try not to miss this one.

Robert Hamer was the great director of an episode of "Dead of night" and the famous "Kind heart and coronets". The problem is that "the spider and the fly" is real slow, not because of the script enough rich of strange situations and dialogues, but because of a total lack of actors direction, the three main actors are desperatly unexpressive. They are shot from far, and there's a puzzling scene in which two characters are turning back the camera, then the camera shoots too many long time the door when the character has already gone out. Eric Portman and Nadia Gray look really empty, and Guy Rolfe who has a terrific frightening face is too much shot from far, he would have needed close shots. What a pity because Guy Rolfe's character of some kind of Arsène Lupin is really interesting and the end is gripping.

The movie is located in France, mainly Paris, but also Versailles and in the end in Switzerland, I rekon some of the locations are real places in Paris or Versailles but there might be some studio scenes for the Café Michel we often see (serving the inevitable absinthe). Robert Hamer also directed Alec Guiness in 1955 in France in "To Paris with love", in colour on the Champs Elysées. There might be some other good surprises in Robert Hamer's filmography of only 14 movies.