Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.
Karen Randle
- Ginny Logan
- (as Karen King)
Emile Avery
- Cowboy at Knife Fight
- (uncredited)
Barbara Blaine
- Bit Part
- (uncredited)
Hazel Boyne
- Bit Part
- (uncredited)
Robert Bray
- Fritz
- (uncredited)
Buck Bucko
- Rodeo Official
- (uncredited)
Featured reviews
Don't let the illfitted lurid title mislead you, this is a really good movie played serious, the kind of conventional in its arc but altogether engrossing drama old Hollywood used to make in its golden age. It may have little to offer in the way of lust but quite a lot of rodeo excitement. Robert Mitchum is worn-out bronco rider Jeff McCloud, once a rodeo legend and now a peniless drifter who drunk and gambled away the small fortune he made by falling out of horses' backs. He becomes attached to a man working as a cowhand in a nearby ranch and his lovely wife and soon convinces the man to make him as his rodeo mentor. What at first seems like quick easy money will soon prove to involve a whole lot more, from broken bones to broken marriages. This is a three-character drama that bounces off inside the triangle formed by washed-up, has-been bronco rider McCloud, the ambitious and reckless up-and-comer played by Arthur Kennedy and his wife (Susan Hayward) who desperately wants her husband off the rodeo business while he can still walk in one piece, all this seasoned for good measure with footage of bronco riding, bulldogging and what have you. Ray's direction is good, the rodeo setting provides an exotic backdrop of western Americana which should appeal to lovers of open vistas and wild landscapes and the performances are ace all around. Mitchum is at the top of his game playing the kind of character he could play with eyes closed. It was red-haired Susan Hayward who was the big revelation for me though. This was the first time I saw her in a movie but she enchants like few.
Yes, as one commenter noted, Susan Hayward seems a bit Eastern-glamorous to be kicking up dust on the rodeo circuit. But she glowers and snarls with the best of them, and, top-billed in this man's-man movie, she's great fun. But even she's dominated by a supremely confident and virile Robert Mitchum, as a has-been rodeo champ trying to turn her husband (a rather miscast, but hard-working, Arthur Kennedy) into a king of the saddle. It's location-filmed and has no traces of studio hackery, and Nicholas Ray keeps it wonderfully outdoorsy, with some fabulous stunt-riding footage and an authentic atmosphere of the hardscrabble rodeo life. The initial Hayward-Mitchum shower scene has to be one of the sexiest in all 1950s cinema, and there's a great sexual undercurrent to all their encounters. Kennedy seems a little pallid by comparison, and is playing a character that's hard to root for, but he does try hard. I didn't know this movie and am grateful to TCM for running it -- it's a real discovery. However, their print has awfully uneven sound, and you'll have to keep adjusting your volume up, down, up, down.
This is my all-time favorite Robert Mitchum movie. In fact, it's the movie that made Mitchum one of my favorite actors. I saw this movie as a child on television and could not understand why Susan Hayworth would prefer Arthur Kennedy to Robert Mitchum.
It's a dusty, exhausting rodeo film, so realistic that one can almost smell the horses. Seeing how the participants usually had to pick up their winnings ("day money") in a bar after what could have been a physically crippling time in the arena shows how easy it would have been to start drinking to kill the pain and the fear. Also the rodeo "groupies", so ready to soothe the pains and massage the ego, have probably changed very little since the early '50s. The character of Jeff McCloud has obviously been there and done that, and Mitchum plays the weariness with authenticity and sympathy. He also reveals his ability to play comedy in the scene in Rosemary's trailer with Frank Faylen.
I heartily recommend this film to anyone wanting to see a realistic slice of Americana, and good performances by all the leads.
It's a dusty, exhausting rodeo film, so realistic that one can almost smell the horses. Seeing how the participants usually had to pick up their winnings ("day money") in a bar after what could have been a physically crippling time in the arena shows how easy it would have been to start drinking to kill the pain and the fear. Also the rodeo "groupies", so ready to soothe the pains and massage the ego, have probably changed very little since the early '50s. The character of Jeff McCloud has obviously been there and done that, and Mitchum plays the weariness with authenticity and sympathy. He also reveals his ability to play comedy in the scene in Rosemary's trailer with Frank Faylen.
