The Final Test

Sam Palmer (Jack Warner) is playing his last test for England's cricket team and his form has been below average recently. Then, as now, the Aussies are pouring on the agony for England and Sam desperately wants to sign off on a high note.

This is a gentle comedy with a touch of drama. If you want to see how comedy works (and you understand cricket) watch the first 5 minutes. Senator Stanley Maxted arrives in England and makes his way to the Oval where he poses a few questions to deadpan Richard Wattis. The questions are standard cricketing enquiries (you mean they play for 5 days and it might still be a draw?) which could be cheesy but the delivery and Wattis' "matter of fact" responses make you laugh.

Sam's cricketing prowess does not extend to his son who is more interested in poetry and this forms the backbone of the movie – does the son care enough about dad to watch his final innings? At the same time, does dad care enough about his son to appreciate his interests.

Sam not only gives the umpire a lift to the ground but entertains him for dinner the night before (they wouldn't allow it these days you know). Sam also pops down to the local for a drink around closing time during the middle of the game - but he only drinks lemonade so that's alright then. Robert Morley (wearing a rather fetching jump suit) spices up the last third of the film as a vain, muddled poet.

The Final Test is probably unique in that it revolves around the final match in the career of an old cricketer. Jack Warner (of Dixon of Dock Green/The Blue Lamp fame) plays the cricketer who has had the misfortune to have fathered a poet.

His son wriggles out of watching his fathers final match in order to visit his own hero a poet played by the wonderful Robert Morley.

It is a charming light comedy which deals with the father/son relationship. Morley steals the show, as expected and the ending is suitable happy.

The real tragedy is that this is practically the only film to feature cricket when dozens have been made about baseball. Cricket contains all the metaphor and allegories that exist about life and the universe. In fact it is itself a branch of philosophy which can teach humankind the true path to enlightenment. It is not just an interesting way to hit a ball with a stick!

This film should have been the thin end of a very large and wonderful wedge. John Boormans "Hope and Glory" contains an excellent cricket scene. If anyone can suggest any other films with a cricketing theme I would be pleased to hear from you.

Certainly not one of Ratigans best screenplays.Not really helped by the casting of the 60 year old Jack Warner as a test cricketer in his forties.There are some really odd things about this film.Warner inviting to dinner one of the match umpires,the day before he bats.Later going into a pub at 1030pm,albeit just to romance Brenda Bruce who is about 25 years younger than him.They seem more like grandfather and granddaughter than lovers.Then there is a batsman who is out sauntering about the dressing room in a tie and suit.All very archaic.Good to see many of the heroes of the 1953 ashes winning team,Dennis Compton,Len Hutton and Jim Laker.How we could have done with them in Australia.

Up until the last few years, I've only ever seen Jack Warner in 'Dixon of Dock Green' and a few of his higher-profile films such as 'The Blue Lamp' etc. However, since the advent of the excellent TPTV channel, several of his films have been given a good airing. 'Jigsaw' and 'Emergency Call' spring to mind as showcases for his fine acting abilities. The Final Innings is a wonderful film full of good, solid British character actors working wonders with a fairly thin story. The short scene of Sam's final innings and his exit from the pitch to rousing cheers from the crowd and even the opposing side is heart-warming indeed. I don't know much about Cricket, but then the film is barely about cricket at all, more about making allowances, moving on and finding the next chapter in life, which in Sam's case is with the pretty Cora. See this film if you get a chance, especially if you like old-fashioned, homely drama about real people.

This starts with quite an enjoyable assessment of this most English of games (it's not a sport, you know) with the rules and the prospect of playing for five days without a result explained to a visiting and bemused American senator (Stanley Maxted). Meantime, with his dad "Sam" (Jack Warner) about to make his last appearance for England in that very test match, his young son "Reggie" (Ray Jackson) faces a bit of a quandary. He is expected to be at the ground to watch this momentous moment, but he is also determined to finish his poem that he wants to send to acclaimed playwright "Whitehead" (Robert Morley). Next thing, he's missed the match but luckily his father has yet to make his appearance, so there's some breathing room next day. Wait, no! He's been invited by his idol to his rural home to present his latest work. He can't do both, and so coming clean with his father - and borrowing the train fare - he sets off to the countryside. Luckily, this writer is a typically eccentric Englishman who loves his cricket, but can they make it there in time? It's based on Terence Rattigan's short play that I felt rather potently illustrated not just that the choices made by a new generation might not always impress their parents, but also it rather poignantly demonstrates the temporariness of success on the field of play. Noisily acclaimed til you too are replaced as you once did that to another, whilst the appreciative crowd applaud but are eager to transfer that loyalty to your successor. Warner plays the role sparingly and he rather engagingly epitomises this widowed character at a crossroads in his life that will see his son start to make his own decisions whilst maybe local barmaid "Cora" (Brenda Bruce) can start a new chapter with him? Morley is at his lively best and there's also an enjoyable role for Adrianne Allen as the auntie trying to keep things peaceable whilst all her fine china becomes tomorrow's jigsaw puzzles. The production is basic but there's quite a fun scene towards the end with Morley, Jackson, a car and some backdrop filming to top off an entertainingly simple story of family and opportunity.