Loan Shark

George Raft Riding His Stone-Faced Star Status to the End.

Here, at 57, Plays an Ex-Con, Ex-Boxer, that is a Hit with the Ladies and Hits His Share of Hoods.

He's Not Only an Ex-Pug, He's Proficient in Judo too.

A B-Movie that Visually has some Unexpected Style and Flourishes.

Grounded in a Tire-Factory with Plenty of Machinery and Production Techniques Inside the Plant.

A Good Cast with Paul Stewart and Dorthy Hart and some Familiar TV and B-Movie Faces.

It's a Fast-Paced with a Goodly Amount of Contrivances as Raft Bullies HIs Way into the "Trust" of the Mob.

Overall, a Better than Average Late-Life Raft Vehicle and Early-Fifties Near Noir.

Worth a Watch.

Loan Shark finds George Raft an ex-con come to live with his sister Helen Westcott after his release. Their neighbor and secretary to the owner of the factory where Westcott's husband is employed, Dorothy Hart puts in a good word for Raft for a job.

Owner Charles Meredith has a special job in mind for Raft, investigating and finding out who's behind a group of loan sharks who have been putting many of his employees in their debt. Raft doesn't want this kind of work, but changes his mind when his brother-in-law Bill Phipps is killed.

But unfortunately this involves Raft going undercover and working for the gang until he can find out who the real boss is. He makes a lot of enemies, including Westcott and Hart until the job is done.

The film was done for B picture studio Lippert films and possibly at a major studio it would have had a lot of the plot holes filled. The writing could have used some improvement, but action goes along at a nice pace and Raft is perfectly cast in the hero part. During this time Raft was doing most of his work in B films and some of them are not bad at all. Loan Shark is one of them.

OK: That's only at the beginning. catch the start of this nice little noir. Raft makes an entrance any diva would have been pleased with. And he arrives to visit his sister. On the way, he passes a squabbling couple. The sister greets him with love and concern, commenting on how tired he looks. And then he goes to soak in a hot bath! Later in the movie, we see that the authors have been influenced by another play that became a movie: The girlfriend of one of the bad guys suddenly sounds like Judy Holliday as Billie Dawn, from "Born yesterday." It may indeed have been unconscious. But wait: The climactic scene -- and this is giving nothing away -- is set in a theater.

All this said, it's an excellent movie for something on so obviously low a budget. Raft is the same as he usually was. He's not exciting but he gives a solid performance. The lead female, Dorothy Hart, is attractive and convincing. The supporting cast is very good and they're all well directed.

It's by no means a great movie but it's a decent, good one, worth your time.

It sure was odd seeing a 57 year-old George Raft playing essentially the same role he'd been playing almost twenty years earlier--especially since the stuntman they used for him looked much younger and a lot more fit! Also, having a 27 year age difference between him and his girlfriend also strained the limits of credibility. However, if you can ignore the oddness of the casting, then it's a very good example of Film Noir that is sure to please lovers of this genre.

Raft plays a man who has just gotten out of prison for assault. He genuinely wants to go straight, but unfortunately the job prospect he has wants him to do some undercover work to determine who's in charge of a local loan shark business. He turns the job down, but when his brother-in-law is soon killed by these thugs, he changes his mind and works his way up through the racket to find "Mr. Big".

An exciting script, very good acting and pacing make this a fine fine example of Film Noir. If you liked this film, try to see Alan Ladd in APPOINTMENT WITH DANGER. The plot is very similar, though the Ladd film is a good bit grittier and tougher.

By the way, although this is a good film, Raft's prospects in Hollywood were pretty bleak at this point in his career. Raft made a habit of turning down amazing roles and by the 1950s he was starring in mostly B-pictures. According to IMDb, he'd "turned down High Sierra (1941), The Maltese Falcon (1941), Casablanca (1942) and Double Indemnity (1944)"--yikes!

George Raft is Joe Gargan, an ex con who is hired by a tire factory owner and a union leader to help smash a loan sharking mob that has been preying on factory workers. Joe works his way into the loan sharkers operation in order to get the goods on the guy who killed his brother in law and find out who the mobs top boss is. Since Joe can't tell anyone what he is up to, this puts a strain on his personal life; his sister no longer wants anything to do with him and he gets dumped by his girlfriend. Of course Joe clears everything up at the end.

Although LOAN SHARK has a somewhat weak script, the film is a fast paced, well acted, and efficient gangster thriller. Dorthy Hart, who played Jane to Lex Barkers Tarzan the same year as this film, looks lovely. Overall, LOAN SHARK is recommend for fans of George Raft and post war gangster movies.