The owner of a talking mule, now a horse-breeder, gets involved with gangsters.The owner of a talking mule, now a horse-breeder, gets involved with gangsters.The owner of a talking mule, now a horse-breeder, gets involved with gangsters.
- Director
- Writers
- Stars
Molly
- Francis the Talking Mule
- (as Francis the Talking Mule)
Charles Meredith
- Banker Munroe
- (archive footage)
Sammy Shack
- Vendor
- (scenes deleted)
Bernard Szold
- Proprietor
- (scenes deleted)
Fred Aldrich
- Racetrack Spectator
- (uncredited)
Lucille Barkley
- Elaine Van Renssaleer
- (uncredited)
Don Beddoe
- Dr. Quimby
- (uncredited)
John Beradino
- S. C. White - Racetrack Cashier
- (uncredited)
Peter Brocco
- Dr. Marberry
- (uncredited)
Ralph Brooks
- Racetrack Spectator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
A Taut Political Thriller!
This movie progresses more organically than any of the other Francis movies, i.e. the plot doesn't seem forced.
Francis Goes to the Races starts with the mule talking to a crowd of stunned and indignant people, essentially, ending Peter Sterling's job and putting the two on the road again. It is a dynamic used often in this series: Peter gets himself deeper and deeper into trouble until the only thing that can get him out of it is a long diatribe from his mule. Beginning with it is kind of clever.
It is essential that the viewer understand the science behind the movie: Mules can talk to horses. You wouldn't think so, but apparently, since they look so much alike, they also speak the same language. You also need to remember that Francis' great aunt was a Derby winner. The two stop at a horse farm on the road and Francis meets a relative. He decides to stay at the farm and let Peter take a stab at life without a talking mule to mess things up.
Anyone who watches these movies is aware that Peter Sterling is the piston that isn't firing in that particular dyad; and, it isn't long until he gets himself in trouble. And, it isn't long until Francis bails him out. There's a pretty girl, also. And, gangsters This movie doesn't surpass Francis Joins the WACS in quality, however, it is a fun movie.
Francis Goes to the Races starts with the mule talking to a crowd of stunned and indignant people, essentially, ending Peter Sterling's job and putting the two on the road again. It is a dynamic used often in this series: Peter gets himself deeper and deeper into trouble until the only thing that can get him out of it is a long diatribe from his mule. Beginning with it is kind of clever.
It is essential that the viewer understand the science behind the movie: Mules can talk to horses. You wouldn't think so, but apparently, since they look so much alike, they also speak the same language. You also need to remember that Francis' great aunt was a Derby winner. The two stop at a horse farm on the road and Francis meets a relative. He decides to stay at the farm and let Peter take a stab at life without a talking mule to mess things up.
Anyone who watches these movies is aware that Peter Sterling is the piston that isn't firing in that particular dyad; and, it isn't long until he gets himself in trouble. And, it isn't long until Francis bails him out. There's a pretty girl, also. And, gangsters This movie doesn't surpass Francis Joins the WACS in quality, however, it is a fun movie.
Donald O'Connor continues the make the films more bearable than they'd otherwise be
The one where Francis does the Bottle Cap Challenge. Take that, Statham!
'Francis Goes to the Races', while still a lacklustre and repetitive affair, surprisingly manages to improve upon the poor original. The main reason for that is the fact that the racing setting actually fits much better with the silliness of a talking mule, as opposed to the setting of war as seen before.
Donald O'Connor continues the make the films more bearable than they'd otherwise be. Elsewhere, Chill Wills, Piper Laurie, Cecil Kellaway and Jesse White are all alright. It's a tough sell for the cast these films, so I respect their commitment to be fair!
'Francis Goes to the Races', while still a lacklustre and repetitive affair, surprisingly manages to improve upon the poor original. The main reason for that is the fact that the racing setting actually fits much better with the silliness of a talking mule, as opposed to the setting of war as seen before.
Donald O'Connor continues the make the films more bearable than they'd otherwise be. Elsewhere, Chill Wills, Piper Laurie, Cecil Kellaway and Jesse White are all alright. It's a tough sell for the cast these films, so I respect their commitment to be fair!
Whoever Heard Of A Talking Horse?
