Eaux d'artifice

A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it "water games." Based on what I've read, many have considered this among Anger's best, or his masterpiece, and it is apparently very influential. For me, I just did not care for it. I get that he shot it very beautifully and the use of tinting and light make this something of a moving painting. But, you know, it does not have that imagery I expect from his work.

Pointless (and deadly dull) short film by Kenneth Anger. It involves a small woman (called the Water Witch I believe) wandering around this place with tons of gushing water. Then at the end she becomes a fountain. Swear to God--that's it! Anger's early films are an acquired taste. I did like "Fireworks", "Puce Moment" and "Rabbits Moon" but the popularity of this has always escaped me. I've seen it multiple times and (more often than not) found myself struggling to stay awake! Anger's beautiful imagery seems to be missing here. Just a bunch of gushing water and a midget running around in a bizarre outfit is not enough to keep me interested. How this got on the list of film to be preserved is beyond me. "Fireworks" is MUCH better than this--but I guess "Fireworks" is too homo erotic. I personally can't stand this one but many others seem to think it's a masterpiece. Use your own judgment.

A stunning water garden is the empyrean setting for this short film, one of the director's strongest works. The ceaseless motion of liquid in an elaborate fountain-system is given close study in high-contrast black and white...jets, streams and droplets dance madly to classical music as the water becomes seemingly enlivened with a zoetic personality. The mood shifts with the music's dramatic rise-and-fall, being somber and wintry one moment, majestic and powerful the next. Intermittently, a shadowy figure in period costume moves hurriedly through the scenery, adding even further mystique to the proceedings.

Variably similar to Ralph Steiner's groundbreaking 1929 short H2O, and equally mesmerizing in its simple organic beauty, this film is a small masterwork. 9/10.

Somewhat atypical of Anger's films, this seems to be a pure visual treat with none of his trademark homoeroticism or occult references. To a soundtrack of "The Four Seasons", a woman wearing eighteenth century clothes wanders through a garden carrying a fan, until she comes across a fountain. She enters the waters, and fades to nothingness. Anger's camerawork is nothing less than sensational, catching the play of light on the water superbly. This short film was shot in b&w, and printed with a coloured tint, with the fan hand-tinted in a separate colour. Simple, and beautifully effective.

Unlike other Kenneth Anger short films, the focus is not on the characters nor on their sexual orientation. But rather on water, it brings originality but doesn't compel as much as the rest of his work