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6.5/10
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The new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and... Read allThe new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and resentful of the new one.The new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and resentful of the new one.
- Nominated for 2 Oscars
- 1 win & 3 nominations total
Robert Adler
- Chief Ryan
- (uncredited)
Parley Baer
- Dr. Ullman
- (uncredited)
William Bishop
- Ferrino
- (uncredited)
Frank Donahue
- Crew Member
- (uncredited)
Ed Donovan
- Crew Officer
- (uncredited)
Harry Flowers
- Kinsella
- (uncredited)
James Gregory
- Chief Petty Officer Lane
- (uncredited)
Harry Hamada
- Gunner
- (uncredited)
Featured reviews
The first time I saw this I was 10 years old, very impressionable and wanted very much to be like these men of war. This film has a lot to say about dedication and hard work learning the art of war. As John Wayne once said in "Sands of Iwo Jima" about the learning of the proper procedures of how to fight a war, because if we don't do it right a whole lot of men don't walk away from it, "forevermore they don't". As has been said this is the precursor to the modern day Seals. Sure I know they are tougher men today, but in my estimation not any more honorable and dedicated than the men portrayed in this "great" film.
The acting is outstanding and very real, especially to be so good that an old man like myself, remembers how I felt all the times I saw the film. If a film and the men involved in telling the tale of "The Frogmen" left that much impression and remembered to this day, then it had to be great acting, direction and favorably produced. There was no outlandish computer graphic techniques of today nor scenes of blowing up the world that come so common place in todays action genra films, but a reason and purpose for the gritty life and death struggle each man faced to become a frogman in the U. S. Navy or UDT (Underwater Demolition Teams) as they were and are called.
This black and white picture was dominated by the snarling Richard Widmark in perhaps his best performance in his career. I know many remember him for other films, but to me, he made this film and was the quintessential commander training his men to do a very difficult job with nothing more than shear strength of character and leadership. They did not have the high tech apparatus of todays Seals, but for what they lacked in equipment they more than made up for in "guts and glory" beneath the waters.
The rest of the cast, Dana Andrews, Gary Merrill, Jeffrey Hunter and Robert Wagner, just to name a few seemed to be portraying what is best in the Navy and men of war. Several more gave memorable performances in telling the tale of "The Frogmen" and the U. S. Navy's dedication to the finest in warfare.
The standard war movie is one thing, but this is a classic not seen much today and one in which many that followed learned by this tale of the U. S. Navy.
The acting is outstanding and very real, especially to be so good that an old man like myself, remembers how I felt all the times I saw the film. If a film and the men involved in telling the tale of "The Frogmen" left that much impression and remembered to this day, then it had to be great acting, direction and favorably produced. There was no outlandish computer graphic techniques of today nor scenes of blowing up the world that come so common place in todays action genra films, but a reason and purpose for the gritty life and death struggle each man faced to become a frogman in the U. S. Navy or UDT (Underwater Demolition Teams) as they were and are called.
This black and white picture was dominated by the snarling Richard Widmark in perhaps his best performance in his career. I know many remember him for other films, but to me, he made this film and was the quintessential commander training his men to do a very difficult job with nothing more than shear strength of character and leadership. They did not have the high tech apparatus of todays Seals, but for what they lacked in equipment they more than made up for in "guts and glory" beneath the waters.
The rest of the cast, Dana Andrews, Gary Merrill, Jeffrey Hunter and Robert Wagner, just to name a few seemed to be portraying what is best in the Navy and men of war. Several more gave memorable performances in telling the tale of "The Frogmen" and the U. S. Navy's dedication to the finest in warfare.
The standard war movie is one thing, but this is a classic not seen much today and one in which many that followed learned by this tale of the U. S. Navy.
The story in this one is nothing new-- the captain of an underwater demolition team (UDT) during WWII, who is a replacement to the previous beloved captain, must gain the respect of his men. The dialogue is at times a little hokey, and the performances are solid, but nothing stellar.
However, the project was obviously a heart-felt effort to capture, in detail, life aboard a WWII vessel, the procedures, the politics, and the rather fascinating methods and exploits of early UDTs, and that's what makes the film stand out. What you get is (I'm guessing) a pretty accurate representation of naval special forces in WWII, and it is quite interesting to watch how a team would covertly get in and out of shallow water near a beach to plant explosives and do recon, while being heavily shelled, often with nothing on them besides swim trunks, flippers and goggles! There are also a few very good, tense scenes. (the scene where their explosives expert has to disarm a torpedo with a tongue depressor is particularly nice-- expresses all the emotion and tension of such a moment without forcing it with a dramatic score).
Recommended to anyone interested in war history, or who enjoys a nicely crafted war movie.
However, the project was obviously a heart-felt effort to capture, in detail, life aboard a WWII vessel, the procedures, the politics, and the rather fascinating methods and exploits of early UDTs, and that's what makes the film stand out. What you get is (I'm guessing) a pretty accurate representation of naval special forces in WWII, and it is quite interesting to watch how a team would covertly get in and out of shallow water near a beach to plant explosives and do recon, while being heavily shelled, often with nothing on them besides swim trunks, flippers and goggles! There are also a few very good, tense scenes. (the scene where their explosives expert has to disarm a torpedo with a tongue depressor is particularly nice-- expresses all the emotion and tension of such a moment without forcing it with a dramatic score).
Recommended to anyone interested in war history, or who enjoys a nicely crafted war movie.
Pity 'The Frogmen' isn't yet on DVD. It features the techniques developed and applied by WWII's U.S. Navy UDT (Underwater Demolition Teams), many of which techniques formed the basis for the methods employed by today's SEAL teams - and the UDT's did their bit with rebreather rigs that weren't nearly as sophisticated or reliable as today's high-tech SCUBA and rebreather gear. The UDT's were pioneers on the cutting edge of their mission, an edge the likes of which will not likely be seen again.
