King of the Khyber Rifles

King of the Khyber Rifles is getting its second film adaption in this 1953 remake of Black Watch. Our version stars 20th Century Fox mainstay Tyrone Power who was coming to an end of his long term studio contract.

This was also the ninth of eleven films Power did with director Henry King and they rate right up there with John Wayne-John Ford and Martin Scorsese-Robert DeNiro as a successful director/actor team. King directed Power's breakthrough film role in Lloyds of London and his collaborations with Power is some of the best work for either men.

I wouldn't rate King of the Khyber Rifles as one of the best for either man. Yet it's entertaining enough and full of enough action to satisfy those who crave it in their films.

Power plays a British Army captain of mixed racial parentage and religious background as his mother was Moslem. He encounters a lot of hostility from both sides, similar to what Ava Gardner faced in Bhowani Junction.

It turns out that the leader of the local rebels is his former childhood play mate and son of the Moslem cleric who took young Power in when he was orphaned. Guy Rolfe is the rebel chief and he's a cunning and vicious foe of the British occupation. Rolfe also did a superb job in Ivanhoe as King John and these two roles are probably his career parts. Rolfe's the best one in the film.

It might have been a bit better had someone other than Terry Moore played the daughter of the English colonel. Another reviewer says she comes off like a débutante and she really does. Michael Rennie as her father is a stalwart defender of the Empire.

King of the Khyber Rifles is decent enough entertainment, but it wasn't in any contention for any awards in 1953.

Henry King directed Tyrone Power in ll pictures (This one was number nine) beginning with "Lloyds of London," which first shot the young actor to stardom...

King directed many of Power's best pictures including "In Old Chicago," "Alexander's Ragtime Band," "Jesse James," "The Black Rose," "Captain From Castile" and "Prince of Foxes"...

Power was a great actor able to star in everything from Musicals and Westerns to historical epics and swashbucklers... He was originally meant to do the first CinemaScope film, "The Robe" in 1953, but ended up with "The King of the Khyber Rifles" instead.

Power gives adequate performance as Alan King, a half-caste British army captain charging around the hills of India with courage and pride...

He crushes a rebel uprising led by a boyhood friend, and engages in a fight-to-the-death... He struggles up and down rocky cliffs of the Himalayan Mountain Ranges and romances his commanding officer's daughter... all against the backdrop of a legendary Indian Mutiny (also called Sepoy Mutiny)

Michael Rennie is cast as the tall Brigadier General Maitland who judges King (Tyrone Power) by his special qualifications, appointing him commander of the Khyber Riflemen...

Rennie's pretty daughter Susan (Terry Moore) finds herself attracted to the handsome captain, causing a rivalry between King and Lieutenant Heath (John Justin), the officer who spread the news about King's mixed racial descent...

Guy Rolfe is the ruthless Karram Khan, a rebel who tries to end the British rule... He warns King: "Last night you spare my life, now I return the gesture. But we will meet again and when we do, there will be no hesitation."

The most dramatic moment of the motion picture is the spearing to death of four helpless British captives tied to a long wooden mast, waiting in fear to be executed by Khan's men... Power is also fastened, expecting the same fate, to be thrust in the chest by a deadly weapon...

The film, spectacularly directed by a sure-handed craftsman, is sufficiently picturesque with bright and shining landscapes, very entertaining with an alarming storm and a rousing climax in which Power leads a furious assault filling the giant CinemaScope screen with impressive action sequences...

Director Henry King and star Tyrone Power teamed up for their ninth film, almost 20 years after King helped Power shoot to stardom when he chose him as Jonathan in "Lloyds of London." Why do I think Power was somewhat less ebullient this time around. By 1953, he was surely in a mad rush to finish his contract with Fox, as he had already formed his own production company.

"King of the Khyber Rifles" gets the full major picture treatment, in CinemaScope, and it is a film filled with battles, adventure, panaromas, and a little romance thrown in. You can't have Tyrone Power in a movie without some of that! He plays a half-caste who is put in charge of the Khyber Rifles. Eventually, he is given the assignment of putting down a rebellion led by a childhood friend, Karram Khan, menacingly played by Guy Rolfe. Terry Moore plays the British daughter of the brigadier general (Michael Rennie) who falls in love with Power, and that's a forbidden love. In real life, when she first saw the actor, she was so staggered that she developed a facial tic. Power asked King if they could sit quietly and run lines before shooting the scene, which allowed her to calm down. She's fairly vapid in the role.

The last part of the movie is very exciting and beautifully photographed. The film definitely hold's one's interest.

Power looks great - handsome and tanned, as Lieutenant King, but it's really not much of a role. The romantic scenes are marvelous, and he does display a lot of physical prowess. He was unfortunately one of the huge stars of the golden era who did not do a lot of great pictures. Ironically, some of his films not highly thought of at the time have found appreciative audiences today, 47 years after his death. Too bad he's not here to see it.

Sweeping, exciting spectacle, though on a bit lesser scale than usual. Power is a mixed-race (half British/half Indian) British officer in India battling the British class system on one side, the Indian caste system on the other side, racism from both sides, and rampaging, rebellious natives on all sides. Although he lacked the dynamism and ebullient personality of fellow swashbuckler Errol Flynn, Power nevertheless handled these kinds of action roles well, and was a good enough actor to pull them off believably. Terry Moore is, as always, miscast--she has the sunny demeanor of a USC cheerleader rather than the demure, dignified charm one would expect of the daughter of a senior, upper-class British officer. Michael Rennie's lip is properly stiff as the British commander, and Guy Rolfe is thoroughly effective as Power's megalomaniacal, menacing half-brother who is the leader of the rebels. Several extremely well staged action scenes--particularly at the climax--some very tense moments, crisp and beautiful Technicolor photography and Power's not-inconsiderable presence and charm make this a must-see for adventure fans--if they can ever find the damn thing. As mentioned previously, it hardly ever shows up on television and it's not out--legitimately, at least--on video or DVD yet.

Quite a few of those machine-tooled early CinemaScope productions from Twentieth Century Fox seem to be consigned to the dustbins of the memories of those of us who had the good fortune to see them in their full widescreen ratio with a magnetic stereophonic soundtrack during their initial release.

This one, directed with unusual energy by that Hollywood veteran, Henry King; lensed by that master of the color cameras, Leon Shamroy; and graced with a suitably sweeping score by Bernard Herrmann, looks like its lost in the archives where, let us hope, the master negative survives until the day that keepers of the Twentieth vaults come to their senses and favor us with a DVD release in the original (not reduced to anything less, please!) widescreen anamorphic format.

Terry Moore, who enjoyed a brief run as one of Fox's oft-used ingenues (and ladies of somewhat easier virtue, as in "Peyton Place") did seem a bit miscast, but Tyrone Power, Michael Rennie and well-chosen supporting players outshone her shortcomings. I recall that TIME magazine gave this quite a positive review and I remember that its use of mountainous California locations were quite convincing as a substitute for sending a company (or just a second unit) all the way to India's probably less hospitable subcontinent.