Forbidden

Saw 'Forbidden' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover was also appetising and the story, while unoriginal, seemed really interesting. 'Forbidden' turned out to be a very good film, a good representation of Curtis in one of his better early roles and films.

'Forbidden's' somewhat unoriginal premise is obvious in some predictable plotting in spots.

Also, the Macau setting is more studio back-lot than authentic. Victor Sen Yung is a little wooden.

However, 'Forbidden' is stylishly and atmospherically shot and does look very pleasing. The music is also a good fit and works well as an energetic and ominous score on its own, the beautiful "You Belong to Me" (have found myself randomly singing that a lot around my flat recently on an irrelevant side note) is great to listen to, Virginia Rees sings it well.

The direction is more than competent while 'Forbidden' is snappily scripted and with some surprising twists, suspense and intrigue outweighing thankfully the derivative nature. The pace is always efficient, nothing's dull here. Curtis is a very amiable and charismatic presence, and he is well supported by Joanne Dru at her loveliest (their chemistry is charmingly amorous too) and a menacing yet subdued (not a bad thing) Lyle Bettger.

In summary, fun and well done film. 8/10 Bethany Cox

"Forbidden" (1953) is full of suspenseful twists and turns. Tony Curtis is a small-time hood sent by the mob to Macau to neutralize Joanne, who has incriminating information. Joanne Dru, more familiar in westerns than in film-noir, reminds me of Grace Kelly, perhaps better looking and a better actress as well.

The plot gets really moving after Tony, a mobster, saves businessman Lyle Bettger from some powerful enemies - but then what? There are romantic complications and betrayals. If you prefer yesterday's intriguing plots and snappy dialog to today's overdone special effects, this one is for you.

Although you recognize the set-up from "Gilda", it's the same story but in Macao instead of Buenos Aires, with Lyle Bettger for a night club manager without political ambitions instead of the megalomanisc James MacReady, with no Rita Hayworth but instead the much more ordinary Joanne Dru, and with a very young Tony Curtis chasing her to the ends of the earth, you will not be disappointed by this variation. The story is good and almost better than "Gilda", but the major plus of this interesting film is Victor Sen Yung as the pianist factotum, who knows everything and everyone and is a genius. In general, the dialog is thoroughly intelligent and enjoyable in this film. There is not much cinematography, the settings are rather cheap like in a low budget B feature, but nevertheless it is worth watching - especially for the very exotic story with its consistently tightening suspense.

Tony Curtis goes to Macao. He's after ex-lover Joanne Dru, now a gangster's widow with some information damaging to the current head of the Philadelphia rackets in a safety deposit box. Curtis is being paid by the racketeers to bring her back to the US. When Curtis saves Lyle Bettger from a gun man, Bettger hires him to help out at his gambling place... and then finds out that Miss Dru is the fiancee of Lyle Bettger.

It's a pretty good role for Curtis, but pretty standard stuff for the other two leads. On the other hand, there's a nice role for Victor Sen Yung as the gambling hall's piano player; he seems unusually well connected as the depths of Bettger's actual business is detailed. William Daniel's camerawork is largely standard until the big finish -- although that may be because he established the standard 'MGM gloss' look in the 1920s. Even so, he had a lot to contend with. Director Rudolph Maté had been nominated for five cinematography Oscars himself.

Tony Curtis stars in "Forbidden" from 1953, also starring Joanne Dru and Lyle Bettger, directed by Rudy Mate.

Tony is Eddie Darrow, who has been hired by a mobster to find Christine Lawrence (Dru). Christine is one of those people who knows a little too much about Barney's business, since she is the widow of one of his associates. Barney wants her found and brought home.

In Macao, Eddie soon meets Justin Keet (Lyle Bettger), a powerful casino owner engaged to Christine. Christine was once Eddie's girlfriend, so he finds the situation awkward to say the least. Eddie has to get her away from Justin and as far away from both Justin -- and Barney -- as possible.

Pretty good, with nice performances by Curtis, Dru, Bettger, and Victor Sen Yung. Amazing fight scene toward the end.

I used to work for Tony - love seeing his films.