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Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.
George D. Wallace
- Commando Cody
- (as George Wallace)
Robert R. Stephenson
- Daly
- (as Bob Stevenson)
Billy Dix
- Duke - Warehouse Henchman [Ch. 5]
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
George Wallace stars as Commando Cody, a scientist and inventor who uses a jet-pack and special helmet to fly around and fight bad guys. He must thwart the efforts of Retik (Roy Barcroft), Ruler of the Moon to spearhead an invasion of the Earth so that the dwindling population of the moon can move here. Retik tasks his lackey Krog (Peter Brocco) with using the advanced weaponry of the moon to weaken the Earth's defenses. Cody and his team of helpers fight Krog at every step, so Krog enlists Earth criminals Graber (Clayton Moore) and Daly (Robert Stevenson) to help out.
This serial introduces the recurring character of Commando Cody, but it doesn't give much background, and we jump right into the middle of the action. The movie reuses a lot of footage from earlier serials, most prominently King of the Rocketmen and The Undersea Kingdom. Chief villain Retik is wearing the same moldy costume previously used in The Purple Monster Strikes and Flying Disc Man from Mars. The action is typical serial stuff, with lots of fist fights, and shoot-outs where no one is actually shot. I enjoy how the villains often continue to punch Cody in his metal helmet. One would think that it would quickly become apparent that that was a bad idea. Future Lone Ranger Clayton Moore was said to have been very exuberant in his fight scenes, and even broke leading man Wallace's nose. Commando Cody shall return!
This serial introduces the recurring character of Commando Cody, but it doesn't give much background, and we jump right into the middle of the action. The movie reuses a lot of footage from earlier serials, most prominently King of the Rocketmen and The Undersea Kingdom. Chief villain Retik is wearing the same moldy costume previously used in The Purple Monster Strikes and Flying Disc Man from Mars. The action is typical serial stuff, with lots of fist fights, and shoot-outs where no one is actually shot. I enjoy how the villains often continue to punch Cody in his metal helmet. One would think that it would quickly become apparent that that was a bad idea. Future Lone Ranger Clayton Moore was said to have been very exuberant in his fight scenes, and even broke leading man Wallace's nose. Commando Cody shall return!
(Or: 'Republic Recycles Rocket Man') In 1949, in one of their last bursts of inspiration, the thrill engineers at Republic produced 'King of the Rocket Men,' which capitalized on the popularity of the flying hero Superman, from the eponymous 1948 Columbia film serial. Although Rocket Man flew, he was in fact an ordinary human scientist who happened to have a helmet and rocket pack, and who battled the terrorist Dr. Vulcan.
King of the Rocketmen premiered 6-8-1949...3 weeks later, on 6-27-1949, the DuMont TV network premiered Captain Video, another science fiction hero who became one of the 1st bona fide superstars of early TV. After Rocket Man and Capt. Video, a number of science fiction heroes were popular on TV up through about 1955, when other trends began to dominate.
Capt. Video's creators had been inspired by the movie serials. In turn, Columbia Pictures obtained the rights to the Capt. Video character, and produced the super-cheap but super-profitable 'Captain Video Master of the Stratosphere' serial.
During this craze for quasi-military science-fiction heroes, Republic re-purposed the splendid Rocket Man flying footage and mixed in additional stock footage from about a dozen other serials to create Commando Cody. The name Commando Cody, BTW, was surely designed to capitalize on the popular TV character 'Commander Cory', of the hit TV series 'Space Patrol.' Thus it came to be that Republic was in the position of trying, late in the game, to jump aboard a trend that it inadvertently helped create! (But by the end of 1956, both the movie serials and the TV space heroes would be gone forever!)
One of the ways you can identify the re-used footage is when people in 1952 suddenly all hop into 1938 or 1946 automobiles for a car chase. You have to remember, cars from this era were fortunate to last 50,000 miles, so the idea that the streets of downtown Los Angeles of 1952 are suddenly filled with 1938 cars is not plausible. I lost track of how many times the characters all jumped into these automotive anachronisms...