That's what Francis asks, or words to that effect, in the second of the Francis The Talking Mule movies. Donald O'Conner and Francis (body Molly, voice Chill Wills) wind up at the horse farm of Cecil Kellaway and three-times-Oscar-nominee Piper Laurie (no, she wasn't nominated for this role), where one of Francis's relatives is stabled. There's the usual hijinks, with Francis tipping O'Connor as to who will win races, raising the ire of racetrack cop Jesse White and the strong arm tactics of crooked gambler Barry Kelley.
Directed by comedy specialist Arthur Lubin, he would later s everyone a horse that could talk when he produced TV's MR ED.
Directed by comedy specialist Arthur Lubin, he would later s everyone a horse that could talk when he produced TV's MR ED.
Hardly worth the time
I have to agree with JoeKarlosi on this: This second installment of the Francis series is inferior to the already ordinary first installment. While the film does have its moments, they are far too few and far between.
The first film was more interesting as the entire film presents the curiously absurb encounter of Peter Stirling's with Francis the Talking Mule. The plot also pays more attention to the progress of their friendship which makes the film more heartfelt.
Here in its sequel, there are less laughs and the story just drags on and on until it ends conveniently with a similar conclusion in the first film. Donald O'Connor, who plays the central character Peter Stirling, was given almost nothing to work on here. Even more dreadful is the fact that Francis, the title character, was delegated to a supporting role here. Not that Francis enjoyed a lot of screen time in the first film, but he appeared in all the key scenes and his role was crucial to the plot. Here, his screen time was cut down to a quarter of the film's running time and his role was not even substantial to the plot: He was merely tagging along.
My disappointment not withstanding, I did not regret watching the sequel as I enjoyed the first film very much and would like to see how the friendship of the 2 main characters would progress in the next film. I would still watch the rest of the series as this film wasn't so bad as to spoil the first film for me.
P.S. My rating for the first Francis movie is 7 out of 10.
The first film was more interesting as the entire film presents the curiously absurb encounter of Peter Stirling's with Francis the Talking Mule. The plot also pays more attention to the progress of their friendship which makes the film more heartfelt.
Here in its sequel, there are less laughs and the story just drags on and on until it ends conveniently with a similar conclusion in the first film. Donald O'Connor, who plays the central character Peter Stirling, was given almost nothing to work on here. Even more dreadful is the fact that Francis, the title character, was delegated to a supporting role here. Not that Francis enjoyed a lot of screen time in the first film, but he appeared in all the key scenes and his role was crucial to the plot. Here, his screen time was cut down to a quarter of the film's running time and his role was not even substantial to the plot: He was merely tagging along.
My disappointment not withstanding, I did not regret watching the sequel as I enjoyed the first film very much and would like to see how the friendship of the 2 main characters would progress in the next film. I would still watch the rest of the series as this film wasn't so bad as to spoil the first film for me.
P.S. My rating for the first Francis movie is 7 out of 10.
Francis the Franchise never hurt, I guess
This film begins with a short sequence in which "Pete's" boss faints upon hearing "Francis" talk and Pete says, "Here we go again," after which the opening credits roll.
During the fifties, for children, grandmas & great aunts, the Francis ¨franc(h)ise¨ used to be rather fun. Anyone who watched those movies was aware that before long Pete (Donald O'Connor) got himself in trouble and before long it was Francis the Talking Mule who bailed him out. It was essential to understand the science behind the movie's premise: mules can talk to horses. You also learned that Francis' great aunt was a Derby winner. More recently, film buffs have learned that Francis' real name was Molly, and she was trained for all the Francis films by Les Hilton, who went on to train the horse who played "Mr. Ed" in the 1960's television series of same name.
Did you know
- TriviaDonald O'Connor's second of six "Francis" movies.
- Quotes
Francis the Talking Mule: By the tail of my Great Aunt Regret, I oughta kick your teeth in!
- ConnectionsFeatured in 100 Years of Comedy (1997)
- SoundtracksMy Bonnie Lies over the Ocean
(uncredited)
Traditional Scottish folk song
Sung by Chill Wills and Donald O'Connor
Whistled by Donald O'Connor
Details
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.37 : 1
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