Never Wave at a WAC

When ROSALIND RUSSELL wasn't doing heavy emoting in films like MOURNING BECOMES ELECTRA, she was doing wacky comedies like NEVER WAVE AT A WAC and proving that she had comic flair even in sub-standard material.

This is a forerunner of the "Private Benjamin" type of service story--or the "See Here Private Hargrove" type of thing, where a disgruntled serviceman (or woman) finds life in the Army rough going when given some deliberately hectic chores to do. MARIE Wilson is another unlikely recruit who's fighting off advances from an overeager sergeant, LEIF ERICKSON.

The gags are fast and furious but not too original as Russell is given some challenging assignments by PAUL DOUGLAS, as the man who eventually wins her heart. None of it is very convincing and Russell certainly had better opportunities in other smarter comedies during the '30s and '40s.

Passes the time, but not really worth watching unless you're a Russell fan.

Never Wave At A WAC is the apparently weird combination of Buck Privates and Woman of the Year. The odd thing about it is that it actually works and still will get a few laughs from today's audience.

This might have been a script offered to Katharine Hepburn, but Hepburn never really got as physical in her comedy films as Rosalind Russell does here. Still the part of socialite daughter of a United States Senator would normally have been something Hepburn might have done. Yet Russell makes the part all her own.

Russell's a bit of a snob and her father Charles Dingle well knows it. During a party where her ex-husband, Paul Douglas, crashes she meets another socialite friend who has just got a commission in the Woman's Army Corps. Russell's current boyfriend is another commissioned officer from public relations, William Ching, borrowed from an Ad agency. He's been assigned to NATO headquarters in Paris.

Of course dear old dad will pull some strings and make her an officer and a lady. Except Charles Dingle doesn't want to do it. He says let her in as a buck private and it takes a bit of getting used to before Russell realizes she's not a VIP on the base. And when Douglas who is a scientist doing work for the army arrives on her base the fun really starts.

Roz has some good physical scenes, check out the one where she and other WACS are part of a Douglas experiment in arctic conditions. They're not as physical as the ones in Private Benjamin, still Russell gets ample opportunity to display her comic timing.

There's also a nice subplot involving Marie Wilson, a stripper who joins the WACs and falls for Sergeant Leif Erickson.

Charles Dingle is always one of my favorite character actors and it was really nice to see him as a good guy for a change. He's either a nasty villain like in Edge of Darkness or he's a pompous horse's rear like in Welcome Stranger. He's neither in this film, just a nice down to earth man who happens to be a United States Senator and not pleased with the snobbish ways of his daughter.

Obviously because he believed in getting more women in the Armed Services, the then Chairman of the Joint Chiefs of Staff Omar N. Bradley made a guest appearance as himself. He has a moment when calls about Russell's status reach his ears and he refers them to his good friend Senator Dingle who's on a fishing trip.

Never Wave At A WAC though eclipsed somewhat for the current past two generations by Private Benjamin still has a lot of laughs. And it's a great introduction to one of the best and most versatile stars from the age of studio Hollywood, Rosalind Russell.

This comparatively little known film, with the extremely unlikely storyline is, nevertheless a joy to watch. It is pure escapism with more than a hint of nostalgia for those of us of a certain age. The script is good with some nice one-liners, but because the plot itself is obviously rather weak things become a little laboured. I doubt it would come over as successfully as it does, where it not for the one and only Rosalind Russell - ever able to combine excellent dramatic and comedic acting with the epitome of Hollywood glamour. And where oh where would it have been without that stalwart, always believable, and I think much underrated actor, Paul Douglas as Russell's long suffering ex husband.

If you feel like some light hearted 1950s entertainment you could do a lot worse.

Ex-soldier's civilian job (improving uniforms) requires him to continue co-ordinating with the military. His socialite ex-wife's boyfriend is a Colonel, ordered to Paris. To be near the officer, the spoiled gal (Rosalind Russell) joins the WACS, expecting her elbow-rubbing father to smoothen her ride, but dad sees service as a means of tightening the reigns on her, so, she "starts from the bottom." To make matters worse, ex-hubby crosses paths with - and makes life more difficult for - her, although he eventually mellows toward her. Companion plot follows showgirl-turned-WAC's romance with Sergeant. But viewers of this film will discover whether Roz seeks boyfriend's or former husband's next stop. Not terribly deep but not a waste, either.

If you are a fan of Ms. Russell's, then this is one you must see. If you are looking for a nice little comedy to feel good with, then watch this. If you are a comedy snob, forget it pal.

This is a silly but fun film. It starts out that Roz is the daughter of a Washington big wig. She is in love with this major in the army and he has to go overseas for a time. No way is she going to let him leave without her to fend off the chicks, so she enlist into the Army. Thinking her Dad can pull some strings in Washington, she thinks she will get a big rank and fly off with her love, but nooooooo. Her Dad wants to teach her a thing or two. He feels she is too big for her britches. So she ends up becoming just a private and staying in the US of A. She runs into her ex (Paul Douglas) who is working with the Army with some experiments. Trouble ensues....Throw in Marie Wilson (a Marilyn copy) and get set for a little fun. I have this. For a Roz Russell film it rates a 6 of 10.