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4.4/10
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The owner of a plantation in the jungle marries a beautiful woman. Shortly afterward, he is plagued by a strange voodoo curse which transforms him into a gorilla.The owner of a plantation in the jungle marries a beautiful woman. Shortly afterward, he is plagued by a strange voodoo curse which transforms him into a gorilla.The owner of a plantation in the jungle marries a beautiful woman. Shortly afterward, he is plagued by a strange voodoo curse which transforms him into a gorilla.
Lon Chaney Jr.
- Police Commissioner Taro
- (as Lon Chaney)
Gisela Werbisek
- Al-Long
- (as Giselle Werbisek)
Steve Calvert
- Gorilla
- (uncredited)
Augie Gomez
- Native
- (uncredited)
Tony Urchel
- Native
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Certainly not a bad little low budget film, this "Bride of the Gorilla", but nothing special, neither, and not memorable enough to be ranked among the meaningful Sci-Fi efforts of its time. Director Curt Siodmak was an eminent scriptwriter during the 1930's and 1940's and delivered stories for some true genre classics ("I walked with a Zombie", "The Wolf Man") but, as a director, he obviously lacked the required competences. "Bride of the Gorilla" is similar to the aforementioned "The Wolf Man" in story and atmosphere, but the film looks a lot more amateurish and pitiful. Both handle about cursed men that turn into large animals at night, but the titular gorilla doesn't look half as threatening as the werewolf, even though the film got released a whole decade later. During a cheesy opening speech, actor Lon Chaney tries to convince us that the jungle is an ominous place and hiding many mysteries, but actually there's no real mystery in the plot. It's just handles about a plantation manager who's jealous at his older colleague for having such a beautiful young wife and he kills him. A native woman witnesses his crime and puts a spell on Barney that causes him to transform into a hideously big gorilla at night... Or maybe she just wants him to believe he's turning into a hideously big gorilla
Lon Chaney himself plays the police commissioner charged with the murder investigation while Raymond Burr (who starred in about a thousand Perry Mason TV-movies) portrays the greedy plantation manager/nightly gorilla. Siodmak attempts to make the film look like a supernatural thriller is it or is it not all just happening in Barney's head? fail miserably and it causes way too much talking and too few jungle-action. Several of the jungle-settings are nicely pictured but the rest of the "special" effects are tacky and poorly done. Still the acting is pretty good, Barbara Payton is looking beautiful and although very predictable the story is strangely compelling until the very end. Weird movie, it probably voodoo-cursed me
Don't be deceived by the prominent billing of Lon Chaney Jr or the advertising that stresses all the horror in this little yarn. In point of fact, Mr Chaney is confined to a rather small role. He's neither our heroine's husband nor lover. He's not even the gorilla! Mr Chaney stays firmly on the right side of the law for once, while Raymond Burr in his usual confidently cool, surly, self-assured manner enacts the title role opposite the legendary Barbara Payton (here looking extremely attractive, thanks to flattering photography and most seductiveif rather inappropriate by jungle standardscostumes. She speaks her lines with more than adequate conviction too).
Tom Conway walks through his part with his usual, blandly smooth impeccability, whilst Carol Varga's eye-catching native girl gives Barbara a fair run in the beauty stakes. Woody Strode is also on hand as a policeman who has a key scene with a black-robed, rather sinister servant-lady.
As a director, Mr Siodmak takes great care that every word of the marking-time hokey dialogue he has contrived for his script, be clearly and distinctly heard. His actors are coached to speak carefully and to enunciate with great deliberation so that not one time- consuming cliché be lost. In other respects too, Siodmak's handling has not a great deal to recommend it. Even at 65 minutes, the pacing appears remarkably slow, even tired, listless, dull. Except for a few shots of the camera tracking subjectively through the undergrowth and the jaws of the gorilla flashing momentarily right in front of the lens, Siodmak does little to capture audience interest in his tale. He focuses more of his attention on the bride than the gorillawhich is fine for us Barbara Payton fans, but may leave horror and fantasy devotees feeling rather short-changed.