Recylcing old footage is not necessarily a crime...in fact, some of Republic's best serials featured loads of reused material. But this serial shows a seriously uninspired writer, and it all seems kind of forced. Not to mention, Rettik the Moon Man is not a particularly menacing villain, with the other Moon Men and their Earth gangster stooges also lacking in menace and brain power. The Moon Scenes are pretty bad, even when compared with the stuff from Flash Gordon, and there is not a lot of emotional energy.
George Wallace is physically unimpressive as the titular hero, but in the action scenes he does a surprisingly good job of conveying urgency. He is actually OK, as are his companions.
Probably the best performance is by Clayton Moore, as one of the Earth gangsters inexplicably selling out his own planet for chump change. The performance is fun for everyone who saw his Lone Ranger performances and wondered what the guy actually looked like...well, here he is, and a he's a good actor, it turns out.
There are plenty of fight scenes, but nothing as inspired as the stuff from the early 1940's. Worst of all, the final chapter resolves the conflict without Our Hero getting into a suitable physical confrontation with the villain. This is rather unsatisfying.
By 1952, serials were fading fast, in terms of popularity and quality. This one is typical for that era. There are 2 other Rocket Man serials besides this one, the aforementioned 'King of the Rocket Men,' and 'Zombies of the Stratosphere.' Both King and Zombies are superior this serial, although this serial is an amiable waste of time.
The great Lydecker Brothers created some new FX for this serial, some nice shots of a rocket ship taking off and flying...these shots were reused in Zombies, as well as being used in the amazingly strange Republic quasi-TV series 'Commando Cody, Sky Marshall of the Universe.'
King of the Rocketmen premiered 6-8-1949...3 weeks later, on 6-27-1949, the DuMont TV network premiered Captain Video, another science fiction hero who became one of the 1st bona fide superstars of early TV. After Rocket Man and Capt. Video, a number of science fiction heroes were popular on TV up through about 1955, when other trends began to dominate.
Capt. Video's creators had been inspired by the movie serials. In turn, Columbia Pictures obtained the rights to the Capt. Video character, and produced the super-cheap but super-profitable 'Captain Video Master of the Stratosphere' serial.
During this craze for quasi-military science-fiction heroes, Republic re-purposed the splendid Rocket Man flying footage and mixed in additional stock footage from about a dozen other serials to create Commando Cody. The name Commando Cody, BTW, was surely designed to capitalize on the popular TV character 'Commander Cory', of the hit TV series 'Space Patrol.' Thus it came to be that Republic was in the position of trying, late in the game, to jump aboard a trend that it inadvertently helped create! (But by the end of 1956, both the movie serials and the TV space heroes would be gone forever!)
One of the ways you can identify the re-used footage is when people in 1952 suddenly all hop into 1938 or 1946 automobiles for a car chase. You have to remember, cars from this era were fortunate to last 50,000 miles, so the idea that the streets of downtown Los Angeles of 1952 are suddenly filled with 1938 cars is not plausible. I lost track of how many times the characters all jumped into these automotive anachronisms...
Recylcing old footage is not necessarily a crime...in fact, some of Republic's best serials featured loads of reused material. But this serial shows a seriously uninspired writer, and it all seems kind of forced. Not to mention, Rettik the Moon Man is not a particularly menacing villain, with the other Moon Men and their Earth gangster stooges also lacking in menace and brain power. The Moon Scenes are pretty bad, even when compared with the stuff from Flash Gordon, and there is not a lot of emotional energy.
George Wallace is physically unimpressive as the titular hero, but in the action scenes he does a surprisingly good job of conveying urgency. He is actually OK, as are his companions.
Probably the best performance is by Clayton Moore, as one of the Earth gangsters inexplicably selling out his own planet for chump change. The performance is fun for everyone who saw his Lone Ranger performances and wondered what the guy actually looked like...well, here he is, and a he's a good actor, it turns out.
