After their vessel runs aground during a storm and is impounded by the British authorities, local smugglers must find a way of disposing of their contraband brandy cargo before it's discover... Read allAfter their vessel runs aground during a storm and is impounded by the British authorities, local smugglers must find a way of disposing of their contraband brandy cargo before it's discovered by the Customs Officers.After their vessel runs aground during a storm and is impounded by the British authorities, local smugglers must find a way of disposing of their contraband brandy cargo before it's discovered by the Customs Officers.
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Charming and light-hearted spoof of bureaucracy, "Green Grow the Rushes" gently shows how silly is the fascist welfare state, in this case that of Britain.
An extremely talented cast helps tell the story of a jurisdiction given some leeway by Henry III, one that is taken aback, is in fact downright insulted by three bureaucrats from the Ministry of Agriculture and Fisheries who try to throw their weight around.
Historians and history majors might know the definition of Great Britain: A body of land surrounded by smugglers.
It's a proud tradition and one the people want to uphold.
The three bureaucrats find themselves at war with the entire citizenry, which happens to be in the middle of the celebration of King Henry the Third's proclamation for the town.
Richard Burton, in this early appearance, already shows the charisma that will make him a major star, and Honor Blackman gives only a hint of the beauty she will be known for later.
"Green Grow the Rushes" is a lot of fun. I recommend it for that reason and for the reason it shows even the perfidious Brits used to be in favor of self-rule and self-responsibility, before they became so totally dependent and under the thumb of their ubiquitous bureaucrats.
An extremely talented cast helps tell the story of a jurisdiction given some leeway by Henry III, one that is taken aback, is in fact downright insulted by three bureaucrats from the Ministry of Agriculture and Fisheries who try to throw their weight around.
Historians and history majors might know the definition of Great Britain: A body of land surrounded by smugglers.
It's a proud tradition and one the people want to uphold.
The three bureaucrats find themselves at war with the entire citizenry, which happens to be in the middle of the celebration of King Henry the Third's proclamation for the town.
Richard Burton, in this early appearance, already shows the charisma that will make him a major star, and Honor Blackman gives only a hint of the beauty she will be known for later.
"Green Grow the Rushes" is a lot of fun. I recommend it for that reason and for the reason it shows even the perfidious Brits used to be in favor of self-rule and self-responsibility, before they became so totally dependent and under the thumb of their ubiquitous bureaucrats.
Is there any documentation on the story of this movie. In other words, how does this derive from the 18th-century English folk song "Green Grow the Rushes" (?) Those words are sung in the second line of each verse. The first verse is, I'll sing you one O. Green grow the rushes O. and so on until the song reaches I'll sing you twelve O... it's a counting song, similar to "The Twelve Days of Christmas." In Kent, the movie's setting, some of the locals are "Lily White," though no reason is given by the movie as to how anyone earns that designation. In the song, each verse (after the first) has the line, "Two, two, the lily-white boys, clothed all in green O." But the original meaning of that is now a matter of speculation.
I believe it was G. K. Chesterton who described himself as a "Little Englander." To those of us born after WWII, it is hard to fully grasp what he had in mind; which is the reason why I like Green Grow the Rushes, because I think it gives some idea of what Chesterton meant. It is ostensibly about a boat that became stranded with a load of brandy. But the subtext involves the conflict between officials of the British national government and the locals and their local officials who attempt to thwart the government by invoking laws and immunities dating back to feudal times. In this sense it is a libertarian classic which reminds us that so-called feudal Europe was in fact a complex tapestry of autonomous localities, fiefdoms, principalities, etc., under a relatively weak (by today's standards) central state. The movie manages to convey a sense of nostalgia for a type of little England with its absurdly dressed officials and independent-minded locals who stand in contrast to and are suspicious of the suited technocrats who descend upon them to change their customs and plan their lives.
Boasting excellent location photography by Harry Waxman, "Green Grow the Rushes" is a droll British comedy never released theatrically in America. Unlike so many mid-Atlantic style British exports (many of which over the years were actually funded by Hollywood) its lack of more universal appeal is evident, though not fatal to enjoying the artifact seven decades later.
Story is simple: a small rural community of Portenoy has considered itself independent since the time of King Henry III, who granted them a special charter, and the humor here arises from the conflict that occurs when UK government officials begin snooping around and annoying the provincial population. The fishing trade locally has long since given way to smuggling (we see a trade in contraband liquor from France), with sailors like Richard Burton only pretending to be honest fishermen. Lead role goes to his boss, the ever entertaining Roger Livesey.
