Destination Gobi

There were a lot of WW2 pictures made in the late 40s and early 50s, made as uncomplicated gung-ho nostalgia, doubling as propaganda for the ongoing war in Korea. By and large they were cheap and cheerful affairs; poorly scripted and poorly acted. Destination Gobi is just such a picture, its main exception being that it is somewhat spruced up by the direction of the great Robert Wise.

Being relatively low-budget Destination Gobi is rather short on action, instead relying upon suspense sequences and musings on military life for its entertainment value. Sadly the screenplay isn't quite up to the task. There is a sprinkling of quasi-philosophical dialogue, most of which is feeble and unconvincing (the only line I liked was the one about Inner Mongolia being "hotter, dryer and inner"). The characters are the usual B-movie one-dimensionals, and many scenes are so lacking in credibility the tension can't work because there is no real sense of danger.

This is where Robert Wise comes in. It's often interesting, albeit dissatisfying, to see a really top-notch director slumming it in a B-unit – to see what they can make out of the weakest of elements. This is especially true of Wise, who had no ego and always aimed to make the best out of whatever the studios threw at him. This is his first colour picture and, as far as I know his earliest to really make use of wide-open spaces. Most of Wise's pictures up until now had been gritty thrillers, and even his 1948 horse opera Blood on the Moon is – literally – a dark Western. It's been remarked by others that the landscape in Destination Gobi is filmed to show off its beauty, but also watch Wise's timing. It would be normal convention to cut to a landscape shot after the opening scene at SACO HQ, but in fact Wise takes care not to properly show us the desert and emphasises the smallness and darkness of the tent. Only after the Mongols have been introduced do we get these breathtaking outdoor shots. The contrast is striking and it makes us associate the Mongols with the beauty of the location, even if only subconsciously.

I am sure Wise knew he had been given a bum script, and he takes advantage of the quiet moments. Wise's direction was generally at its best when there was no dialogue anyway (check out Lawrence Tierney in Born to Kill) and he particularly seemed to like drawing out these moments and giving the actors space to emote. Consequently there is tenderness uncharacteristic of such a picture when the soldiers mourn a fallen comrade, opening the scene with a respectful long shot of the gravesite. Again the natural beauty of the landscape is used, this time as a bittersweet counterpoint.

The cast is headed by Richard Widmark, who like Wise was good at what he did yet spent much of his career in B-flicks. And, as with Wise, we can look at this positively and say that he at least leant some quality to pictures that have very little else going for them. He can't quite make the appalling dialogue sound plausible, but at least he emotes well and has strong presence. The Mongol characters may not be granted any dignity by the screenplay, but at least the reliable Murvyn Vye turns in a dignified performance as Chief Kengtu, adding a layer of personality to the character that is not there in the script.

These little oases of quality do not prevent Destination Gobi from mostly being a desert of mediocrity. Studying Robert Wise's work, this is like a little exercise in thoughtful direction, but nothing more because there isn't enough depth to the story or characters to make it pay off. And who would expect more from a ninety-minute no-brainer? However, at least the efforts of Wise (as well as renowned art directors Lyle Wheeler and Lewis Creber, and cinematographer Charles Clarke – well-deserved honourable mentions) have made it nice to look at. It's occasionally even entertaining as well.

I saw Destination Gobi in 1953. I looked for a copy of the movie for years until I was able to get it on DVD. I have watched this movie several times since, and enjoy each viewing.

I differ from some of the more critical reviews. Too often the reviews come off as the "want-to- be movie critics", who seem to nitpick this and that. They fail to recognize that some movies are meant for just entertainment. Destination Gobi falls into this category. It wasn't meant to become Movie of the Year, nor to compete with Gone With the Wind.

I have most of the war movies made in my DVD library. World War II created many Hollywood opportunities in creating movies, along with governmental approval to boost patriotism. And, Hollywood produced many, some great, others poor. Movie goers liked some, disliked others. It's just a matter of one's own personal view of what they're looking for in a film. If it's for their desire to have an opportunity to become a pseudo-movie critic, then so be it. I watch movies for entertainment

While supposedly presenting “one of the strangest stories of WWII” (denoted in historical records merely by the cryptic phrase “Saddles For Gobi” – explained later), this film hardly constitutes the most engrossing or exciting war adventure to be depicted on the screen…and, besides, emerges as an even greater disappointment coming from a director of Wise’s stature! That said, the unusual desert location and attractive color cinematography makes it a pleasant – if forgettable – actioner. Apart from this, the fact that it’s one of Wise’s (and star Richard Widmark’s) rarest efforts, has made me leap at the chance of acquiring a copy of it (albeit an imperfect one, given the alarmingly frequent jerkiness of the image) – gleaned from a broadcast on French Satellite TV! – particularly in view of Widmark’s recent passing.

