An Arabian-nights princess and a Bedouin chief contend over possession of a stallion, but unite to oppose the Corsair Lords.An Arabian-nights princess and a Bedouin chief contend over possession of a stallion, but unite to oppose the Corsair Lords.An Arabian-nights princess and a Bedouin chief contend over possession of a stallion, but unite to oppose the Corsair Lords.
Lon Chaney Jr.
- Borka Barbarossa
- (as Lon Chaney)
Frederic Berest
- Ibid
- (uncredited)
Neville Brand
- Kral
- (uncredited)
Virginia Brissac
- Alhena
- (uncredited)
Barry Brooks
- Guard
- (uncredited)
Leon Charles
- Huntsman
- (uncredited)
André Charlot
- Court Physician
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Your enjoyment of this will depend on your ability to swallow the preposterous liberties the studios took with casting in the 50's. In this instance we have the Irish Maureen O'Hara, slight lilt intact, and the Jewish Jeff Chandler playing an Arabian princess and a Bedouin chieftain respectively racing around what is obviously the California desert standing in for the Sahara.
Queen of Technicolor Maureen is breathtaking and Jeff properly rugged but most of the acting tends towards woodenness. If you appreciate the campiness of that scenario than this is harmless fun, all others beware.
Queen of Technicolor Maureen is breathtaking and Jeff properly rugged but most of the acting tends towards woodenness. If you appreciate the campiness of that scenario than this is harmless fun, all others beware.
Without leaving California, Maureen O'Hara and Jeff Chandler are transformed into characters from Arabian folklore, and like their faux-location they are not very authentic! She is "Tanya" - a feisty Tunisian princess who is doomed to marry one of the marauding Corsair pirates. Fortunately for her, though, the ever-wooden Chandler ("Tamerlane") is on hand. He is seeking "Shazada" - a stallion of great fame, and it may be that he and this great horse might be the only way of thwarting the dismal fate awaiting the trapped princess. The plot is actually quite fun, but the execution is really poor. There is no chemistry at all between the stars, the sets look like they have been made of polystyrene and the dialogue is about as banal as it is possible to be. This vein of fantasy and mythology ought to have provided for a much richer storyline, but somehow here everyone seems to be just going through the motions and what little action there is, is all too theatrically staged. Maybe nobody liked filming in the desert on a hot day? The advertising was in colour, the film in monochrome - that rather sums this whole thing up.
I am writing this because another wrote a throughly shoddy review which is undeserved; complaining about hair color & other unimportant things, whilst going on & on about Maria Montez, not that I am being disrespectful towards her, not at all, but as much as I too enjoyed the Jon Hall/Maria Montez movies, but ne'er could Maria Montez ever compare to Maureen O'Hara. I just this moment, finished watching the movie 'Bagdad', this other reviewer wrote a similar review for that movie also & it is just a pitiful.
I do not consider any of the parts overacted, nor do I find it odd for a Bedouin princess princess to have Flaming Red Hair. Where did it say that she was Bedouin, only a Bedouin princess. For all we know her mother could be Irish (like Maureen), just as Cleopatra VII had no Egyptian blood within her veins, or more currently, (1810) the current dynasty of Sweden (the Bernadottes) originally were French (Jean-Baptiste Bernadotte, a Marshall of France, during the time of Napoleon I), was elected heir to King Charles XIII of Sweden.
But aside from these justifications regarding hair color, we must remember that things like hair color are not important things to consider when reviewing a movie, but only whether or the the movie was entertaining. In that regard I can say that I shan't be clambering to see this one again, or 'Bagdad' either. The sets were beautiful, the costumes even more so, but the movie itself, just wasn't that good. But this is the fault of the script, not any other.
I do not consider any of the parts overacted, nor do I find it odd for a Bedouin princess princess to have Flaming Red Hair. Where did it say that she was Bedouin, only a Bedouin princess. For all we know her mother could be Irish (like Maureen), just as Cleopatra VII had no Egyptian blood within her veins, or more currently, (1810) the current dynasty of Sweden (the Bernadottes) originally were French (Jean-Baptiste Bernadotte, a Marshall of France, during the time of Napoleon I), was elected heir to King Charles XIII of Sweden.
But aside from these justifications regarding hair color, we must remember that things like hair color are not important things to consider when reviewing a movie, but only whether or the the movie was entertaining. In that regard I can say that I shan't be clambering to see this one again, or 'Bagdad' either. The sets were beautiful, the costumes even more so, but the movie itself, just wasn't that good. But this is the fault of the script, not any other.
Saw this film when I was 13, and it struck me at the time that Maureen O'Hara -- as Irish as the Blarney Stone -- plays an Arab. They didn't even give her a brunette wig.
At one point one of Maureen's retainers says "You will ride unveiled!" Maureen replies "If necessary I would ride unclad!" now that would be worth seeing!
Jeff Chandler does his usual solid job. 4.8/10 might be a bit of an overrating.
At one point one of Maureen's retainers says "You will ride unveiled!" Maureen replies "If necessary I would ride unclad!" now that would be worth seeing!
Jeff Chandler does his usual solid job. 4.8/10 might be a bit of an overrating.
Bedouin chief Tamerlaine (Jeff Chandler) is engaged in the hunt for the legendary black stallion Shahzada. Also chasing the prize steed is Tunisian Princess Tanya (Maureen O'Hara), who desires to capture the horse to race in competition against hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer), so she will not be forced to marry one of them. After a prolonged and deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion - and in the process, the two fall in love.
Intelligent adventure starring Maureen O hara and Jeff Chandler is beautifully shot, the landscapes and horse chasing are great, but it can be talky in between, and seems to be a bit ponderous, however, if it's a well-shot Arabian adventure with horses you're looking for, then don't look further....
Intelligent adventure starring Maureen O hara and Jeff Chandler is beautifully shot, the landscapes and horse chasing are great, but it can be talky in between, and seems to be a bit ponderous, however, if it's a well-shot Arabian adventure with horses you're looking for, then don't look further....
Did you know
- TriviaWhile learning her moves for a dance scene, Susan Cabot told choreographer Harold Belfer that she didn't think she was moving her feet correctly. Beifer told her, "With a figure like yours, the only person who'll look at your feet will be Arthur Murray".
- ConnectionsReferenced in El crimen del cine Oriente (1997)
Details
- Runtime
- 1h 17m(77 min)
- Aspect ratio
- 1.37 : 1
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