All told, from a horror perspective Bride of the Gorilla turns out as a tame and tedious affair that signally fails to deliver the frights and the terror promised by its script and its advertising. We see only a few flashes of the gorilla (an obvious impersonation by a stuntman in the same well-used monkey suit the costume company has been renting out for twenty years) and there's no impressive special effects work either. Most of the movie perambulates around three or four sets and was obviously lensed on an extremely tight budget. (In fact, it was reportedly shot in ten days).
Bride does have one other important factor (aside from Miss Payton), in its favor, however. It was superbly photographed by Charles Van Enger. If you love glossy photography, Bride of the Gorilla is your meat.
Tom Conway walks through his part with his usual, blandly smooth impeccability, whilst Carol Varga's eye-catching native girl gives Barbara a fair run in the beauty stakes. Woody Strode is also on hand as a policeman who has a key scene with a black-robed, rather sinister servant-lady.
As a director, Mr Siodmak takes great care that every word of the marking-time hokey dialogue he has contrived for his script, be clearly and distinctly heard. His actors are coached to speak carefully and to enunciate with great deliberation so that not one time- consuming cliché be lost. In other respects too, Siodmak's handling has not a great deal to recommend it. Even at 65 minutes, the pacing appears remarkably slow, even tired, listless, dull. Except for a few shots of the camera tracking subjectively through the undergrowth and the jaws of the gorilla flashing momentarily right in front of the lens, Siodmak does little to capture audience interest in his tale. He focuses more of his attention on the bride than the gorillawhich is fine for us Barbara Payton fans, but may leave horror and fantasy devotees feeling rather short-changed.
All told, from a horror perspective Bride of the Gorilla turns out as a tame and tedious affair that signally fails to deliver the frights and the terror promised by its script and its advertising. We see only a few flashes of the gorilla (an obvious impersonation by a stuntman in the same well-used monkey suit the costume company has been renting out for twenty years) and there's no impressive special effects work either. Most of the movie perambulates around three or four sets and was obviously lensed on an extremely tight budget. (In fact, it was reportedly shot in ten days).
Bride does have one other important factor (aside from Miss Payton), in its favor, however. It was superbly photographed by Charles Van Enger. If you love glossy photography, Bride of the Gorilla is your meat.
Bride of the Gorilla (1951)
*** (out of 4)
Barney Chavez (Raymond Burr) kills a man in cold blood so that he can steal his wife (Barbara Payton) and he thinks he's gotten away with it but he didn't realize that a voodoo witch has placed a curse on him. The curse turns him into a gorilla but he really changing or is it all in his mind?
Curt Siodmak wrote and directed this low-budget "B" film and that's worth noting because he wrote some of Universal's biggest hits of the 1940's. One such film was THE WOLF MAN, which was obviously the inspiration for this movie. If you're familiar with that 1941 film then you might remember that the screenwriter originally wanted to make it unclear whether the Lon Chaney, Jr. character was a werewolf or if it was all in his mind. Well, that scenario is basically what plays out there.
If you look around at the reviews you'll notice that the majority of them are negative but I feel that's a bit unfair. While this here certainly isn't a classic movie it's at least a lot more entertaining than a lot of the "B" horror movies that were out there around this time. The film obviously doesn't have much money and this is rather clear when you see how cheap some of the special effects are. In fact, the majority of them are off screen or POV shots.
I thought the film was at least entertaining enough to hold your attention throughout and I must admit that I really liked the Burr character even with what he did. I thought it was interesting seeing what he was going through and of course there's the mystery of what exactly is happening. Burr turns in a good performance as did Payton. Then you've got Chaney, Jr. in a supporting role and while it is a throwaway part he's at least fun.
BRIDE OF THE GORILLA is a bunch of low-budget non-sense but I've always found it to be mildly enjoyable.