A standard plot is redeemed by fine performances from all, and by exciting action sequences that have not dated as much as one might suspect they would have by 2003.
A standard plot is redeemed by fine performances from all, and by exciting action sequences that have not dated as much as one might suspect they would have by 2003.
My dad used to tell us stories about the film every time it came on - he was in UDT Platoon 2 on TDY from Korea and got to spend part of his rotation for R&R doing the film with his team. They did all the underwater work, the scenes with the landing craft picking up the team from the water, and they set the satchel charges for the shot when they blow up the beach obstacles prior to the landing.
He also used to to tell stories about Dana Andrews and his drinking during the filming, but that is another story. It is a good movie and, from Dad's and the UDT's perspective, had some BS in it - but relatively accurate overall.
In Korea, his team was assigned to swim in from off-shore and go inland to blow up installations, bridges, etc. overrun by the North Koreans/Chinese. They had to swim their stuff in from miles offshore, hump the explosives inland (armed with a knife and a pistol - Dad said he used a .38 because he couldn't hit much of anything over 30 yards away with a .45), blow up the objective then make it back out. Of course, things were even MORE primitive for the combat swimmers of WWII!
He also used to to tell stories about Dana Andrews and his drinking during the filming, but that is another story. It is a good movie and, from Dad's and the UDT's perspective, had some BS in it - but relatively accurate overall.
In Korea, his team was assigned to swim in from off-shore and go inland to blow up installations, bridges, etc. overrun by the North Koreans/Chinese. They had to swim their stuff in from miles offshore, hump the explosives inland (armed with a knife and a pistol - Dad said he used a .38 because he couldn't hit much of anything over 30 yards away with a .45), blow up the objective then make it back out. Of course, things were even MORE primitive for the combat swimmers of WWII!
Richard Widmark plays the new skipper of an elite UDT (Unerwater Demolition Team) unit in WW2. In many ways it was typical of the patriotic fare that was popular back then. The skipper takes over for a popular commander that was lost in a previous mission. We watch as he agonizes over almost every decision he makes. He constantly second guesses himself and compares himself to the ever popular Cassidy at every turn. As you can imagine, he grudgingly gains the respect of the team while making these life or death decisions.
The support cast is reliable - even talented. Unavoidably for the genre, we have the guy from Brooklyn - in this case Canarsie - played believably for a change by Harvey Lembeck. Not once did I hear him say the word "goil". Dana Andrews plays a veteran CPO who identifies too well with his crew and resents the skipper. Gary Merrill does a very credible job as the captain of the transport ship that delivers the UDT crew to their targets.
A couple of things caught my attention. Although this movie was produced in 1951, it depicts what amounts to an experimental unit developed in WW2. I couldn't help but notice how primitive the operations were back then. No underwater breathing gear, no communications once they were in the water, simple slates and pencils to record the details of their mission. As a launch brought them into target range, they would jump into a rubber boat, then roll off into the water. Worse yet, at their pick up point, they had to tread water, raise their hand, and wait like sitting ducks to be pulled back into the rubber boat at speed.
This is not a silly movie. It celebrates the courage of men doing a very dangerous job under impossible conditions. There are a few clichés here, but nothing we can't overlook. A good action adventure flick, well worth watching.
The support cast is reliable - even talented. Unavoidably for the genre, we have the guy from Brooklyn - in this case Canarsie - played believably for a change by Harvey Lembeck. Not once did I hear him say the word "goil". Dana Andrews plays a veteran CPO who identifies too well with his crew and resents the skipper. Gary Merrill does a very credible job as the captain of the transport ship that delivers the UDT crew to their targets.
A couple of things caught my attention. Although this movie was produced in 1951, it depicts what amounts to an experimental unit developed in WW2. I couldn't help but notice how primitive the operations were back then. No underwater breathing gear, no communications once they were in the water, simple slates and pencils to record the details of their mission. As a launch brought them into target range, they would jump into a rubber boat, then roll off into the water. Worse yet, at their pick up point, they had to tread water, raise their hand, and wait like sitting ducks to be pulled back into the rubber boat at speed.
This is not a silly movie. It celebrates the courage of men doing a very dangerous job under impossible conditions. There are a few clichés here, but nothing we can't overlook. A good action adventure flick, well worth watching.
Did you know
- TriviaThe Underwater Demolition Team, the frogmen in the film, belong to is UDT-4 (some members of the team wear utility jackets with artwork of a large number "4" and a shark on the back). The real UDT-4 in World War II saw combat in the invasions of Okinawa, Saipan, Guam, and the Philippines. Like the fictional team in the film, the UDT-4 had one of their boats hit and sunk by Japanese fire at Leyte, and left a sign on the beach at Guam to welcome the invading Marines.
- GoofsThe triple-tank aqualungs used by the UDT frogmen during the film's climactic mission are incorrect for the WWII period. Although 'Jacques Cousteau', an officer in the French Navy, was working with experimental aqualungs near the end of WWII, U.S. Navy Underwater Demolition Teams did not have them during the war. Re-breathers, which had filters to trap carbon dioxide, were in use during this time period. Modern SEAL type units still use re-breathers because they produce no bubbles which can attract unwanted attention like they did in the movie. The Japanese divers in the movie had bubble-less re-breathers.
- Quotes
Lt. Cmdr. Pete Vincent: Looks like you've got what amounts to a legal mutiny on your hands.
- ConnectionsReferenced in Junior (1985)
- How long is The Frogmen?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Los que conmovieron el mar
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.37 : 1
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