Murder on Monday

Ralph Richardson, who both directs and acts in this film, has taken a simple story that depicts a short period in the life of a middle-class couple in post-war England whose routine is suddenly disrupted by the memory lapse of the husband. The story is brought to life by the acting of the three main actors - Richarson and Margaret Leighton as the couple and the medical doctor, Jack Hawkins.

A veteran of World War II (1939-45), the dutiful husband is stricken with an anxiety attack that causes him to relive his days in battle. When this mental episode is over, he cannot remember what happened for a full 24-hour period. Husband and wife are perplexed and anxious by this sudden turn of events. They turn to their understanding family doctor for an explanation. The doctor, Jack Hawkins, is sympathetic and not overly worried but eager to find out the source of the problem.

As it turns out, a theft and murder occurred that seem to implicate the husband or so the couple fears. Lies and cover-ups complicate the matter and the couple become so upset that they make things worse for themselves. The couple are so used to their routine that a sudden and unexplained twist becomes exaggerated. The story presents us with a puzzle and the reaction of two decent but somewhat docile human beings, who feel they will be unfairly targeted by the authorities. However, the police go about their work very calmly and before long everything is explained.

The movie is a throwback to a time when ordinary people enjoyed simple pleasures like going to their club, or taking in the "pictures" and growing their chrysanthemums in the adjoining greenhouse garden...so very British.

It is these very ordinary people that I have a great sympathy and admiration for in our often self-serving world. Nothing extraordinary about the movie or the couple but almost 60 years on, the acting still makes it a delight to watch.

Ralph Richardson stars (he also directs) as a man with a problem. He comes home from work one Monday night and finds his wife (Margaret Leighton) in a tizzy. It seems it's actually Tuesday and he's been missing for more than 24 hours. As the plot unfolds, we also learn that funds from a social club he's in are missing and that the bookkeeper has been killed. Hmmm. Richardson has a memory blackout and cannot account for his actions.

Luckily in 1952, we were a kinder world (at least in the movies) and a kindly physician (Jack Hawkins) patiently helps him remember events. An equally patient and kind police inspector (Campbell Singer) also helps him sift through the facts and clues. Amid all this patience, his neighbor and club president (Michael Shepley) is only too glad to jump to conclusions. But patient wife Leighton remains staunch.

As the mystery is unraveled, we find that Richardson is not exactly the man we all thought he was, but that he, like all of us, has a few secrets. Late in the film, Meriel Forbes as Peggy arrives on the doorstep and reveals a few things about Richardson. She also steals the film.

It's not uncommon for actors to direct themselves in films but many do it only once, perhaps because they believe in a project, either as vehicle for themselves or just as a vehicle worth bringing to the screen. In 1952 Ralph Richardson felt the need to direct a film of R. C. Sherriff's play "Home at Seven" casting himself as the bank clerk who has a 24 hour memory lapse and then finds himself inplicated in a murder.

It's a good plot and if Richardson handles it in a somewhat theatrical fashion he, at least, draws first-rate performances from his cast while he is outstanding as the clerk. After Olivier, I've always felt Richardson was the finest of the theatrical knights to make it in the movies and he doesn't disappoint here. It's a wonderful performance and Margaret Leighton and Jack Hawkins are just as good as his fretting wife and the doctor who tries to help him. The plot itself may be a little far-fetched but the treatment is excellent making this one of the best and certainly one of the most underrated British films of the period.

"Home at Seven " (aka, Murder on Monday) is a smashingly good mystery drama. This is such a different plot, that I don't want to take away the surprise of the film by even doing a review with spoilers. I suspect that those who enjoy very good mysteries would not want even an inkling of how this story plays out. Others may want to read another review that has spoilers or reveals some of the details.

But for my contribution here, I'll just say that this is a superb British mystery drama with a cast that includes some of England's best actors of the time. Besides starring as David Preston, Ralph Richardson directed this wonderful film. It was his only such venture behind the camera. Margaret Leighton is his wife, Janet. Jack Hawkins plays Dr. Sparling, Michael Shepley is Major Watson, Meriel Forbes is Peggy Dobson, and Campbell Singer is Inspector Hemingway.

This is a fine film that shows superb acting in dramas sans police chases, running from the law, hiding out, and other actions. The film is based on a play by the title, "Home at Seven," by R. C. Sherriff.

The film is a good reminder that a lie usually leads to misery for the one who tells it. Or, put more poignantly, the truth never hurts anyone.

This truly enjoyable film portrays the frustrations of a mild mannered clerk embroiled in a mystery that has occurred outside of his memory. Most entertaining is Ralph Richardson, perfectly cast a the staid, banker living a life of ritualistic routine that has been turned upside down. He has that natural gift of absolute clear speech - even in the most dramatic moments and is a pleasure to watch. His reparte with the investigating inspector is most engaging. To bad this movie is unavailable on video.