Beneath the 12-Mile Reef

All in all, the 90-minutes amounts to a better movie than its near 5-plus user rating. The plot's no brain twister- Greek sponge divers compete with Anglo counterparts off the coast of Florida. That could be a tricky ethnic premise but it's nicely finessed Romeo and Juliet style.

There's no way early TV could compete with this Cinemascope panorama. The beautifully colorized ocean sights are stunning, while the murky underwater presents a good contrast. Not surprisingly, studios hoped this kind of visual wonder would induce couch potatoes back into theatres. Then too, it's no wonder Wagner's career took off with this showing, even though he's coiffed in unlikely black curly hair. Happily, the young actor proves both spirited and likable in the central role of the Greek son working to equal his dad's (Roland) leadership skills. Roland too amounts to a riveting screen presence, while a face-off between him and Anglo leader Richard Boone would have shaken the rafters. Anyway, I had my hopes. And catch that "lifeline" sending air to the diver. It looks awfully meager given the many hazards below. No wonder Wagner's Tony says he's terrified every time he goes under. I'll keep that in mind next time I use a kitchen sponge.

A number of these folks went on to stellar careers, including Peter Graves who gets to practice his fistic skills. No, there's little in this A-production to call memorable. But for a non-rainy evening, it's an enduring slice of movie entertainment.

Although I would not want to minimize the dangers of deep sea diving which were even more before the invention of scuba gear, the idea that sponge diving is the most dangerous profession in the world as Rock Hudson's narration tells us is a bit much. Yet it's the underwater scenes in Beneath The 12 Mile Reef that hold the audiences attention. On the surface it's your average soap opera about two young people who get together despite the objections of the father of one of them.

Robert Wagner is the boy and Terry Moore the girl. Wagner is the son of Gilbert Roland and Angela Clarke and Wagner and Roland are sponge divers, a trade brought over from the old country. They've settled in Florida and continue to work, but when they try to dive in another area Wagner and Roland find that it's been staked out by Richard Boone and his family who is protective of their turf in general and don't like the Greeks that have settled there. Moore's got a nasty boyfriend in Peter Graves, but she sure likes what she sees in Wagner who isn't named Adonis Petrakis for nothing. He certainly was a lovely sight for the teenage girls back in 1953.

Beneath The 12 Mile Reef got an Oscar nomination for best color cinematography in 1953 but lost to Shane at the ceremony. It's because of those underwater sequences which still hold up well today.

This film also gives you one of the very few opportunities to see Harry Carey, Jr. in a non-western film, playing one of Terry Moore's brothers. Peter Graves just does not cut it as a villain, except in Stalag 17 where his all American personality is what makes him the surprise informant. And J. Carrol Naish, Hollywood's all purpose ethnic plays a sidekick role to Wagner and Roland. I'm sorry Roland was not in the film all the way, he's a favorite player of mine, but his death scene is a frightening one and the best in the film out of the sea.

Beneath The 12 Mile Reef is an average romantic soap opera with some really good color cinematography in the ocean depths. Would the players had a better story to go with the scenery.

Robert Webb directs this terrific underwater adventure. Two families of different ethnic background rival for sponges in the Gulf of Mexico off the west coast of Florida. One family of Greek decent is led by Mike Petrakis(Gilbert Roland)and his son Tony(Robert Wagner). Their efforts of diving for valuable sponges are thwarted by Thomas Rhys(Richard Boone)and his team of divers. Arnold(Peter Graves)is the aggressive diver that leads raids on the Petrakis sponge hauls as well as competes with young Tony for the affection of Gwyneth Rhys(Terry Moore). Highlights are Wagner fighting with an octopus; Moore in a swimsuit; and the great underwater scenes. Notice Wagner's dyed black hair. In supporting roles are two veteran actors J. Carrol Naish and Jay Novello. It is said this is the third movie filmed in Cinemascope. It garnered critical acclaim for the breakthrough underwater cinematography.

2 rival groups of divers , a Greek family and the Conch family compete for sponge fishing beds off the Florida coast. But the the son , Robert Wagner, and the youngest daughter, Terry Moore, fall in love and both of whom replay Romeo and Juliet in Tarpon Springs Florida . As quarrells emerge between two families , Montagues and Capulets lookalike . Then , some thieves rob the valuable sponges and the Greek family decide to go fishing at the risked 12-mile reef.

This swimsuit love story results to be a plain , simple and lightweight entertainment with good actors and passable direction. It has thrills , fights , romance , constant quarrelling and a lot of diving . Being well worth watching for the notable Technicolor cinematography in CinemaScope by cameraman Edward Cronjager , the magnificent musical score by the great composer Bernard Herrmann , Hitchcock ordinary , adequate production design from Lyle Wheeler and George Patrick , as well as the young and extremely attractive protagonist duo . Starred by the beefcake and charming Robert Wagner ; by the time Wagner played a lot of adventure, Western and Wartime movies such as: The silver whip , The mountain , Prince Valiant , Broken lance , The white feather, Stopover Tokyo, , In love and war ,Between heaven and hell . It is best remembered thanks to gorgeous and incredibly young Terry Moore , stunningly shown in a bathing suit . Along with a long plethora of prestigious secondaries such as : Gilbert Roland, Richard Boone , Peter Graves , Harry Carey Jr , J. Carroll Naish Angelica Clark , Jay Novello , among others . And as narrator shows up Rock Hudson . The highlights of the movie are the impressive underwater scenes when Robert Wagner scrapping with an octopus and a fierce sea fight at the climax of the film in which Robert Wagner and Peter Graves battle each other surrounded by the ocean kelp that threatens to strangle them . It contains a thrilling and lively soundtrack by Herrmann providing a classic and sensitive score . Extraordinarily photographed in the Florida coastline filled with reef , keys and sea animals: guppy, urchin, carp , blowfish , carp , ray , shark , clownfish , goldfish , cleaner fish and other reef fish , all of them enhanced thanks to big screen , being one of the early CinemaScope pictures . The motion picture was lavishly produced by Robert Bassler and uncredited the powerful producer Daryl F Zanuck , being professionally directed by Robert D Webb . He was a fine craftsman and expert professional . At the beginning Webb worked as a director assistant , producer and subsequently filmmaker . He made all kinds of genres as Western : White feather, The proud ones, The jackals ; Adventures : Pirates of Tortuga , Seven cities of gold, The way of gold ; Noir : The Cape town affair ,The spider , The Caribbean mystery ; Warlike: The Glory brigade, 7 women from hell and Scifi: On the threshold of space. Although he also made documentary and TV episodes as Daniel Boone and Temple Huston series . Rating : 5.5/10 . Enjoyable family fare that will appeal to adventure fans . Well worth seeing .

There are some films that can't be labeled as classics, but they have a good story and are generally entertaining. I would say this one falls into that category. Don't look for great acting. If you can imagine Robert Wagner as an ebullient young Greek, then you'll know what I mean. The story centers on some fishing families in coastal Florida and competition to get a good harvest of sponges. Most areas have been over-harvested and to get a good haul, father and son Mike and Tony Petrakis (Roland and Wagner) are forced to go to the 12-mile reef, a dangerous place where divers might slip off the reef and get the bends when they come back up. In the meantime, Tony falls for the non-Greek daughter (Moore) of a rival fishing family who stole their sponges from them. The cinematography, in Cinemascope, is attractive as is the music score, a treat for both eyes and ears. When the divers are in the water, composer Bernard Herrmann really whips it up, with harps and everything. While no masterpiece, "Reef" is, for me, satisfying.