Livesey's odd manner of speech is another roadblock to getting into the story, as he speaks of himself always in the third person, and his first scene with Burton has him using the term "lily-white" dozens of times. Its meaning here is apparently an old English colloquialism meaning "pure", so as to describe straight folk who do not resort to crime as a profession, such as smuggling, and is meant to be condescending.
The romantic relationship here between and intrepid reporter Honor Blackman is effective, not only because of the two actors' tremendous magnetism but because of their subsequent fame, she of "Goldfinger" and TV's "The Avengers" stardom, and he of such an iconic stage and movie career a decade later. Without them and Livesey, the movie would seem merely quaint and totally ephemeral.
Story is simple: a small rural community of Portenoy has considered itself independent since the time of King Henry III, who granted them a special charter, and the humor here arises from the conflict that occurs when UK government officials begin snooping around and annoying the provincial population. The fishing trade locally has long since given way to smuggling (we see a trade in contraband liquor from France), with sailors like Richard Burton only pretending to be honest fishermen. Lead role goes to his boss, the ever entertaining Roger Livesey.
Livesey's odd manner of speech is another roadblock to getting into the story, as he speaks of himself always in the third person, and his first scene with Burton has him using the term "lily-white" dozens of times. Its meaning here is apparently an old English colloquialism meaning "pure", so as to describe straight folk who do not resort to crime as a profession, such as smuggling, and is meant to be condescending.
The romantic relationship here between and intrepid reporter Honor Blackman is effective, not only because of the two actors' tremendous magnetism but because of their subsequent fame, she of "Goldfinger" and TV's "The Avengers" stardom, and he of such an iconic stage and movie career a decade later. Without them and Livesey, the movie would seem merely quaint and totally ephemeral.
British comedy about a marsh community with a little secret. Some government snooties bounce into town to boss folks around, but the joke is on them. The entire community is involved with booze smuggling, and they're not about to give it up. Richard Burton and Honor Blackman are among the cast. Favorite part: the fate of the little clipper ship full of booze as it encounters a dangerous storm. What does the crew do when faced with being discovered with contraband? They drink it...and wreck the ship. The next morning the ship has been lifted over the sea wall into a farmer's meadow. A movie that makes me smile every time I think of it.
Did you know
- TriviaThis was the first film of A.C.T, Films Ltd. (Trade union Cooperative ser up by director Derek Twist, producer John Gossage and ex producer Phil Samuel) backed financially by the National Film Finance Corp. The Romney Marsh area was checked for locations and while New Romney was perfect for the town of Portenoy the snag was that the marshes were too well drained to use for the duck hunting scenes so these were shot on and around Hickling Broad in Norfolk. By drastic pruning and reducing the schedule by a week the budget was accepted. Fred Pusey was brought in as art director and the cast was picked on ability to give the right performance not on 'name'. A deal was made to use A.B.P.C. Studios at Elstree. Filming started 6th June 1950 in the High Street , New Romney. During the period at Romney there were only 3 days when exteriors couldn't be shot but these weren't wasted as due to Harry Waxman (cinematographer) and 'Dickie' Bird (sound) they were able to film in the local pub, the historic court and the town hall. The unit then moved to Hickling Broad and St Bennett's Abbey in Norfolk for the 'duck shooting' sequence then to Elstree Studios on July 1st for 4 weeks filming on a full sized set of a trawler and a farmer's cottage. It was just as well that 'time was no object' as the camera couldn't be on the studio floor. Instead each change of set up meant building rostrums for the camera, lining up the crane and moving the backing, etc. Shooting went one day over schedule with an average daily screen time of 2 minutes. Next to shoot was the storm sequences. During the 4th week Pinewood's travelling matte process with a 'split beam' camera was used for 5 major sequences and 2 small sections. The film was completed 2 days over schedule but under budget.
- Crazy creditsAny resemblance to any living person or actual events would be more than a coincidence it would be a miracle.
Details
- Release date
- Country of origin
- Language
- Also known as
- Donde los juncos son verdes
- Filming locations
- New Romney, Kent, England, UK(Portenoy)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 17m(77 min)
- Color
- Aspect ratio
- 1.37 : 1
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