The Man with a Cloak

A curious film hampered by an overwritten and stagy script, Man With a Cloak starts off looking like it might deserve to be as forgotten as it apparently is. However it recovers nicely when we see its plot unfold. Joseph Cotten plays Dupin, an intellectual, fond of drinking, but without a steady income, who spends much of his time in the local establishment owned by the kindly yet pragmatic Flaherty (Jim Backus). The young French woman Madeline Minot (Leslie Caron) arrives in New York from France with a letter of introduction from her fiancée, now manning the barricades in Paris, to his grandfather, the wealthy but dying Charles Therverner (Louis Calhern) who must spend his last days surrounded by the avaricious staff of the house, who impatiently await his death, in the vain hope that they will somehow get his money. Barbara Stanwick, as the head of the house, and Joe De Santis as the brutish and menacing butler, along with Margaret Wycherly as the housekeeper, have waited years for the old man to die, and are now confronted with the arrival of Madeline Minot, who is also seeking the old man's fortune although for the altruistic purpose of aiding the establishment of a republic in France. While the dialog tends towards the verbose, the story maintains your interest, especially the unlikely romance of sorts between Stanwick and De Santis, a romance based not on any mutual attraction, but on their shameless complicity in hastening along the dying process. Cotten, as Dupin, manages to come between them and in the process infuriates the butler though his anger is played with taut control by De Santis, whose performance is memorable. All in all, it is one of those films, that if you can catch it on TCM, is definitely worth watching.

Thank goodness for TCM, because every once in a while we catch a forgotten gem not yet available on DVD, and this is one of those. Sure it's a somewhat lightweight film, but it has its heavy moments, and sometimes you don't feel like watching "War and Peace," you just want something entertaining and substantive enough to keep you watching. I thoroughly enjoyed this.

The setting in 1848 New York was interesting. I like stories with time periods and settings not usually thought of. When you mention the 1800s most Americans are thinking cowboys and Indians and the Old West, or else the Civil War. Yet there were whole regions and eras in our country's history not usually covered that surely are brimming with stories.

Some have criticized the movie for its stilted dialog, but hey, that's the way upper crust people talked back then. Just try reading a book written in 1848 by a more cultured author, and you'll see what I mean. I found it interesting to listen to. The cast was great, too. I have never thought of Joseph Cotten as a particularly handsome actor, but that mustache made him look rather dashing! He should have worn it more often. And then there's Jim Backus... Ususally stereotyped as Mr. Magoo or Thurston Howell III, here he showed us his depth as an actor by making the serious character of Flaherty seem so real and natural.

There's a murder in this mystery, but it's not at all what you would think. There are several plot twists that. while not spectacular, are still suspenseful and entertaining. You may or may not be caught by surprise by the revelation at the end, but many viewers will be. I highly recommend this film and hope it is soon available on DVD.

I suspect that this was thought of as a small production by MGM at the time, but it's got two of my favorites, both of whom were perhaps not quite as "big" as they had been a few years earlier: Stanwyck and Cotten (maybe the only time he was mustachioed on film?). This film has a lot going for it: wonderful score by David Raksin, the rich voices of the principals, Louis Calhern chewing up all of the period scenery, and strong black-and-white photography. It's a period thriller, but a leisurely one, with a nice sense of atmosphere. The script has some lively exchanges between characters, although the artifice shows a bit sometimes. Stanwyck's character is a little ambiguous, but that seems appropriate in a way. Always-reliable supporting players Joe DeSantis and Margaret Wycherly (the terrifying mum in "White Heat") are fine as the cohorts of Stanwyck's "Lorna Bounty"--what a great name! And there's a beautiful raven too. What more can you ask for?

In 1848 New York, mysterious wanderer Joseph Cotten (as "Dupin") watches pretty young Leslie Caron (as Madeline Minot) arrive from Paris, France. She is looking for her lover's wealthy grandfather, Louis Calhern (as Charles Thevenet). Penniless and thirsty for wine, Mr. Cotten meets Ms. Caron and the two form a bond. Caron wants Mr. Calhern to finance the French Revolution. Caron finds Calhern is very ill, and expected to die. Moreover, she suspects actress-turned-housekeeper Barbara Stanwyck (as Lorna Bounty) and her staff may be helping the old man into his grave. Nice work from photographer George J. Folsey and the MGM crew. Clearly, director Fletcher Markle should have received more film assignments. The mystery involving Cotten's alcoholic character plays out as gimmicky and false, but "The Man with a Cloak" is worth an invitation.

****** The Man with a Cloak (11/27/51) Fletcher Markle ~ Joseph Cotten, Barbara Stanwyck, Leslie Caron, Louis Calhern

Though the mystery man is in reality no mystery man--most viewers will be able to identify the literary figure from the beginning--this movie gem now almost forgotten is well written, well acted, and well presented. It still packs a wallop, filled with thrills and suspense. Not surprisingly, the leads give outstanding performances as one would expect from the likes of Joseph Cotten, Barbara Stanwyck, Louis Calhern, and Leslie Caron. What is surprising is how well Jim Backus (Mr. Magoo) as Flaherty the good-hearted if cynical bartender shines in a small part, as does Joe De Santis, now known mainly for his TV work, playing the sinister and potentially deadly Martin, the butler. Margaret Wycherly too plays Mrs. Flynn, the pessimistic yet wily housekeeper, to perfection.

The story by detective novelist John Dickson Carr while not all that original is aided by a witty script by Frank Fenton. The plot is a rehash of the age-old ploy of a group of hangers-on after an old man's fortune, this time led by a conniving siren. What makes this one somewhat fresh is the introduction of a historical character and a pretty French guest who supplies intrigue smiting of revolutionary Europe in 1848, in the aftermath of the fall of Napoleon's empire. There is also an unexpected death to make it all the more interesting. All in all an entertaining film that deserves more recognition.