The Glass Menagerie

As a result of the numerous re-makes of this haunting classic this original film version is often overlooked. Irving Rapper's delicate direction and economical style are the perfect compliments to Tennessee Williams' haunting prose. While Paul Newman's more recent filming of The Glass Menagerie with wife Joanne Woodward is more faithful to the play's text, his use of colour and a much weaker supporting cast makes the 1950 version more compelling viewing. The talented Karen Allen is not nearly as heartbreaking as Academy Award winner Jane Wyman in the crucial role of Laura. Arthur Kennedy and Kirk Douglas also out perform their more contemporary counterparts. Having now seen a number of actresses fail to live up to the considerable challenges of playing Amanda Wingfield it is easier to appreciate the virtues of the rather miscast Gertrude Lawrence(the film producers had wanted Tallulah Bankhead but felt her unfit to complete filming, they also wanted Bette Davis but her falling out with Jack Warner left her out of the running).According to Elia Kazan a nervous Charles Feldman re-cut the film thus somewhat compromising its integrity. However even with its flaws it is the only filmed version which fully captures the tragic atmosphere of Williams' brilliant play.

One of the few chances to see the great Gertrude Lawrence on screen. her amanda is so complex,manic,gentele,harsh. a truly great performance that was totally ignored by the academy.arthur kennedy too is compelling as tom. a shame he did not do more William's on screen he was one of the major stage interpreters of the man. only jane wyman seems miscast,a bit too character-actressy for the subtlty of the role to shine through.too bad,because without a good laura half the play is lost. a good effort that could have been great if they had not used wyman.

One of Tennessee Williams' best plays becomes a good but not great film despite a stellar cast. It's hard to pin exactly why this film doesn't soar but it's a solid screen version. Maybe it's just that the subject matter works better in a stage environment and that the camera is just too intimate.

Familiar story of restless son, his crippled sister, and their manic mother, who seems to live in the golden past is great material for the stage. And this sad story of the mother's attempts to goad the son into bringing home a young man to meet the sister seems rather cruel. But even the forgotten and lost can lead lives of desperation as they cling to dreams and make wishes on silver moons.

Arthur Kennedy stars as Tom, the son who tries to please his mother but longs to escape his dull job in St. Louis and see the world. Jane Wyman is the crippled sister who has shrunk from the world and collects tiny glass animals. Gertrude Lawrence is the mother who was abandoned by her husband and has been reduced to living in a dumpy apartment and selling magazine subscriptions. And Kirk Douglas is the "gentleman caller." All 4 actors are quite good, although none received Oscar nominations, despite the hype. Many great actresses have been associated with the role of Amanda Wingfield since this play made its Broadway debut in the 1940s: Laurette Taylor, Katharine Hepburn, Joanne Woodward, Maureen Stapletobm Jessica Tandy, Julie Harris, and Jessica Lange have all played the role on stage, film, or TV. And I swear I remember Shirley Booth doing this on TV also.

Ultimetaely the story is as fragile as the glass figures. If any one character dominates the story the whole play collapses. This film version works very well in balancing the roles. And while Wyman seems a tad old for the part, Lawrence was an even odder choice. I've also read that Bette Davis and Tallulah Bankhead were considered. But how they decided on Lawrence--a great musical comedy star in London and New York--is anyone's guess. She really is quite good but the film might have need the extra star power of Bette Davis.

Anyway, this classic American play is worth watching.

The Glass Menagerie (1950) : Brief Review -

Tennessee Williams' classic and perhaps the best story ever gets the best cinematic adaptation at the hands of Irving Rapper. Tennessee's Cat on a Hot Tin Roof and A Streetcar Named Desire may have been popular, but I found them a little overrated. Today, my thoughts are empowered by The Glass Menagerie (adopted 4 times), as I found this one much better due to its realistic take on life. As mentioned by many, this one is a close account of Williams' life with a deliberate happy ending, which is not fulfilled but bleak. Pardon me for saying this, but I found this film 'storyless'. There was no story. Just a few moments of a family together and their struggle/success and you have The Glass Menagerie ready for you. Yet, this one moved me and engrossed me as a viewer, which is a big thing. The film is about a caring mother who wants her son to be settled well and her sick daughter to be mingled with a handsome young man. The son is working at a warehouse and is sick of the job. He wants to explore and go places, but his mother keeps pushing him to bring young men to the house and find a partner for his crippled sister. The sister lacks confidence, while the mother is all about swag and royal stature. I couldn't have imagined that Gertrude Lawrence had the nerves to overshadow Arthur Kennedy, Jane Wyman and Kirk Douglas in a four-actor film. What a presentation of a caring mother, and what an accent she carried throughout the film. Simply unbeatable. Jane Wyman shines as Laura, and I can't imagine any other actress playing this role better than her. Arthur Kennedy and Kirk Douglas go hand-in-hand as far as male bonding is concerned, as well as individually. "Dancing is the most civilised form of social intercourse" has to be my favourite quote, apart from that final monologue by Tom. I'll always be thankful to Irving Rapper for "The Corn is Green" (1942), but I didn't like "Now, Voyager" (1942) much. This one landed exactly in the middle.

RATING - 7/10*

By - #samthebestest.

Gertrude Lawrence only made 13 films in her career, but she was beloved for her stage performances in England and on Broadway. The English-born actress does a fantastic job with her southern accent as Amanda Wingfield. She plays the perfect nagging yet doting mother in "The Glass Menagerie."

Jane Wyman plays her daughter, Laura, and Arthur Kennedy is her son, Tom. The cast of this first film of the play is rounded out with Kirk Douglas as Jim O'Connor and Ralph Sanford as Mendoza. With this superb cast, this may be the best film rendition of the Tennessee Williams story on which the film is based.

One drawback is its revised ending that leaves a question in the viewers mind. So, what eventually happened to Amanda and Laura? And, I agree with observations by some that the effort to make Lawrence appear younger is a negative. Especially when she gets dolled up for the dinner evening with their guest, Jim O'Connor.

Lawrence was well liked by audiences as a dramatic and comedy performer. Besides the stage and films, she played nightclubs and sang. She won a Tony for her starring role in the original Broadway production of "The King and I" opposite Yul Brynner.

But, Lawrence made so few films, that there aren't many examples of her acting talent available otherwise. This version of "The Glass Menagerie" may be the best example for movie buffs to see a performance by this fine British star of stage and screen.

Lawrence died at age 52 of cancer. She lived a high life, well beyond her substantial means, and was deeply in debt most of her life.

Here's a favorite line from the film. Jim O'Connor, Ah, when you first meet Mendoza, you don't like him. But, when you get to know him, you hate him."