There are plenty of fight scenes, but nothing as inspired as the stuff from the early 1940's. Worst of all, the final chapter resolves the conflict without Our Hero getting into a suitable physical confrontation with the villain. This is rather unsatisfying.
By 1952, serials were fading fast, in terms of popularity and quality. This one is typical for that era. There are 2 other Rocket Man serials besides this one, the aforementioned 'King of the Rocket Men,' and 'Zombies of the Stratosphere.' Both King and Zombies are superior this serial, although this serial is an amiable waste of time.
The great Lydecker Brothers created some new FX for this serial, some nice shots of a rocket ship taking off and flying...these shots were reused in Zombies, as well as being used in the amazingly strange Republic quasi-TV series 'Commando Cody, Sky Marshall of the Universe.'
This is a great example of the B&W serials from the 50's. If your interested in seeing what the old movie serials from the 50's looked like, this is a perfect example, and it is fun to watch.Sure by todays standards the special effects and acting are a little ham-fisted and archaic, but remember this is from 1951 to 52 before TV even took hold.
Radar Men has a good story that keeps you interested episode after episode. The special effects are great for the time period. Cool space gadgets, a full size rocket ship, modeIs galore. You can't ask for more. The acting is passable with some great emoting on the close- ups. I recommend catching it if you can. It is out on dvd now. I picked it up in a box set of hokey sci-fi from Platinum disc corporation.
Radar Men has a good story that keeps you interested episode after episode. The special effects are great for the time period. Cool space gadgets, a full size rocket ship, modeIs galore. You can't ask for more. The acting is passable with some great emoting on the close- ups. I recommend catching it if you can. It is out on dvd now. I picked it up in a box set of hokey sci-fi from Platinum disc corporation.
I just wanted to point out that currently this is one of two stereo goggles 3D movie serials
Can be viewed on either European or American format DVD player over most any television set using an inexpensive adapter and 3D shutter glasses.
The wired glasses are cheaper and more bullet proof than the wireless, and no expensive batteries. Battery door can eventually become loose and then lost, so wireless not way cool like wired's.
A real geek fun festival to be watching rocketman fly by wire in 3D!
Can be viewed on either European or American format DVD player over most any television set using an inexpensive adapter and 3D shutter glasses.
The wired glasses are cheaper and more bullet proof than the wireless, and no expensive batteries. Battery door can eventually become loose and then lost, so wireless not way cool like wired's.
A real geek fun festival to be watching rocketman fly by wire in 3D!
This first Commando Cody adventure ain't bad, but the rocket suit, and most of the flying footage, was straight from Republic's first rocket suit serial, King of the Rocket Men (1949), usually considered the last of the great classic serials. Everything good in Radar Men (and there's plenty that's good) is better in Rocket Men! Please see it! The hero and villain have more personality, the action is more hard-hitting and extreme, the plot is more focused, and - perhaps most importantly - there is much mystery and subterfuge. In Rocket Men, our hero must keep his identity secret - no one knows it's him in that suit. And the villain too has a secret identity - we see him only in silhouette. Here, in Radar Men, everybody knows who everybody else is. Enjoy Radar Men (I know I did), but first, enjoy Rocket Men!
Did you know
- TriviaDuring a fight scene between George D. Wallace as Commando Cody and Clayton Moore as the villain Graber, Wallace zigged when he should have zagged, and Moore connected with him and broke his nose.
- GoofsOrdering the rocket ship to turn around, the pilot is told to make a "quick 360" turn. In fact, a 360 turn would simply turn the ship completely around in a circle to resume its present course.
- Quotes
[Commando Cody, Ted, and Joan are about to board ship for the moon]
Commando Cody: I still think this is no trip for a woman.
Joan Gilbert: Now don't start that again. You'll be very glad to have someone along who can cook your meals.
- ConnectionsEdited from The Johnstown Flood (1926)
- How long is Radar Men from the Moon?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Planet Men from Mars
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $185,702 (estimated)
- Runtime
- 2h 47m(167 min)
- Color
- Aspect ratio
- 1.37 : 1
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