IMDb RATING
6.9/10
4.2K
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An Englishman vacationing in a Ruritarian kingdom is recruited to impersonate his cousin, the soon-to-be-crowned king, after the monarch is drugged and kidnapped.An Englishman vacationing in a Ruritarian kingdom is recruited to impersonate his cousin, the soon-to-be-crowned king, after the monarch is drugged and kidnapped.An Englishman vacationing in a Ruritarian kingdom is recruited to impersonate his cousin, the soon-to-be-crowned king, after the monarch is drugged and kidnapped.
Jay Adler
- Customs Officer
- (uncredited)
John Alban
- Dignitary
- (uncredited)
John Albright
- Ball Guest
- (uncredited)
Eric Alden
- Prison Guard
- (uncredited)
Walter Bacon
- Priest
- (uncredited)
Guy Bellis
- Chamberlain
- (uncredited)
Oscar Blank
- Commuter
- (uncredited)
Lulu Mae Bohrman
- Ball Guest
- (uncredited)
Featured reviews
I can never watch too many of these movies. The story was beautiful, but not overdone. Stewart Granger gives a great performance, and we get the added bonus of another stellar performance by James Mason. Of course, the breathtaking (Dame) Deborah Kerr is the real reason to watch -- and wonder how an actress can be so beautiful *and* so talented. My only regret is that she wasn't more prominent in the story. And, as usual, she doesn't get the man. Oh well. The cinematography, the costumes, the action -- all blend perfectly with the compelling story and the great acting to make this a "must see" movie.
This pales I think to the brilliant 1937 film, but this version is still very good. It is a little too short though and some of the exchanges of the dialogue lack the class and unique chemistry of the 1937 film. However, the colour, costumes and scenery are exquisite and the score is marvellous. The film goes at a good pace too and the romantic and exciting story never fails to engage, while the acting in general is very good. Stewart Granger is marvellous in his dashing and heroic dual role, and Deborah Kerr is ravishing as Princess Flavia. Jane Greer comes off even better, while James Mason is a menacing and somewhat austere Rupert and while his part is a little underwritten perhaps Robert Douglas is appropriately sinister as Michael. Overall, far from perfect, but worthy and colourful version. 8/10 Bethany Cox
"He has the appearance and manner of the king, yet he's really a lookalike
and on his shoulders rests all hope of foiling a blackguard's plot to usurp the throne. Adventure, pageantry and royal intrigue are forged at sword point in the two finest screen versions of the beloved 1894 novel filmed many times," according to the Warner Home Video release, "Ronald Colman plays the double role in the resilient 1937 David O. Selznick production (Side A), making palpable the heartbreak of the royal stand-in whose gallantry is tested by his love for the real king's fiancée (Madeleine Carroll). Stewart Granger stars in the eye-filling 1952 color version (Side B), romancing Deborah Kerr and wielding bold steel in the film's bravura climactic duel."
Thanks to whoever at Warner/Turner decided to release these two versions of "The Prisoner of Zenda" together. Considering the way things are usually handled in Hollywood, the obvious has become inspired. Adding extra movies, for less than the price of two (or more), also encourages sales. They could have added "The Prisoner of Zenda" (1922) for even better measure, assuming the three "Metro" features are owned by Warner Bros. Of the two available here, the 1937 "black-and-white" version wins the sword fight, though the 1952 color version is inoffensive and beautifully photographed (by Joseph Ruttenberg).
Examined together, the three films support the widely held belief that the more villainous role in a drama is often the one to act. In this case, observe how the character "Rupert of Hentzau" supports this thesis. In the 1927 version, the role made Ramon Novarro a star. In the 1937 and 1952 versions, Douglas Fairbanks Jr. and James Mason are always above or equal to anyone else in the cast. The fact that Mr. Colman can his own against Mr. Fairbanks helps make their version a classic. Lewis Stone appears in two versions, and Louis Calhern played the lead on stage. In each case, "The Prisoner of Zenda" is an attractive production.
****** The Prisoner of Zenda (11/4/52) Richard Thorpe ~ Stewart Granger, Deborah Kerr, James Mason, Louis Calhern
Thanks to whoever at Warner/Turner decided to release these two versions of "The Prisoner of Zenda" together. Considering the way things are usually handled in Hollywood, the obvious has become inspired. Adding extra movies, for less than the price of two (or more), also encourages sales. They could have added "The Prisoner of Zenda" (1922) for even better measure, assuming the three "Metro" features are owned by Warner Bros. Of the two available here, the 1937 "black-and-white" version wins the sword fight, though the 1952 color version is inoffensive and beautifully photographed (by Joseph Ruttenberg).
Examined together, the three films support the widely held belief that the more villainous role in a drama is often the one to act. In this case, observe how the character "Rupert of Hentzau" supports this thesis. In the 1927 version, the role made Ramon Novarro a star. In the 1937 and 1952 versions, Douglas Fairbanks Jr. and James Mason are always above or equal to anyone else in the cast. The fact that Mr. Colman can his own against Mr. Fairbanks helps make their version a classic. Lewis Stone appears in two versions, and Louis Calhern played the lead on stage. In each case, "The Prisoner of Zenda" is an attractive production.
****** The Prisoner of Zenda (11/4/52) Richard Thorpe ~ Stewart Granger, Deborah Kerr, James Mason, Louis Calhern
Knowing nothing of this film, the book or previous versions, I watched TPOZ expecting nothing but a star-studded cast. I sat enchanted throughout, undisturbed by thoughts of "carbon copy" scenes, recycled musical scores and previous performances. For me the movie was timeless, not a word nor scene wasted, Granger and Kerr were engaging lovers. The sword fight was one of the best. The only "glaring" production fault was the 300 watt shadow. Otherwise, fantastic cinematography and score, and wonderful Granger, Kerr and Mason.
"The prisoner of Zenda" (1952) is a wonderful swashbuckler ,a movie the whole family can enjoy! I've already seen it three or four times and I've never got tired of it.Stewart Granger is absolutely perfect as the hero,playing two parts with gusto:I love the crowning where he manages to be as majestic as a king and yet shows he is not completely at ease ;his waltz with Deborah Kerr is also a great moment.James Mason vies with Robert Douglas in wickedness ,greed and Machiavelism.Deborah Kerr is gorgeous as Princess Flavia.
This kind of story belongs to an imaginary remote past -although it is supposed to happen in 1897-like the fairy tales.That's why "the prisoner" is so magical.
This kind of story belongs to an imaginary remote past -although it is supposed to happen in 1897-like the fairy tales.That's why "the prisoner" is so magical.
Did you know
- TriviaLewis Stone (The Cardinal) previously played Rudolf Rassendyll and King Rudolf V of Ruritania in The Prisoner of Zenda (1922).
- GoofsWhen Rudolf and Hentzau are face to face, Hentzau remarks that he left his dagger in Michael. Yet when they are fighting with sabers, Hentzau draws a dagger from his belt sheath.
- Quotes
King Rudolf V: I like you. You're a good fellow. Oh, you're English, but you're a good fellow. I want to drink a toast to you.
- Crazy creditsThe opening credits are listed on parchment or velum-looking pages. The top blank page has a silver sword upon it, which is piercing the page. When lifted, the credits start on the page below. The pages are ornately done with colorful ink letters and designs.
- ConnectionsFeatured in Stairs (1986)
- How long is The Prisoner of Zenda?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Gefangene von Zenda
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,708,000 (estimated)
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.37 : 1
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