Never Wave at a WAC

This comparatively little known film, with the extremely unlikely storyline is, nevertheless a joy to watch. It is pure escapism with more than a hint of nostalgia for those of us of a certain age. The script is good with some nice one-liners, but because the plot itself is obviously rather weak things become a little laboured. I doubt it would come over as successfully as it does, where it not for the one and only Rosalind Russell - ever able to combine excellent dramatic and comedic acting with the epitome of Hollywood glamour. And where oh where would it have been without that stalwart, always believable, and I think much underrated actor, Paul Douglas as Russell's long suffering ex husband.

If you feel like some light hearted 1950s entertainment you could do a lot worse.

Ex-soldier's civilian job (improving uniforms) requires him to continue co-ordinating with the military. His socialite ex-wife's boyfriend is a Colonel, ordered to Paris. To be near the officer, the spoiled gal (Rosalind Russell) joins the WACS, expecting her elbow-rubbing father to smoothen her ride, but dad sees service as a means of tightening the reigns on her, so, she "starts from the bottom." To make matters worse, ex-hubby crosses paths with - and makes life more difficult for - her, although he eventually mellows toward her. Companion plot follows showgirl-turned-WAC's romance with Sergeant. But viewers of this film will discover whether Roz seeks boyfriend's or former husband's next stop. Not terribly deep but not a waste, either.

This light comedy has some entertaining characters and a few good scenes that make up for a rather slim plot. The story itself is rather silly - Rosalind Russell stars as a divorced socialite who joins the Army solely in order to be closer to her officer boyfriend. She quickly finds out that the Army plans to do a little more with her than simply give her passes whenever she wants to see him. Meanwhile, her scientific ex-husband (Paul Douglas) is working for the Army, and requests her for his project so that he can disrupt her planned romantic meetings. Since there's not a whole lot to work with, it starts to run out of steam after a while, but remains mostly pleasant to watch. While it's nothing to take seriously, it's just meant as light-hearted entertainment, and as such most of it works pretty well.

The plot of this movie is more than a little similar to "Private Benjamin." It's fun to see Rosalind Russell as a sort of WASP version of Goldie Hawn, indignant at the treatment she's being given in the WACs. The first half of this film is nearly a laugh a minute, but it bogs down in the second half when it does duty as a propaganda film and tries to put a button on the story line.

I found a DVD copy of this included on one of those discs that cram several movies on to one disc and cost very little. The title of the disc is "Comedy Classics" and includes (along with "Never Wave At a WAC") "New Faces," "Hazel Flagg," "The Smallest Show on Earth," and five others.

This movie is well worth the effort to locate, if only to see the scene in the doctor's office, Miss Russell with cigarette in hand.

I stumbled across this movie one sleepness night and rarely have I ever enjoyed insomnia so much. It has to be the inspiration for Goldie Hawn's "Private Benjamin" and the innocence of the era in which this movie was made (1952) seems to add to the enjoyment.

The film quality and overall production seems to hint at a low budget affair but again this only adds to the charm. The actors work well together and you can tell that the players enjoyed working together.

Rosalind Russell, as Jo McBain comes through as a real sport by allowing her character to be put through several hilarious and humbling situations. And most of those situations are created by the doings of Paul Douglas who plays Ms. Russell's likable ex-husband Andrew. And of course there is the "third wheel" in the story, a love interest of Jo McBain's, Lt. Colonel Schuyler Fairchild who is played solidly by William Ching. Andrw McBain's actions are driven by a desire to keep his ex-wife Jo and Colonel Fairchild apart.

Adding to the pippiness is a cameo by World War II hero General Omar Bradley playing himself. Old movie buffs who have not seen this work will most certainly enjoy and appreciate it.