Union Station

I remember this film shown once on TV. Yes, the story plotline is good and the characters are entertaining, but the REAL star of the movie is the incredible historical Union Station itself. The movie moves throughout portions of the building never before seen by the general public and reveals the enormous scope of Union Station. As a little girl I and family traveled often by train. I remember the beauty of the place, the hustle and bustle of a station which was the base for the only comfortable way to travel by land at that time.Union Station itself compares in size and beauty to any other in the country.This movie was shot during the last hey-days of the railroad passenger trains and I earnestly wish it could be brought back to video.

This was a bit of a sleeper, better than I thought and not a well-known film to begin with, since it never came out on VHS. William Holden and Nancy Olson both worked on Sunset Boulevard this same year this was released and here are together again. Actually, I like the two a lot better in this film than the much better- known 'Boulevard.'

Yes, some of the scenes are a bit dumb but the story moves well and keeps your interest which is what a good crime story-drama should do. For some reason, I really enjoyed the train station, too. It looked awesome.

Hopefully, some day this movie will be part of a film-noir package on DVD.

For a mid range movie of 1950 this fast moving Railway Police/chase story packs a reasonable wallop. The cast is above average for what looks like a 'double feature' production and the script never wanders from its target for a moment. The police are shown realistically and situations are not compromised in their general graphic details. All characters are written and directed as you might expect them to be in a life challenging situation. Perhaps the somewhat tacked on ending could do with a little (very minor) editing to give it a harder edge but some may be happy with finishing it on a slightly lighter note.

Maybe Lyle Bettger could also have been reined in a tad with his full-on performance of the nasty kidnapper but he looks the part. Sydney Boehm's tight screenplay was based on Thomas Walsh's Edgar winning novel 'Nightmare in Manhattan' - William Holden and Nancy Olson were teamed again for Award winner, 'Sunset Boulevard' the same year and the image and sound on the DVD I viewed, was quite clean. Was good to discover another classic from the past.

Obviously modeled on Jules Dassin's superior THE NAKED CITY (1948) – co-starring Barry Fitzgerald, meticulous police procedural, filmed on actual locations – this film can certainly stand on its own two feet, being a tight and neatly-handled little thriller with plenty of action and suspense. Especially effective is a game of cat-and-mouse on a train between criminal and cop, which must have influenced THE FRENCH CONNECTION (1971)!

While it doesn't quite have the scope of the earlier classic, the film nonetheless makes the most of its situations (revolving around a race-against-the-clock to save a kidnapped blind girl) and settings (the majority of the action taking place, naturally, inside the titular location – with the tunnels underneath the station itself providing the backdrop for the climax, and which may well have been inspired by ending of THE THIRD MAN [1949]).

Fitzgerald is once again excellent though, here, he rather plays second-fiddle to the nominal stars – this being a Paramount film, it couldn't but be contract players (William Holden and Nancy Olson in the second of their four teamings). Lyle Bettger is appropriately menacing as the sly chief kidnapper, while Jan Sterling appears as his soft-hearted girlfriend (who suffers the consequences for demonstrating compassion towards her charge).

This film reminded me of others from the late '40's up to 1950, of "D.O.A.", in some ways, with its tense realism. The cold, merciless criminal mastermind played by Lyle Bettger was a (considerably) more balanced version of the sinister characters portrayed by James Cagney in "White Heat" or Richard Widmark in "Kiss of Death".

This is an early police procedural, with the railway cops working closely with the New York City police. According to Leslie Halliwell, "Naked City" -- which I've somehow managed never to see -- is the prototype for all the films of this type. The style eventually became overfamiliar, and very diluted, on television with shows like "Dragnet". "Naked City" cast Barry Fitzgerald unexpectedly as the lead detective, and he repeats that role here.

The two principal stars of "Union Station" are William Holden and Nancy Olson, who also co-starred in "Sunset Boulevard" this same year, 1950. Nancy plays Bill's conscience, constantly concerned that the interests of the kidnap victim don't get overlooked in the hunt for the criminals.

Holden is quite good -- he really started to come into his own at this time -- indicating more depth than was strictly required for the stalwart hero in a crime story. Bettger shows calculated menace. The two make worthy opponents.