Duck Amuck

One of Chuck Jones' most beautifully crafted short cartoon pieces, Duck Amuck is one of the first (or the first?) cartoons to work the element of the theatre into an animated short. As Woody Allen did in Annie Hall (though that was twenty-four years later), the filmmakers here create that acknowledgment of there being an audience- and, more amusingly, their acknowledgment of themselves being apart of the process. I'm certain there were other animated shorts from Looney Tunes where a character may have one or twice looked at the 'audience' and asked a question or said a joke, but I'm also certain it wasn't done to such a length as this. Quite possibly, this is one of the greatest one-joke/in-joke stretches ever put on film.

At the start, Daffy Duck thinks he's about to be in a piece as a musketeer- that is, until the background is pulled right out from under him. He'll never get back to that background again, but Daffy will keep on trying to persuade the animator to bring back some sense into the works. By the end he's exasperated, and the joke comes full circle to be totally satisfying.

Throughout the short what keeps it so funny on repeat viewings is that the absurdities of each new backdrop and each run-in Daffy keep their validity. There's a lot of creative juice flowing through this one, and since the turns are unexpected on the first viewing, on the following ones you laugh at yourself for laughing at it again. Another plus is that Daffy Duck is a superb character when he's kept on his toes- like when he's put against a city backdrop that looks like it was drawn by a five-year old. He asks, "Now, how about some color, stupid!" And then is painted over in bizarre hues. The joke that follows that is one of Chuck Jones' most surreal executions.

Overall, a classic for its time, influential; on a level that will perhaps get the adults laughing more so than the kids, and for those in youth who discover it for the first time on TV or on the new DVD, it isn't old- this is the kind of sense of humor found on other modern cartoons (Simpsons, for example).

Daffy Duck and Bugs Bunny are Looney Tunes' most recognized faces. Bugs Bunny is calm yet sly while Daffy is animated and hot-headed. In Duck Amuck, its Daffy's time to shine or rather get smudged, erased, abused, tormented, and blown! In a matter of six minutes, Chuck Jones delivers a tour de force short, with full (in) justice given to Daffy's character- be it its arms, legs, stomach, voice, face, even its tail. The opening scene, in which Daffy originally plans to take on enemies, is sword is interrupted by a white screen. Daffy himself seems perplexed, and whispers to the 'the guy in charge around here' to add some 'tschenry!' Every time the wrong scenery is added till Daffy gets fed up and confronts the creator. This is a genius part because when we look at it, we as audiences feel Daffy is talking to us as we laugh at his misery.

My favorite moment is when Daffy tries to vent his anger but his voice changes. The way he gets agitated and embarrassed, with the constant gesticulations (clenched fist, hand on mouth, shaking hands) is a joy to watch. Another highlight is the ab(use) of the scenery with the vivid distortion of 'Close Up' and contortions in Daffy's character when he demands the creator to give him a body.

I can now realize Chuck's intentions- with every little distortion created, Daffy still remains the main focus. When the creator 'erases' Daffy's character, we recognize his distinctive voice, when he gives Daffy an amorphous body, we recognize his bill, and even though his temper reaches boiling point, there is always a quirky touch to it (referring to the 'double duck sequence').

The most inventive moment was when the screen literally falls on him and he keeps a stick under it to hold it. It's a pity such humor is missing now because most of the target audience would not appreciate it now. Even watching those Mickey Mouse shorts made in 1930s makes me wonder why the new animation focuses on being so 'realistic' and does not want to experiment? At least some shorts can come up on cartoon channels that tend to break the rules and give life to anything and everything ( in Mickey Mouse, even a steam engine was given life in one short!)

Duck Amuck is where Chuck Jones' jackpot struck! My rating: 9/10

This has to be the wackiest Daffy Duck cartoon ever....maybe the wackiest (and most clever) cartoon ever. There is no story; just Daffy getting "jerked around," so to speak by the cartoonist drawing both he and the background scenery.

For example, Daffy, dressed as a musketeer, sword in hand, yells "en guarde," and soon the screen is totally white in back of him. After a few seconds of silence, Daffy turns to the camera (us) and says, "Can we get some scenery here?" So, an artist paints us a rural picture. Daffy changes clothes and is a now a farmer. Suddenly it's a winter scene. Daffy stops and asks the not-seen cartoon artist, "Is it too much to ask to make your mind?" Now, he changes outfits again in a flash and is skiing.

This goes on and on, and then really weird things happen with the screen and with Daffy as he's erased, redrawn, erased, muted, given his voice back, etc. All of this is driving him crazy....and it's fun to watch because you have no clue what crazy things is going to happen next.

This is an incredible cartoon. If ever the word "unique" would be appropriate, it's here.

This is probably the most clever and inventive short I have ever had the opportunity to watch. It shows Daffy Duck, being made VERY VERY ANGRY by being drawn into many different messes. Daffy Duck is perfect in this episode. He is well-animated, nice enough and gets angry easily when necessary (In some episodes, I feel as if he is being unnecessarily cruel and he's not in this one, he's trying to be nice!).

This short also has some MASSIVE humour. Just when you have finished laughing, yet ANOTHER joke comes on - and of course - you HAVE to laugh again!

Recommended for all Daffy Duck and cartoon animation fans! Enjoy!

Chuck Jones has to be the greatest Looney Tunes director ever, he directed Whats Opera Doc, Rabbit of Seville and the classic Duck Dodgers, but this surreal masterpiece is his pure genius. The cartoon focuses around Daffy, who thinks he is in a Musketeer set, then as he progress left, the background fades, leaving only Daffy hiding behind the frame of the film asking where the scenery is.

From that moment, Daffy goes on to one wacky situation to another and so on. This episode producers one of the best lines ever said in a Looney Tunes cartoon

"Hey Come Here, Come Here, Give me a close up, A Close Up! (Screen Blackens except the top right corner). This is a close up? A CLOSE UP YOU JERK, A CLOSE UP!!!!!!!! (Camera zooms in)"

That line has got to be one of my favourites. SO is this cartoon