I heartily recommend this film to anyone wanting to see a realistic slice of Americana, and good performances by all the leads.
10whpratt1
After viewing this film, it is truly a great 1950's classic with outstanding acting by the entire cast; and a great story with a realistic view of what the Rodeo life really is and the pain and suffering that is experienced by men and woman. Robert Mitchum(Jeff McCloud),"Farewell',My Lovely",'75, played a real calm cool veteran star of the Cowboy game shows and was very successful, but was beginning to show wear and tear. Arthur Kennedy, (Wes Merritt),"Peyton Place",'57, was originally a ranch hand trying to buy his dream house for his wife Louise Merritt,(Susan Hayward),"With A Song in My Heart",'52, and loved her husband very much. However, when Wes Merritt got together with Jeff McCloud, all hell broke loose and Louise did everything she could to hog tie her husband down from very hot women, wild horses, and bulls with angry tempers. Great film, don't miss it, it will be around for many generations to enjoy.
One of Robert Mitchum's best films from his days at RKO is The Lusty Men about the rodeo circuit. Mitchum plays Jeff McCloud a burned out rodeo rider who spots some potential star talent in Wes Merritt. He also spots Merritt's wife and the Merritts are played by Arthur Kennedy and Susan Hayward.
Mitchum's been thrown by one too many bulls and horses and he's a burned out man. Still the allure of the circuit holds him in sway. He mentors Kennedy until they come to a parting of the ways and not just over Susan Hayward. The part is a perfect fit for Mitchum, his own footloose past made him understand the character of Jeff McCloud and bring it to life.
This was the first of two films Mitchum did with Susan Hayward. She's clearly in support of him and she knows it. Her big moment on screen is dispatching a rodeo groupie at a party who had designs on Arthur Kennedy. Her footage had to be shot first, according to Lee Server's biography of Mitchum, as Hayward had a commitment in Africa to shoot The Snows of Kilimanjaro.
Among the supporting cast Arthur Hunnicutt, one of the biggest scene stealers around, is very good as another burned out rodeo rider. Mitchum looks at him and sees that is his future. In fact in the end, so does Kennedy.
The Lusty Men is a fine depiction of rodeo life, ranking up there with the later Junior Bonner and 8 Seconds. Good entertainment all around.
Mitchum's been thrown by one too many bulls and horses and he's a burned out man. Still the allure of the circuit holds him in sway. He mentors Kennedy until they come to a parting of the ways and not just over Susan Hayward. The part is a perfect fit for Mitchum, his own footloose past made him understand the character of Jeff McCloud and bring it to life.
This was the first of two films Mitchum did with Susan Hayward. She's clearly in support of him and she knows it. Her big moment on screen is dispatching a rodeo groupie at a party who had designs on Arthur Kennedy. Her footage had to be shot first, according to Lee Server's biography of Mitchum, as Hayward had a commitment in Africa to shoot The Snows of Kilimanjaro.
Among the supporting cast Arthur Hunnicutt, one of the biggest scene stealers around, is very good as another burned out rodeo rider. Mitchum looks at him and sees that is his future. In fact in the end, so does Kennedy.
The Lusty Men is a fine depiction of rodeo life, ranking up there with the later Junior Bonner and 8 Seconds. Good entertainment all around.
Did you know
- TriviaIn the opening credits, filmed on Stone St. in Tucson, AZ, the Pioneer Hotel is briefly visible, and farther down the street, Steinfield's Department Store. The hotel was said to be "100 percent fireproof", a claim that was refuted in December 1970 when fire swept through the upper floors, claiming 29 victims - among whom were Harry and Margaret Steinfield, who lived in its penthouse. The building was repaired and is now a mixed-use apartment and office space.
- GoofsDirectly after the ride by Jeff McCloud, the rodeo announcer introduces the next rider as hailing from "Big Springs, Texas". He even announces the town name twice - before and after the ride. In reality, there is no "s" at the end of the second word - the town is "Big Spring".
- Quotes
Jeff McCloud: There never was a bronc that couldn't be rode, there never a cowboy that couldn't be throwed. Guys like me last forever.
- ConnectionsFeatured in Lightning Over Water (1980)
- How long is The Lusty Men?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- La mujer codiciada
- Filming locations
- Pendleton, Oregon, USA(rodeo exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 53m(113 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content