Sirocco

There are films that have been made that are no go, the reasons for creation not Key Largo, to be honest and quite franka, this just isn't Casablanca, as a fan of the great man, this is a blow. Although he plays with all the usual charisma, but for reasons this is just silly miasma, Everett Sloane you can't applaud, he's just a shadow of our Claude, and poor old Marta, holds no candle, to fair Ilsa. When the end arrives relief is quite immense, but at least you have a little recompense, ticking from a quite long list, this is one more you haven't missed, you can park it now, and let it all condense.

(Marta Toren to Bogie)....what a great line! I'm surprised it hasn't gone down in the lexicon of great movie quips...and it captures perfectly the paradoxical mystery of Bogie's eternal charm, as well as the mystery of how an essentially mediocre film can be redeemed by its own dry, sardonic charm (due largely to help from fine supporting players as much as from Bogie), some great B/W photography, and a persistently downbeat refusal to push any sort of patriotic agenda.(adding greatly to that charm quotient.) The postwar noir influence is in fine fettle here. So Bogie doesn't exactly have a great motivation for his final decision? He just changed his mind, that's all. Take it or leave it. "I've taken long chances before. Okay." What could be better than that? It's the way people act every day. Every good critical eye without a mote in it knows that this film is safely and securely within the universe of the best product Hollywood ever put out, a great, mordant, counterweight universe to the unwatchable sap they themselves were producing right alongside it. "Sirocco" is not even really that minor a star in that universe. Good, good, good.

SIROCCO is a film which has gotten mixed reviews, or at least mostly bad reviews. And they are right. My favorite Bogie films (or at least the ones I've seen) are IN A LONELY PLACE, CASABLANCA, THE BIG SLEEP and a couple more. And they have the right to be called "classics". Or even by some, "masterpieces". But SIROCCO doesn't get that chance because, well, it's really nothing special. Being a huge Bogie-fan, I was disappointed when the movie ended and I felt that person who can be referred as "supporting role" was Bogie. Being the superstar that he was, he should have been able to be in the film a little more. I wouldn't advise anyone to not see this film. OK, see it. But don't expect a masterpiece, or even a great movie cause' it's not, unfortunately. the acting and the whole black/white thing were the only good things. But, hey, I would advise IN A LONELY PLACE to anyone, anytime, anywhere. So don't get your hopes up for SIROCCO, instead go rent/buy IN A LONELY PLACE, because that is a film worth calling a classic. Hope I helped.

This could have been a better film; but it was made to conform to the strict rules of the Hayes Commission. One of those strict rules was that any obvious acts of "immorality" (whatever that is) must result in the demise of the person committing such immoral acts. Bogart is not a good guy or bad guy in this film; he is just a guy playing both sides of the fence to make some money. If that is immoral, then 90% of American CEOs would be killed off in any film they were in. I did not buy Lee J Cobb as a French officer as well, although the female lead did a pretty good job. The end result is a pretty watchable film that could have been much better. And the conclusion of the film is not the least bit believable, nor satisfying.

Not a great flick, but interesting to see that conflicts between foreign occupiers and arab locals has been going on for a long time, with similar results. Its a recurring theme in Arabia - foreign armies come in hoping to pacify the locals, only to fall into a bloody pattern of terrorism and retribution. The amazing thing is that its been going on for so long and in so many places. It's an insight on today's middle-east events.

And like so many middle-east conflicts, in this movie you are left being not very sympathetic to either side. Yes, its the Syrian's home, but their tactics are sickening. The French come off no better as the aggressors and oppressors. The third parties, such as Bogart's character, are just vultures feeding off the tragedy.

Good one to watch if you're thinking of invading an Arab nation.