*** (out of 4)
Barney Chavez (Raymond Burr) kills a man in cold blood so that he can steal his wife (Barbara Payton) and he thinks he's gotten away with it but he didn't realize that a voodoo witch has placed a curse on him. The curse turns him into a gorilla but he really changing or is it all in his mind?
Curt Siodmak wrote and directed this low-budget "B" film and that's worth noting because he wrote some of Universal's biggest hits of the 1940's. One such film was THE WOLF MAN, which was obviously the inspiration for this movie. If you're familiar with that 1941 film then you might remember that the screenwriter originally wanted to make it unclear whether the Lon Chaney, Jr. character was a werewolf or if it was all in his mind. Well, that scenario is basically what plays out there.
If you look around at the reviews you'll notice that the majority of them are negative but I feel that's a bit unfair. While this here certainly isn't a classic movie it's at least a lot more entertaining than a lot of the "B" horror movies that were out there around this time. The film obviously doesn't have much money and this is rather clear when you see how cheap some of the special effects are. In fact, the majority of them are off screen or POV shots.
I thought the film was at least entertaining enough to hold your attention throughout and I must admit that I really liked the Burr character even with what he did. I thought it was interesting seeing what he was going through and of course there's the mystery of what exactly is happening. Burr turns in a good performance as did Payton. Then you've got Chaney, Jr. in a supporting role and while it is a throwaway part he's at least fun.
BRIDE OF THE GORILLA is a bunch of low-budget non-sense but I've always found it to be mildly enjoyable.
O.K., so this is not a critical classic. In fact, it's oddball, low-budget nonsense. But you have to admit, it's great fun to watch. It's so strange that it forces you to watch it to the very end, just so you can be sure you are not making an error about the preposterous plot you're seeing. It's campy madness and I'de recommend it to anyone interested in the obscure. You will find yourself wondering: How did they ever get Raymond Burr to take such a role?
In my movie reference books this movie is variously described as a "bomb" or recommended as a suitable choice for inclusion in the 100 worst movies of all time. Nevertheless, I have no qualms in saying that it is not that bad, and was quite happy to sit for 65 minutes (the short running time probably helps) and see it through until the end.
To begin with Curt Siodmak's story is interesting enough (as are many of his screen writing efforts), and has more than a touch of complex moral ambiguity. His direction here however has very little flair and tends to be on the perfunctory side. The low budget is a major constraint, and for the most part the film tends to be on the flat side visually, with unimpressive jungle scenes and minimal interior set pieces of the kind typical for a low budget production.
The cast (described in one reference book as 4 non-actors) are actually all competent, and Raymond Burr, in fact, is quite good in the part, managing to impart a human dimension to what could have been merely an unsympathetic villain. In fact it is interesting to actually analyse how much of the films dramatic load actually rests on his shoulders.
To begin with Curt Siodmak's story is interesting enough (as are many of his screen writing efforts), and has more than a touch of complex moral ambiguity. His direction here however has very little flair and tends to be on the perfunctory side. The low budget is a major constraint, and for the most part the film tends to be on the flat side visually, with unimpressive jungle scenes and minimal interior set pieces of the kind typical for a low budget production.
The cast (described in one reference book as 4 non-actors) are actually all competent, and Raymond Burr, in fact, is quite good in the part, managing to impart a human dimension to what could have been merely an unsympathetic villain. In fact it is interesting to actually analyse how much of the films dramatic load actually rests on his shoulders.
Did you know
- TriviaDuring filming, Barbara Payton's husband, Franchot Tone, had a private detective spy on her to try to catch her cheating on him. He managed to take a picture of her and Woody Strode in bed together.
- GoofsWhen Dina goes searching for Barney in the jungle for the first time, we see a quick shot of a leopard climbing up into a tree. Although this scene is supposed to be outdoors (the jungle), both the leopard and the leaves around him are casting shadows on the "sky" behind them. The sky is obviously a wall or backdrop.
- ConnectionsEdited into The Bride and the Beast (1958)
Details
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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