Goodbye, My Fancy

or even a scene, for that matter. She is a stiff broad in this one, right down to a short, severe stiff hairdo. I am not a huge Joan Crawford fan, although I liked her a lot more in her earlier films, when she was still loose and a bit floppy. Once she became a "star" she changed her whole acting style so she could appear, as her ex-flame says "refeened." It is a shame she couldn't just go with the flow once in a while, instead of playing herself in different occupations.In this one, she is Joan playing a tough congresswoman. But of course she does a classic Joan melt when she sees Robert Young again after all these years...heart on sleeve as always.

She enters the reunion at her old college to the strains of a song being "sung" by by the co-eds, which incorporates her name, yet sounds like a heavenly choir. The girls come forward one by one to hand her a bouquet and each one is a cliché; there is the butch athlete, the drama queen, the good girl, etc and Joan ends up clutching a veritable rose bush as she launches into a speech, gazing off into the bright and shiny future.

Of course Robert Young is now a widower. You'll have to see the movie to see if his marital status changes.

This movie is a fifties movie, in that it is prim, everyone is a cliché of a type, right down to the wise-cracking assistant (Eve Arden)and the women are stuck with the hairdos and clothes of the period, which were never flattering to anyone.

But if you are a Joan fan, she is here, in her glory.

Goodbye My Fancy finds Joan Crawford taking over a role popularized by fellow film star Madeline Carroll on stage as a member of the House Of Representatives coming back to her former college to accept an honorary degree. She's invited by college president and former boyfriend Robert Young.

There's a lot of history here and this is the only degree she'll have from the College Of New Hope for women located in rural New England. Back in the day apparently Crawford was a wild child, at least wild by those standards back then. She got into a compromising situation with Young and she took the fall by herself and got expelled for it. In the interim Young in addition to rising to the presidency of the college married a woman who died and has a daughter, Janice Rule, who is going to be one of the graduates at the ceremony Crawford gets her degree.

Crawford went into journalism and then politics. She's combining the two at this point having produced a documentary about the current social problems of Europe and how Fascism by curtailing free speech contributed mightily to them. She's hoping to show the film while she's at the college.

Her opponent in this endeavor is the chairman of the board Howard St. John who also happens to be now married to Crawford's former roommate Lurene Tuttle. He's got the part that actors like Eugene Palette and Charles Dingle normally were cast in, the arrogant, self righteous right wing blowhard who thinks he ought to be controlling the educational process. Not that he's against free speech mind you, but he feels that kids should not be exposed to this kind of serious work. He in fact donated the campus movie theater and he'd like for them to show entertainment that he approves of, such as his favorites Abbott&Costello.

Young's dependent on St. John's good will for his job. But one who isn't and is also a rival for Crawford is Frank Lovejoy, a Time&Life war photographer who is covering this event. He'll expose Young's timidity if for no other reason than to shame him in front of Joan.

Goodbye My Fancy was written by Fay Kanin and ran for 446 performances on Broadway during the 1948-49 season and was directed by Sam Wanamaker who also played the Frank Lovejoy part. The college president was played by another former movie name, Conrad Nagel.

The play took home a Tony Award for Shirley Booth who played Crawford's Congressional aide and has some really funny Eve Arden type lines. When the film came out the Eve Arden part was played by Eve Arden.

The play draws heavily on themes expressed in James Thurber's The Male Animal. If anything it's more serious here because whereas in The Male Animal, trustee Eugene Palette objected to the content in reading Nicolo Sacco's letter in class, St. John just objects to the idea of material that is mind challenging in the classroom in general. What does this imbecile think they're going to college for. In fact there's a minor role played by Morgan Farley as a physics professor who is intending to leave the college because of the limits he's being put under and Farley plays it well.

Coming out as it did during the House Un-American Activities Committee days and after Joe McCarthy started finding Communists in all kinds of places, Goodbye My Fancy was quite the courageous project for Warner Brothers at the time. It's a timeless tribute to the value of free speech and the marketplace of ideas that a university is supposed to be.

This is a film that I think needs a remake. Can you see some trustee on a university today throwing his weight around and maybe filling the campus cinema with reruns of Saturday Night Live in order that students not concentrate on serious issues?

I think it could be done.

As a devoted fan of old movies which were released when I was a little boy and in those days already an ardent film fan and moviegoer, I was highly surprised to see this film on TCM today because I had never heard of it. But I was certainly glad to have finally caught up with it. As the plot unfolded it became obvious that this must have been originally a finely crafted stage play from the way it led you sympathetically from one character to another and kept you in complete suspense as to different possible denouements for the action. In fact it reminded me of some of Terrence Rattigan's finer plays. But now I see that the play was written by the wife(?) of Garson Kanin. I thoroughly agree with the first review that the romantic side of the plot, though very touching, was by no means all there was to it. Strong statements on wider issues such as academic freedom, ability of big money to call the educational tune, the growing up out of illusions which must be discarded (very Ibsen or George Bernard Shaw) all were pithily and dramatically dealt with and skillfully presented to the audience. The side roles (especially Eve Arden) were all brilliantly executed in that wise-cracking, zany style that made the plays of the 1920s and 30s such favorites. And the main leads (Crawford, Young, etc) were equally outstanding in their emotional portrayals. This film was at least 10-15 years ahead of its time. When the 1960s finally rolled around American youth finally took the blinders off just the way Kanin and the makers of this film advocated. A brilliant and enthralling accomplishment. I wish we could all personally congratulate all the makers of this film of 50 years ago.

A great movie with three of my favorite movie stars: Robert Young, Eve Arden and Joan Crawford. This movie makes no concessions whatsoever to "popular" taste. It doesn't insult one's intelligence. It makes a passionate plea for free speech. Some would surely call it communist propaganda. Joan Crawford was however absurdly miscast as a flaming liberal politician. The real Joan was, I think, conservative. She ended her life as the chair of Pepsi! But somehow she captivates. Her diction is solid, her acting measured, always dignified, and her movies are darn good (she never played the Queen of Sheba, or some other "historic" nonsense). Robert Young is impeccable too, far more impressive, intelligent, than a whole host of bigger stars, but his non-muscular persona confines him to the parlor. I can hardly believe he was an alcoholic.

I thought STORM CENTER (1955) was the first free speech movie. Still, the fact remains, that STORM CENTER is more direct, powerful, dramatic and dashing. Unfortunately, the censors seems to have had the last word about THAT anti-censorship film. STORM CENTER has never been shown on TV (as far as I know) and it is not available on video. Something should be done to bring back this and other forgotten classics.

What plays on the surface as a "romantic triangle" film carries a strong anti-McCarthyism message. Robert Young is the once-idealistic President of an exclusive Women's College who years earlier had trysted with Joan Crawford, a Congresswoman who has made a film depicting aspects of injustice. Crawford wants to reunite with Young and have the film played during Graduation Weekend. The school's trustees don't want the film shown, thinking it too "dangerous" for their students to see. The characters' arguments about democratic values play well with a modern audience, and both the political and the romantic aspects of the plot unfold in an engrossing and entertaining manner.