Eaux d'artifice

We are treated to close up after close up of the Tivoli fountains. A woman in a long dress and feathers walks or runs through the scenery. The images are beautiful and Vivaldi's Four Seasons "Winter" is always worth the wait. The problem is that the images are presented over and over again and at some point the mind begins to wander. It's an apt effort but just never seems to end. Could have occasionally used a different point of view to break things up.

Somewhat atypical of Anger's films, this seems to be a pure visual treat with none of his trademark homoeroticism or occult references. To a soundtrack of "The Four Seasons", a woman wearing eighteenth century clothes wanders through a garden carrying a fan, until she comes across a fountain. She enters the waters, and fades to nothingness. Anger's camerawork is nothing less than sensational, catching the play of light on the water superbly. This short film was shot in b&w, and printed with a coloured tint, with the fan hand-tinted in a separate colour. Simple, and beautifully effective.

Beautiful! Kenneth Anger's obscure filmography is chock full of artistic masterpieces, and "Eaux d'artifice" is among his very best work! Unlike many other Anger films, "Eaux d'artifice" is not provocative, explicit, or disturbing, instead it is a gorgeous, magical short focusing on the majesty of water. The fountains featured in the film flow with grace, water moves majestically through nearly every shot, images dissolve in and out of one another in a uniquely constructed, breathtaking way. This film will likely have fans of experimental art and imagery speechless, gleefully bathing in Anger's adventurous imagination. An avant garde classic this one is, and for good reason!

A stunning water garden is the empyrean setting for this short film, one of the director's strongest works. The ceaseless motion of liquid in an elaborate fountain-system is given close study in high-contrast black and white...jets, streams and droplets dance madly to classical music as the water becomes seemingly enlivened with a zoetic personality. The mood shifts with the music's dramatic rise-and-fall, being somber and wintry one moment, majestic and powerful the next. Intermittently, a shadowy figure in period costume moves hurriedly through the scenery, adding even further mystique to the proceedings.

Variably similar to Ralph Steiner's groundbreaking 1929 short H2O, and equally mesmerizing in its simple organic beauty, this film is a small masterwork. 9/10.

A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it "water games." Based on what I've read, many have considered this among Anger's best, or his masterpiece, and it is apparently very influential. For me, I just did not care for it. I get that he shot it very beautifully and the use of tinting and light make this something of a moving painting. But, you know, it does not have that imagery I expect from his work.