Cripple Creek

Ray Nazzaro the director was not that lousy after all, or only for his first part of career. This little western is agreeable though very predictable too. You have George Montgomery as the lead, as well you could have had Rory Calhoun or Sterling Hayden. Beautiful settings and landscapes, not too long, and a never boring story. So, for western fans, this movie is worth the watch. Of course, if you search something very unusual and different, you may be a bit deceived. Good efficient scenes, very surprising in such a B western. Good ending twist too. Yes, an above average Ray Nazzaro western. I highly recommend it. Go ahead now !

Set in the 19th century West, we have lawmen trying to catch some outlaws who have been a little too crafty to catch.

This is one of those "darkness before the Dawn" films that aren't that common. It's a story of a person in a situation where it looks totally hopeless and full of horror, with all allies destroyed, all hope of help from outside gone, and nothing to fight with.

In this case, it's an undercover cop in the old West, infiltrating a gang. We get a feeling of what is to come, and since most movies are stereotypical "all nice guys have to die" plots, the only thing that makes us think it's possible the undercover cop will live is because tough guy Montgomery portrays him. That makes it suspenseful, because now we feel it is an even money chance he will pull out alive some how.

There's one well organized ring of gold smugglers operating out of the gold strike camp of Cripple Creek, Colorado. There's so much gold being smuggled out of the place that the Secret Service is concerned. Remember the USA was on the gold standard back then.

So the Secret Service assigns agents George Montgomery, Richard Egan, and Jerome Courtland to go undercover and apprehend this gang. Courtland is young and impulsive, but both Montgomery and Egan think pretty fast on their feet as you'll see as the story unfolds.

Just about everybody of any importance in Cripple Creek is involved in the smuggling which is why the government hasn't been able to get a handle on it so far. That's why our agents really have their work cut out for them in this fast paced western.

Cripple Creek is a competently made B western with a real twist at the end. Two twists in fact, especially when you find out who the head of the smuggling ring is and what's the purpose behind all the gold smuggling.

Cripple Creek is one western not just for the kid trade.

The script sprawls some, but the oater's well cast and entertaining. Three Secret Service agents led by Ivers (Montgomery) go undercover to break up a gold smuggling ring in Cripple Creek, headed by a smug city slicker, Silver (Bishop). Two sequences are real nail-biters—the Russian roulette scene that's really well done, and the smelter scene that pays good attention to detail. Then again, there's the silly barroom brawl that suggests the influence of a kids' matinée feature. Really, George Cleveland's crusty old grouch is all the comedy relief that's needed. Anyway, the western's uncommonly well cast with familiar faces up and down the line. The script even manages a good surprise at the end. As a former resident of the real Cripple Creek, however, I'm surprised at how much that mountain town is supposed to resemble LA's San Fernando Valley, as though that matters entertainment-wise. Anyway, it's a pretty good western somewhere between an A and B production.

(In passing-- the Cripple Creek gold camp was a boom town for several decades; then became a near-ghost town in the 1950's after the price of gold was frozen; but has lately revived with casino gambling and a and a return to market pricing. It's got a magnificent scenic view across a hundred miles of South Park to the main range of the Rockies. So visit there if you can.)

Set in Colorado in 1893. The plot about a supposed outlaw and his sidekick going undercover (with the usual emphasis on gunplay and fisticuffs) is pure 'B' western; with it's smiling, well-dressed senior villain flanked by cold-eyed henchman John Dehner.

However it displays an occasional sardonic humour, is considerably spruced up with Technicolor and is occasionally dramatically staged by director Ray Nazarro (with a scene depicting Russian Roulette over a quarter of a century before 'The Deer Hunter').