BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.BBC Radio's 20 Questions receives anonymous clues that connect to a series of murders. Reporters try and break the code before more deaths come to pass.
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The BBC's legendary Twenty Questions show is the subject of a killer's macabre sense of humour, sending in questions as leads to their heinous crimes.
It's a very cold and wet day, the curtains are shut, so the setting is cosy, this film has been the perfect antadote to a cold and wet day. The pace is slow, but it's engaging enough, it's atmospheric and will keep you guessing. The acting is varied to say the least, but there are some interesting characters.
It's 1950, it holds up, nice production values, although some of the attitudes are representative of the time.
Poirot's Whitehaven Mansions appear to be the external home of Mary Game.
It's a decent pot boiler, 6/10.
It's a very cold and wet day, the curtains are shut, so the setting is cosy, this film has been the perfect antadote to a cold and wet day. The pace is slow, but it's engaging enough, it's atmospheric and will keep you guessing. The acting is varied to say the least, but there are some interesting characters.
It's 1950, it holds up, nice production values, although some of the attitudes are representative of the time.
Poirot's Whitehaven Mansions appear to be the external home of Mary Game.
It's a decent pot boiler, 6/10.
I really quite enjoyed this rather quirky crime thriller. It starts off with the most spurious of clues - a man writes into the famous BBC radio panel game "20 Questions" with a puzzle for them all. The answer turns out to be incredibly similar to the circumstances of a murder the next day... When this happens again, two sparring reporters get down to investigating what's going on. Robert Beattty and Rona Anderson blend their gentle journalistic competitiveness (and a gently burgeoning romance) well, and alongside Edward Lexy as the pursuing policeman ("Insp. Charlton") and the real quiz panel - including legendary British broadcasters Richard Dimbleby and Jack Train - help to keep the mystery rolling along nicely. It's just a bit too long, I felt - the story does start to recycle itself a bit and there is a great deal of dialogue, but it is still an intriguing enough watch as the brains start to piece together this complex series of evidence threads that keeps us guessing right to the end. A couple of nice cameos from Kynaston Reeves and Liam Redmond help out well, too.
As a low budget British crime film mixing fact and fiction, THE 20 QUESTIONS MURDER MYSTERY works far better than the previous attempt I saw, THE BRASS MONKEY. This one takes the real-life participants of the radio quiz show '20 Questions' and incorporates them into a plot involving a vengeful murderer who gradually works his way through a group of old soldiers. His modus operandi is to send in clues and puzzles to the '20 Questions' team before committing each crime. It's a novel premise and one that works quite well thanks to the literate script. The director, Paul L. Stein, had a lengthy career that started out in German silent cinema before he fled to the UK in 1938 and became a film director over here. He died shortly after this production, leaving the film a fitting testament to his talents.
Fans of the genre will recognise various tropes here, from the intrepid reporter running rings around the police to the villain with his secret motive and the well-staged and atmospheric murders which feel like they're out of an Edgar Wallace novel. As the reporter hero, the Canadian born Robert Beatty had one of the longest careers in Hollywood history and does a fine job, and Rona Anderson is ahead of the times as the sharp female reporter. Once again, Wally Patch (SALUTE THE TOFF) steals every scene as the humorous cop assigned to bodyguard duty to protect the equally funny Jack Train, and Kynaston Reeves plays in support.
Fans of the genre will recognise various tropes here, from the intrepid reporter running rings around the police to the villain with his secret motive and the well-staged and atmospheric murders which feel like they're out of an Edgar Wallace novel. As the reporter hero, the Canadian born Robert Beatty had one of the longest careers in Hollywood history and does a fine job, and Rona Anderson is ahead of the times as the sharp female reporter. Once again, Wally Patch (SALUTE THE TOFF) steals every scene as the humorous cop assigned to bodyguard duty to protect the equally funny Jack Train, and Kynaston Reeves plays in support.
It begins with some originality, even blurring the lines between reality and fiction by having several real panelists of a (rather obscure today) radio game show playing "themselves" but acting out a script. However, all of this is quickly mostly abandoned, and the film becomes a conventional, talky and overlong murder mystery. A dull male protagonist does not help much. The killer, however, is admittedly well-hidden. ** out of 4.
The classic radio show receives a clue to a series of murders and reporter Beatty picks up the trail.
Actually quite well written with the script careering on at quite a pace with some nice characters with some witty one liners - in fact the script is more entertaining than the whodunnit.
Enjoyable afternoon fare.
Actually quite well written with the script careering on at quite a pace with some nice characters with some witty one liners - in fact the script is more entertaining than the whodunnit.
Enjoyable afternoon fare.
Did you know
- TriviaShot in three weeks.
- GoofsThe murderer is able to successfully strangle his victims in a couple of seconds: the evidence suggests that in reality it takes longer than that.
- Quotes
Mohammed Ali: He was English, and to an Indian all are alike. They are big, their faces are red, and they smell of whisky.
- Crazy creditsOpening credits: All characters appearing in this film are entirely fictitious and are not intended to represent or portray any person whether living or dead, except the "Twenty Questions Team" who appear in person.
- ConnectionsReferences Hamlet (1948)
Details
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 1.37 : 1
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