Goodbye, My Fancy

"Goodbye, My Fancy" stars Joan Crawford, Robert Young, Eve Arden, and Frank Lovejoy and was made in 1951. It was originally a play by Fay Kanin that enjoyed a run of over a year. Madeleine Carroll starred.

Crawford in 1951 was 44, and in those days, after an actress turned 30, she went into supporting roles. It's to Crawford's credit that she stayed a leading lady well past 30, albeit in lesser films.

This film is actually a good one. Crawford plays a Congresswoman, Agatha Reed, who is invited back to her old college to receive an honorary degree. She is thrilled, for more than one reason.

Agatha has happy memories there and has never forgotten her old love and, though she doesn't state it, she's hoping to see him again. Also, she finds it amusing that she's been invited -- she was expelled from the school for staying out all night and didn't graduate.

Agatha and her able assistant (Eve Arden) travel to the college, dogged the entire way by a photographer (Frank Lovejoy) with whom Agatha had an involvement a few years back.

Agatha has filmed a documentary that she wants to show at the school. The film is about what happens when people are denied their freedoms, and deals with book burnings, persecution of teachers, etc. She is shocked to find that there is some question as to whether or not the film will be shown.

"Goodbye, My Fancy" is about going home again, and underneath Agatha having two men interested in her, it makes a statement about McCarthyism which was so rampant at the time. It's also about standing up for what you believe in and having integrity -- true ethics kick in when you've got something to lose.

I saw some comments about Crawford being miscast - I'm not sure why - she played strong career women for many years.

The casting is off, but it's not Crawford. It's partly the script and partly the casting. Robert Young is very good as the President -- handsome, charming, and formal.

Eve Arden is funny as the assistant, wisecracking her way through the role. Shirley Booth played the role on Broadway.

The role that's miscast is Frank Lovejoy as Matt Cole. The role called for a macho, attractive tough guy and instead we get the rather sloppy, wisecracking Lovejoy. The ending of the film seemed to come out of nowhere.

Otherwise, fairly enjoyable, good cast.

In a part that was tailor made for Rosalind Russell but that she had to pull out of at the last minute Joan Crawford gets a chance to shade her diamond hard persona somewhat in this tale of remembered love.

It's really a story of how we remember people and how time changes them. The part and Joan aren't a perfect fit but she does try and does a decent job of it. As in Mildred Pierce she and Eve Arden interact wonderfully and their few scenes have a nice snap.

Actually Joan's casting isn't the only one that seems off. While Robert Young is fine as the conflicted college president Frank Lovejoy is wrong as the inquisitive reporter. He was a good tough guy actor but Robert Montgomery or Clark Gable would have been more suitable, the part is the second lead so neither would have considered it.

Someone who is perfectly cast however is the wonderful Lurene Tuttle, as the seemingly simpleminded college chum of Joan. She is funny and touching and steals any scene she's in with ease.

The film does have a message about being true to your ideals but is mostly a bittersweet romance and an enjoyable one at that.

A great movie with three of my favorite movie stars: Robert Young, Eve Arden and Joan Crawford. This movie makes no concessions whatsoever to "popular" taste. It doesn't insult one's intelligence. It makes a passionate plea for free speech. Some would surely call it communist propaganda. Joan Crawford was however absurdly miscast as a flaming liberal politician. The real Joan was, I think, conservative. She ended her life as the chair of Pepsi! But somehow she captivates. Her diction is solid, her acting measured, always dignified, and her movies are darn good (she never played the Queen of Sheba, or some other "historic" nonsense). Robert Young is impeccable too, far more impressive, intelligent, than a whole host of bigger stars, but his non-muscular persona confines him to the parlor. I can hardly believe he was an alcoholic.

I thought STORM CENTER (1955) was the first free speech movie. Still, the fact remains, that STORM CENTER is more direct, powerful, dramatic and dashing. Unfortunately, the censors seems to have had the last word about THAT anti-censorship film. STORM CENTER has never been shown on TV (as far as I know) and it is not available on video. Something should be done to bring back this and other forgotten classics.

This was one of Crawford's last films under her Warner Brothers contract and was probably here first big box-office failure since her MGM days eight years earlier. The film is not too bad, but not as good as "Mildred Pierce," "Possessed" or "Flamingo Road." Crawford plays a congress woman who returns to her alma mater to receive an honorary degree, but finds romance with professor Robert Young.

Goodbye, My Fancy (1951)

** 1/2 (out of 4)

Rather bizarre and uneven mix of comedy and drama features congresswoman Agatha Reed (Joan Crawford) going back to her college to receive an honorary degree. Her main reason for wanting to go back is so she can see a former love (Robert Young) who she was expelled from school for sneaking out to see. Once back on campus she ends up caught between him and a photographer (Frank Lovejoy). GOODBYE, MY FANCY has pretty much been forgotten over the years and it's easy to see why because it's really not part of Crawford's high standards, which she started six years earlier with MILDRED PIERCE and followed with some very impressive bits of work. This film here is mildly entertaining on a few levels but overall you've got to consider it a pretty disappointing picture. One of the biggest problems is that it runs 106-minutes and probably could have lost a good sixteen-minutes if not more. I say this because there's just so much going on in this picture and with so much happening the film just seems too long and uneven. The early portion of the film makes you think that we're in for some sort of weird comedy and we're given various silly scenes. Then the film because a rather bland romantic-comedy but things change yet again when we get a rather long political debate about freedom. I think the final twenty-five minutes or so are actually the best part of the film as the Crawford character tries to fight to get a film shown that tells young people some of the horrors that are out there. As for Crawford, she turns in a good performance but there's certainly nothing all that memorable here. This is the type of role should could do without trying but it's always nice seeing her. Young is pretty bland in his role but thankfully Lovejoy adds some energy when he's on screen. Eve Arden is good as the secretary and Janice Rule is also nice as Young's daughter. GOODBYE, MY FANCY really isn't going to appeal to many except for Crawford fans wanting to see everything she did.