The Light Touch

Don't read the "Storyline" - it has too many spoilers.

Intriguing Characters & a Suspenseful Plot: I'm rating this movie a "10" in the hope of improving the ridiculously low 5.8 rating. It certainly deserves at least a 7. It's suspenseful, clever, and definitely enjoyable, especially if you don't know too much content ahead of viewing it. My husband & I both found "The Light Touch" to be well-acted, entertaining, and to have a worthy script. Some descriptions include "comedy" in the classification. Though there are some amusing lines, it's far from a "comedy." Interesting contrast in the cast of characters, to be sure!

Excruciatingly boring tale of a thief who steals a famous painting for another man and then double crosses him. Along the way a young woman is brought into the deal to create a forgery of the painting and she winds up falling for one of the crooks. This crushing bore went on interminably as the 2 groups went about trying to outwit each other and come into possession of the valuable piece of art. Worse than "Canvas", another stupid 'art theft' movie.

Thief Sam Conride (Stewart Granger) steals a painting from an Italian museum. He double-crosses his partner Felix Guignol (George Sanders) by faking its destruction in a boat fire. Their client Aramescue don't necessarily buy it. Sam comes up with a new scheme. They recruit innocent Anna Vasarri (Pier Angeli) to paint copies and sell them to unsuspecting customers who know about theft but don't know that it's supposedly destroyed.

This is a B-movie. It desperately needs a bigger star. Sam needs to be a slick charmer. Granger has an old-time leading man look with height. I don't notice his British accent. He seems more non-descript than anything. He had a long career, but I don't know much of his work. The premise holds some potential, but this can't exceed beyond its B-movie nature. I can see this being reworked with bigger stars in the two leads.

In his second directed film, Richard Brooks filmed his own screenplay and you kind of get the feeling he would like to have had Cary Grant as his lead as he did in his first film, Crisis. I'm betting this film had to have been offered to Grant.

Failing to get Grant, MGM had its leads under contract in Stewart Granger and Pier Angeli. They did a reasonably good job in a caper film where the thief turns out to have a conscience.

Granger contracts to steal a valuable religious painting from a church in Palermo and makes good his escape to Tunis. Where instead of delivering it to fence George Sanders, he uses the old Granger charm to make copies and see if he can collect a few times on this robbery. Since nobody knows quite what Granger's game is, they have to wait and see including the police inspector Joseph Calleia.

The charm is used on young artist Pier Angeli and he even marries the girl. But she in the end has more effect on him than he on her.

MGM brought Richard Brooks and the whole cast over to Sicily and to Tunis with interiors filmed in their Cinecitta studios in Rome. So after going through that expense, why didn't they opt for color, given some of the beautiful locations they were filming at?

For Calleia and Angeli, this was a return home. For the rest of the cast it was a nice Mediterranean working vacation even though Brooks and Granger did not get along. I really do think Brooks must have seen this film for Cary Grant.

It's not a bad film, it does drag in spots and color would have been of immense help. Still Granger is every bit as charming as Cary Grant.

No matter what Richard Brooks thought.

This could have been a reasonably good picture. Plot is fairly decent and location shooting is an added dimension. It is writer/director Richard Brooks second attempt at direction -- he got better. Stewart Granger has been better. The age difference between Grander and the young and naive Pier Angeli is simply too great and does not work like it did with Gary Cooper and Audrey Hepburn in "Love in the Afternoon." Kurt Kasznar is probably working as hard as he could in his first film since appearing as an uncredited child star, but I could have seen Sydney Greenstreet in his role instead (had that legendary actor not been done with films). I liked George Sanders -- but I ususally like him in almost anything. He is the one saving grace to the film. Joseph Calleia does a good job but see him instead as Sgt. Pete Menzies in "Touch of Evil." Same with Mike Mazurki -- see him as "the" Moose Malloy in "Murder My Sweet" instead. "E" web site says the film is not available on tape or DVD and does not provide you an opportunity to vote for it. Not much to recommend.