The Thing from Another World

Imagine what you'd if a flying saucer crash landed close to an artic outpost where you were stationed. I guess you'd instinctively get out and about and go looking for it, albeit with some army types in tow (or towing) and, upon discovering it, inadvertently destroy said vessel but manage, through luck or misfortune to capture the alien pilot in a block of ice where it had frozen during its escape. That's what I'd do, then I'd do all I could to ensure (inadvertently again) that the entrapped thing was released as expediently as possible so it could cause rampage and carnage while instilling fear within the occupants of the isolated outpost. Just as well I wasn't around!

You've got to love the old B Movies of the 1950s! Especially those that gave us two belters of cinema in years to come.

"The Thing from another world" is the pinnacle of 1950s horror movies. It is not one of those cheap exploitation pictures that cashed in on the publics fear of atomic energy, no, this film actually takes itself seriously and manages to scare the hell out of the audience in the process. So many future sci-fi/horror movies were influenced by this one, most notably the original "Alien". Gorgeous production design and great performances help to carry the story along, a story that concerns an isolated arctic base and the people there who have to deal with a very unwelcome visitor. Definitely holds your suspense throughout. The zenith of all horror movies to come out of the fifties

A scientific expedition, located near the North Pole, sends an urgent message to an Air Force Base in Anchorage, Alaska reporting the near-by crash of a very large, unknown, object and requesting immediate assistance. Air Force Captain Pat Hendry, and his crew, then depart to this expeditionary site. Upon arrival, Captain Hendry meets Dr. Carrington, who's in charge. Preliminary scientific evidence rules out the possibility of a meteor. Also, since this crash, a lot of atmospheric and magnetic disturbance has been generated, making radio communications and aircraft navigation difficult, if not impossible. AT this point, Captain Hendry and his crew, along with Dr Carrington with some members of his staff, depart to the crash scene about 50 miles away. Upon arrival, part of an aircraft structure is protruding above the ice and appears to be "alien" in origin. Attempts to remove this aircraft, using thermal "thermite" heat bombs proves unsuccessful. This "Flying Saucer" is destroyed, but its occupant is thrown clear and becomes frozen under the ice. This body is then removed and taken back to this expeditionary site and put in cold storage. Everything appears to be under control until an unforseen accident occurs endangering not only the lives ov everyone at this expeditionary site, but all human and animal life on the entire face of planet Earth. There are some lighter sides to this Sci Fi drama. I enjoy the good natured kidding that Captain Hendry receives from his men after his girl friend pins an embarrassing not on his chest while he's asleep giving everybody ample opportunity to read it. I also get a kick out of the newspaper reporter Ned "Scotty" Scott's on going battle with Captain Hendry in trying to obtain permission to broadcastcast his "Flying Saucer" story to the media and Captain Hendry's refusal to let him until offical Air Force clearance can be given. Also, keep an eye out for George Fennamen, from Groucho Marx's old TV quiz show "You Bet Your Life."

Exactly that´s the stuff classics are made from: good acting (James Arness from TV-show "Smoking Guns" plays the monster!), a creepy atmosphere and an intelligent plot! The suspense will make you bite down your fingernails for 90 minutes, there is neither violence nor gore, because the true horror comes from the unknown and the unexpected! In 1982 John Carpenter filmed a remake with more action, better F/X and Kurt Russell, but it has not much to do with Howard Hawks original! And also the spirit of the post WW2-era is totally missing, because this film shows very urgently the fear of nuclear armament or the things from outer space! In some moments Christian Nyby´s film even reminded me on Ridley Scott´s "Alien", the parallels to both stories are more than immense! But as Scott´s movie is nothing but good Sci-Fi/horror, "The Thing from another World" is social criticsm and suspense-packed entertainment in one! It influenced many other classics of the genre like "Tarantula", "Them!" or "It came from outer Space", so it´s a very enjoyable and important film, which is a must for lovers of 1950s terror cinema!

The Thing, released in 1951, is the original hostile alien movie, a must-see for fans of sci-fi and horror.

Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.

A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.

The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.

The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.

After 50 years this movie rightly earns the label of classic.