The Scarlet Pumpernickel

Blowing your brains out is the answer and that's just what Daffy Duck ends up doing.

The cartoon opens in the office of one of the Warner Brothers producers. Daffy is trying to get him interested in making a movie from his 1000 page script 'The Scarlet Pumpernickel'. Daffy plays a swashbuckling hero/thief who would like for no more than to marry his maiden in peril. But Sylvester is out to catch him and take her for himself.

The producer likes Daffy's script but need a bigger ending. How about a tidal wave? Not good enough? And a volcano explodes? Not good enough. But there's nothing left for the Scarlett Pumpernickel to do but blow his brains out?

Blam!

I love that Duck.

Scarlet Pumpernickel, The (1950)

*** (out of 4)

Daffy Duck, tired of playing comedy roles, goes to J.L. Warner with a new swashbuckler screenplay and begins to read it. It features our hero (Daffy) trying to save the woman he loves from her evil father (Porky Pig) and the man he wants to marry her off to (Sylvester). This film has a lot of heart and imagination but not enough laughs to make it one of the best from Merrie Melodies. The visual animation is top-notch from start to finish with some beautiful looking backgrounds especially those inside the castle. The wedding scene in pedicular stands out as does the ending where we see a volcano go off as well as a dam break. Sylvester is pretty much wasted in the film as is Porky but we do have Daffy going all out.

This cartoon starts out with Daffy Duck in J. L.'s (Jack L. Warner's) office pitching for a dramatic role. He's tired of having anvils drop on his head and never getting the girl. In his buildup of the proposed plot, he has J. L., and us, on the edge of our seats.

This is not your typical Looney Tunes fair. It's a roller coaster ride of slapstick comedy, cameos and that special brand of humor from writer Michael Maltese, all beautifully animated by one of the best crews ever assembled. It's a welcome departure from the formulaic series that the Warner Bros. cartoon factory from this era did so well, but the recipe from this one was to be tried out again with great success in later Daffy Duck shorts (Duck Dodgers, Stupor Duck).

We've all seen the images of up-and-coming writers trying to pitch their work to studio heads. Well, in "The Scarlet Pumpernickel", Daffy Duck is trying to pitch his 2,000-page script to studio head J.L. The script casts Daffy as the Scarlet Pumpernickel, an 18th-century rogue. Seeking to trap the guy, the dastardly Lord High Chamberlain (Porky Pig) comes up with a most devious scheme: marry fair maiden Melissa off to the unpleasant Grand Duke (Sylvester the Cat). So, it all comes down to a sword-fight between Daffy and Sylvester.

Actually, it doesn't come down to that. Daffy never wrote an ending, and so at the spur of the moment, he comes up with an ending that seems a little strange to put in a cartoon. But, as he notes, that's apparently what you have to do to sell a script these days. The cartoon makes fun not only of movies starring Errol Flynn (whom Daffy mentions by name), but also of everything Hollywood-related. Chuck Jones, Mel Blanc, and that whole team probably knew all about such things. Another classic cartoon.

Tired of being typecast in comedy-duck roles, Daffy pitches an adventure story to a studio executive. He tells the story of the Scarlet Pumpernickel, a gentleman bandit that befuddles the authorities, until, that is, the Lord Chamberlain devises a cunning plan to draw him out and trap him.

This cartoon is a mix of period piece and studio-spoof; it starts and ends in the studio and has a vague Errol-Flynn tale in the middle. The main story is surprisingly unfunny and really could have used a great deal more spark to really make it enjoyable. As it is it only has a few gags, such is the time given to the array of characters and the frame of the plot. The studio set bits are quite funny due to the joke of how hard it is to sell the story, the idea that Daffy is a real actor worried about typecasting and the delivery of the duck himself - but these aren't enough to carry it.

The cast are very good on paper, the problem is there are too many players. Daffy is funny in his twin roles as actor and character, but Porky is given too little time to really do anything. Likewise Sylvester is pretty much wasted. The feeling of an ensemble cast is not necessarily a good thing in a 4 minute long film - sometimes things need to be scaled down to be more effective.

Despite the promise shown by the film, it tries to do too many things and the end result is that it doesn't do the main story or the studio stuff justice. If anything I was surprised by just how average this cartoon was!