Colt .45

Colt 45 is certainly a lite western for RS but nevertheless is worth a shot. What I found most interesting are how many familiar actors from later big movies make their lesser screen appearances here. Ruth Roman is the only female in the picture and has everybody's attention. She even manages to throw some dirt at and a knockout of RS. Probably the only time this has happened to Scott on screen. She is a few years ahead of Far Country with Jimmy Stewart. Walter Coy, Aaron Edwards in The Searchers, has an uncredited role here that you'd have to Search for. Lloyd Bridges predates his paranoid role in High Noon with a complete weasel of a character here. The catch of the day is Ian McDonald playing Miller here, a member of Zachary Scott's gang; later as Frank Miller in High Noon.

As for the flick, Scott looks clean shaven even after forty days of soft time in jail. Brother Zachary looks like a very light weight Clark Gable. The sexual symbolism is a little too obvious here but for young kids it was all surely missed. Just relieved that RS is clearly interested in Roman with Ruth more than his colts. This is one western where the Indians (unnnamed tribe) are the good guys. It's not The Tall T or Commanche Station but if you are a fan of RS, and I certainly am, you can't miss with a Colt 45.

In the 1950s, Randolph Scott made a number of westerns at Warner Bros., ranging from the sublime (Andre De Toth's CARSON CITY) to the ridiculous (this one). COLT .45 (1950) has got a number of things wrong with it, including ludicrous plotting, but is at least fast-paced, well-cast and dotted with frequent bursts of violence and gunplay. The screenwriter seems to have bent over backwards to tie a standard lawman-vs.-stage robbers tale to the Colt .45 revolver which is apparently being introduced to the west at the time this film takes place. The plot has to do with an outlaw's theft of a pair of the title six-shooters and the robbery-and-killing spree that results. The owner of the guns, Steve Farrell (Randolph Scott), a salesman for the Colt company, takes off after the villain with a second pair of the six-guns. At various points during the action, Farrell is accused of complicity with Brett (Zachary Scott), the robber he's pursuing.

Zachary Scott makes a suitably snarling, mustachioed villain in a performance seemingly fueled by ample infusions of "fire water" consumed between set-ups. Ruth Roman makes a spunky and attractive heroine as the wife of a miner (Lloyd Bridges) who's in cahoots with Zachary. Alan Hale (Sr.) plays a corrupt sheriff also working with Zachary.

The most interesting thing about this western is the inclusion of a tribe of Indians who pop up at convenient moments to help hero Farrell. Given the pervasiveness of corrupt whites in Bonanza Creek, the backlot town where the film takes place, the Indians prove to be Farrell's only dependable allies. The chief is played by respected Indian actor Chief Thundercloud, who adds virtually the only note of historical authenticity to the entire film. At one point, one of the Indian women supplies heroine Roman with a very fashionable white buckskin jacket that she sports for the rest of the film.

The film is set during the James K. Polk administration immediately after the Mexican War, placing the action sometime in the 1840s. Given that photography was a brand-new (and quite time-consuming) technology back then, it's anachronistically amusing to see posters featuring a black-and-white head shot of Randolph Scott distributed to peace officers in the film.

Shot in color, COLT .45 is a relatively low-budget affair with shooting restricted to the Warner Bros. backlot and nearby studio ranches.

"Colt 45" was one of series of fast paced little westerns that Randolph Scott turned out during the 1950s.

This one is centered around the introduction of the Colt 45 six shooter to the old west. Steve Farrell (Randolph Scott) is a Colt 45 salesman in the town of Red Rock pitching his wares to the local sheriff (Charles Evans). His prisoner, Jason Brett (Zachary Scott) escapes as he is being moved, steals Farrell's two colts and kills the sheriff. He implicates Farrell in the escape and the towns people arrest him for the murder of the sheriff.

Meanwhile Brett and his gang have embarked on a campaign of robbery and murder with the colts as the center piece of the crimes. After four months, Farrell is finally cleared and released by the new sheriff (Stanley Andrews). Farrell just happens to have a second set of Colt 45s and sets out to catch Brett.

Farrell comes upon a stagecoach holdup by Brett and his gang and boards the coach. Inside he finds Beth Donovan (Ruth Roman) the wife of the ambitious but spineless Paul Donovan (Lloyd Bridges) who is a member of Brett's gang. She is helping the gang in fear for her husband's life. Farrell with both guns a blazing foils the hold up attempt and takes the coach into the town of Bonanza.

Farrell meets the town sheriff Harris (Alan Hale Sr.) who appoints him as a deputy. Harris it turns out is in with the gang and goes to Brett to plot Farrell's downfall. At the persistent urging of Donovan (and amid the protests of Beth), Brett decides to take over the town. Brett cleverly fingers Farrell as the leader of the Colt 45 gang diverting suspicion from himself. Farrell manages to escape and Harris forms a posse to bring him in. With the help of Chief Walking Bear (Chief Thundercloud) Farrell plans his revenge on Brett. Meantime Brett takes over the town and................

Randolph Scott found a second career in these little 80 minute westerns appearing in them exclusively from about 1946 to the end of his career. As he aged some thought he began to resemble silent screen great William S. Hart and that the age lines added character to his face.

For Alan Hale Sr. the great character actor of the 30s and 40s, this was his second to last film. Zachary Scott plays the villain as a slightly mad ever dangerous cold blooded killer. Ruth Roman was a little young at the time to be taken seriously as a love interest for Randolph Scott. Lloyd Bridges is good as the cowardly Donovan. Chief Thundercloud (who's real name was Victor Daniels) is best remembered for playing "Tonto" in the Lone Ranger serials and "Geronimo" in the film of the same name. Also in the cast are Ian MacDonald as Miller and Hal Talliaferro as a stagecoach driver.

Randolph Scott is a salesman for Colt Firearms traveling the west demonstrating his company's newest invention, the .45 revolver to law enforcement. At a police station a slimy weasel of a man makes off with his demonstration models and goes on a robbery and killing spree, aided by the superiority of the revolver to the average one shot pistols. Scott sets out to clear his name and retrieve his guns.

Like all studio backed B-pictures, this looks good and is technically well made with good action sequences but with a somewhat forgettable script.

However, this has some novelty as probably the only fifties western where all the lawmen are portrayed as crooked villains and/or stubborn dummies while the Indians are the good guys, saving the hero's bacon on more than one occasion!

I particularly enjoyed the lighting and Technicolor in this.

I have one major problem with this film. Set in the late 1840's or early 1850s, it highlights the introduction of the "Colt .45 revolver". Actually, the gun depicted in the film is a Colt's DRAGOON .44 cap & ball sixgun. I don't know why the title, "Colt .45" is stuck on this film, when "Colt .44" would have been just as sexy-sounding, and would have been historically accurate, as well. The introduction of a reliable, durable and accurate revolving pistol did really revolutionize things in the Old West, as depicted in the film but still, the name of the gun is wrong. I guess the film maker either didn't know or didn't care about the inaccuracy. All that being said, This is still a film worth watching. The reason is Randolph Scott, of course. I have been a huge fan since viewing "Ride the High Country" about 25 years ago. Over time I have seen most of his Westerns and while the films themselves vary in quality, the performance of Mr. Scott is almost always excellent. This is a lesser offering, granted, but the presence of Mr. Scott makes it worth the time. I'd rate it a 7.