I Was a Communist for the F.B.I.

Frank Lovejoy starred in two classics: he had a minor part in "House of Wax" and was one of the main characters in Ida Lupino's film noir "The Hitch-Hiker". In "I Was A Communist For The FBI" he plays Matt Cvetic, a Slovenian last name which makes it all the more likely that Cvetic would turn into a communist. Well, that's at least what the film tries to tell you.

It is 1951 and McCarthy has started the war on the new enemy, the communists. It was a 'war' that would mark lots of 50s movies. Some movies had subtle criticism (e.g. "Invasion of the Body Snatchers"), some were overtly against communism: in "Invaders from Mars" the communists were evil aliens, in "I Was A Communist For The FBI" they were just evil. The communists wanted to start riots which would lead to Americans fighting other Americans according to this movie by Gordon Douglas (who is also the director of the Frank Sinatra thriller "The Lady in Cement" and the giant ants movie "Them!"). Why? Well, if everyone would fight, one would applaud communism for being the new order that would have brought peace to the streets of America. Well, if they say so.

The movie is so anti-communism that at times you are feeling you are watching a parody. Well, it isn't, all is meant with a straight face. We follow the life of Matt Cvetic, an FBI agent who pretends to be a communist. We see how he is despised by his family (even his son) and how he can't tell anyone of the Great Mission he is on. He cannot tell them he is risking his neck to save the country.

As ridiculous as all this might seem, if you can ignore the propaganda of this movie, you are left with a fairly decent movie. It may be difficult to watch this film nowadays and think lots of people believed the message of this movie, but it's even more difficult that this movie was nominated for an Oscar in 1952. The category? Best Documentary. Really.

This film was released in the United States in May 1951, when I was a teenager. This was just five short years after World War II ended, and while nearly destroyed Europe and Asia were still being repaired and rebuilt under America's massive Marshall Plan. As a boy I had watched all the men in my extended family go off to war against nazism/fascism, and then saw only some of them return home. Now I was watching more young American men go off to war against communism.

The first of the many armed conflicts after World War II which became known as the 45-year-long East-West "Cold" War began already a year earlier in June 1950 when Communist North Korean forces, backed by Communist Russian forces occupying the north, drove south across the 38th parallel into US-military occupied South Korea. That aggression started the bloody Korean War, which still raged with high US military casualties when this film was being shown in American theaters. Both Communist China under Mao Zedong and Soviet Communist Russia under Stalin, along with the very ominously growing communist Warsaw Pact military alliance, represented very real threats to the United States and Western Europe - when this film was released. While it is true that the movie is a bit "over the top" by today's dramatic standards, it did have both a context and a purpose that definitely was not laughable.

Most responsible people in 1950 fully recognized that the Communist Party, along with its clandestine intelligence operators, was very active in the United States and benefited from considerable Chinese and Russian clandestine government support. That no one was certain of the degree of influence of the secretive Communist Party in the United States gave rise to much public, academic and media speculation, as well as the need for public education plus secret domestic intelligence and counter-intelligence operations to get a better fix on reality.

It is easy for Americans today who have lived their entire lives in historic safety and comfort to assume that it was all some sort of "unjustified scare" since the communists never succeeded in their objective of subjugating the United States. In 1950 I remember an America that was no more concerned with communist subversives than Americans today are concerned with extremist Muslim militants who might be engineering another 9/11. Threats can be real, but still not engender panic - if the people have faith in their government. But I also remember that in 1950 the United States was the only country of any significance that had been left still largely intact and undamaged after the Second World War. This made the US the last best hope against any further deterioration of freedom in the world, and thus the Number One Target of Communist expansionism.

Due in no small part to very active domestic vigilance, communism never had much success inside the United States. But communism was very successful in employing a wide range of deceptive and duplicitous tactics, including exploiting social discontent and infiltrating key political and social movements, to undermine many other countries.

Communism did succeed in thoroughly disrupting life for much of the planet and killing tens of millions of people over a very long period. Most of the atrocities which we today associate with right-wing extremism under Hitler's Nazism were in fact preceded by equal or greater left-wing extremist atrocities under Stalin's Communism. Those were indeed very dangerous times, and Americans in the 1950s who had spent their entire lives under extremely depressing and deadly times, from 1915-45, were naturally suspicious of and opposed to any extremist ideology that might send them, and their children, back into the abyss.

Once you overlook its propagandist nature, this is a well-made B-movie with fascinating spycraft focussing on the Communist organisation's effects on politics, race relations and social unrest. In addition, a spotlight is placed on the pressure that FBI agent Matt Cvetic is under as he inveigles his way into the party. Personal and romantic relationships are also brought under strain as a result of the double-life our hero leads with those around him not understanding how he could seemingly betray the country. There are flashes of not-bad action here and there and a tense atmosphere throughout. If you liked The House on 92nd Street (1945) this has similar vibes (but without the documentary-like interludes) and if you like this, you'll like the former.

The fear of Communism runs high. Truth or propaganda? An FBI agent turns counterspy burrowing his way into the U.S. Communist Party. Documentary style Film-Noir. Watching this fifty some years after its release dilutes the original intentions. A case of do as I say; not as I do. Frank Lovejoy is sometimes stoic but effective. Also featured are Philip Carey, Dorothy Hart and Richard Webb. You may possibly get more into CONFESSIONS of a NAZI SPY(1939)starring Edward G. Robinson.

I'm tired of people coming up with the idea of communism being a harmless little flirtation.

It was a serious threat to America and our way of life for many years. I spent many years of my life to defeat it. To minimilize the threat of communism is nothing but sophistry and needs to be called such.

The movie needs to be seen as such, as did the TV series which I remember from my younger years.

Is communism good? Look at what it has done ... it builds walls to keep people in. There are only two countries that still practice it ... China and Cuba. Does that say anything?