The interesting thing here is that, what starts off as a routine mission involving U.S. Navy personnel operating in a desert weather station, develops into a story of survival – as, following an aerial attack by the Japanese, the remaining members of the outfit trek towards the sea in an attempt to reach the Navy base on duty at Okinawa. Ironically, both the studio (Fox) and the star involved had already made a film about that campaign – Lewis Milestone’s HALLS OF MONTEZUMA (1950), which I’d watched on Italian TV but may check out again now (on DVD-R) as part of my ongoing Widmark tribute.

Amidst the typical camaraderie, the men suffer the elements, manage an unexpected alliance with a horde of Mongols (achieved by procuring the latter with saddles for their horses requisitioned from the U.S.!), are conned by a shady camel merchant, apparently betrayed to the Japanese forces by the Mongols themselves (though it transpires that the latter’s internment camp is actually close to the seashore) and then fight off the enemy on a ramshackle river boat. In the end, it’s certainly watchable and efficiently enough handled – but, as I said, the material per se isn’t inspiring enough to bring out the best from the talents involved…

Destination Gobi finds Richard Widmark assigned as the ranking non-commissioned officer on a Navy weather station in the Gobi Desert. Wrap your mind around that concept, Navy personnel in the middle of the Gobi Desert.

It's not an assignment that a guy who was a CPO on the USS Enterprise in 1944 is looking for. But that's what he's drawn. Widmark is to assist Captain Russell Collins in setting up one of a series of weather station in Inner Mongolia, that is that part of Mongolia located inside the Great Wall of China.

Collins is a meteorologist with a Navy commission, so Widmark is really the guy in charge. Setting up the advance outpost, the dozen or so sailors have to establish good relations with the local Mongol tribesmen who pretty much live as they did under Genghis Khan. The gifts that put it over are a requisition for some old army saddles from the late U.S. Cavalry.

Later on the Japanese bomb the station and Collins and others are killed. It's up to Widmark to get his men out of the Gobi Desert and avoid falling into the hands of the Japanese. The Mongols and their saddles prove to be of invaluable assistance.

I think Destination Gobi got a bit off track after the Japanese attack. The first part of the film was quite good, especially depicting the Mongol culture. But after the attack the escapades of the men trying to get to U.S. lines which in this case means to Eastern China and across the water to Okinawa was a bit much. The Japanese were shown to be as dumb as the Axis powers were shown during World War II and the height of the propaganda films made back then. Richard Loo who played so many nasty Japanese back in the day was the Japanese commander and he must have had a recurring case of deja vu.

Still Widmark does a fine job as does Murvyn Vye who is the head Mongol. They are ably supported by such stalwart character players as Don Taylor, Martin Milner, Casey Adams, Darryl Hickman, and Earl Holliman.

Destination Gobi could have been a much better film.

Likeable American war movie about a group of valiant sailors who escape through the Gobi desert .The surprising tale of Uncle Sam's "sailors on camels" , a little US naval detachment who battled throughout the Mongolian desert. Along the way the sailors attempt to engage local the Mongol tribesman to attack Japanese ; but things go wrong when those respond by bombing the station .Set in 1944 inner Mongolia , where a team of US Navy specialists run a weather station , they are forced to a marathon trek across the sunny desert where are harassed and attacked by Japanese warplanes , taken prisoners , but helped by local Mongol nomads whom deliver 60 horse saddles and become them into an expert Mongolian cavalry .

This a sympathetic movie in which interest and entertainment never fall . The screenplay contains implausible adventures , goodhumoured scenes , tongue-in-cheek excitement , agreeable situations with the laughs in the right places .Widmark plays an US Navy officer assigned to take charge a bunch of meteorologistics at a remote weather station , when a Japanese attack leaving to him and his company alone in the wilderness to fend for themselves , Richard gives the film enough security and authority . And he is backed by a magnificent cast that includes Don Taylor , Russell Collins , Murvyn Vye , Casey Adams , Willis Bouchey , Darryl Hickman , Rodolfo Acosta , Richard Loo and Earl Holliman , Martin Milner film debut . And Paiute Indians living in reservation where was shot the movie played Mongol extras .

Musical score from Alfred Newman and Sol Kaplan is highly commendable. Colorful cinematography in Technicolor by Charles Clarke , being Wise's first color movie . Being filmed on location in Nixon and Fallon and other Indians reservation . Produced and released by 2oth century Fox and well directed by Robert Wise who never lets the action sag .Wise was a good director who made films in all kinds of genres , nowadays , some of them considered classic movies , such as : Musical : West side story , The sound of music ; SciFi: The day the Earth stood , Andromeda strain , Star Trek the motion picture ; Terror : The haunting , The body snatchers, , Audrey Rose , Curse of cat people ; Wartime : Run silent Run deep , The Desert Rats ; Historical : Helen of Troy ; Western : Tribute to a bad man ; Drama : I want to live , The Set-up , among others