Wealthy heiress Nora suspects men only want her money. In Brazil, she falls for Roberto, believing he's poor, but later discovers he's also wealthy. Despite initial doubts, their mutual weal... Read allWealthy heiress Nora suspects men only want her money. In Brazil, she falls for Roberto, believing he's poor, but later discovers he's also wealthy. Despite initial doubts, their mutual wealth allows them to unite happily.Wealthy heiress Nora suspects men only want her money. In Brazil, she falls for Roberto, believing he's poor, but later discovers he's also wealthy. Despite initial doubts, their mutual wealth allows them to unite happily.
Queenie Leonard
- Rufina
- (scenes deleted)
Natividad Vacío
- Vacuum Cleaner Man
- (scenes deleted)
Fred Aldrich
- Workman
- (uncredited)
Suzanne Alexander
- Brazilian Girl
- (uncredited)
Laurindo Almeida
- Guitarist
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There is enough music in this film-minus the big name singers and dancers of the era-to make it a must-see musical. Although at times her hair looks like actual platinum, Lana Turner appears in so many mind-bogglingly gorgeous outfits that her wardrobe alone makes the movie worth watching. Then there is Ricardo Montalban in perhaps the sexiest (especially for those who remember him as Khan in Star Trek) film role of his career as a leading man, his singing voice dubbed by one Carlos Julio Ramírez in "A Little More of Your Amour." My favorite lines from that song: "Your samba is a stand-out, but I wish that you would hand out a little more of your amore." Turner is gorgeous throughout, and Montalban equals her sexiness on every level. Next-to-the-best treat: the great Rita Morena as the jealous Brazilian who stands in contrast to the excesses of wealth on display in the film. Bonus: Jean Hagen (of "Singin' in the Rain") as Turner's sidekick.
When I was young I thought the two most beautiful women in the world were Sophia Loren and Lana Turner. Then I saw Lana Turner in an extensive interview, and discovered that she was close to being the clichéd dumb blond. There is something more stupid however -- this movie. Another one of those feel sorry for the rich because they have such difficult lives...even more pathetic since this is a romantic comedy.
Speaking of beauty, Lana is not at her most beautiful here...a little full in the face. And it's difficult to judge her acting here since the story is so dumb. Ricardo Montalban actually does quite well here, as does John Lund. Louis Calhern is absolutely delightful in the illogical role of the Latin Lover's grandfather. And, it's nice to see Beulah Bondi in an atypical role for her -- psychiatrist (too bad it was such a small -- though pivotal -- role). Jean Hagen is pretty good in her supporting role here, but Eduard Franz has a disappointing role for such a fine character actor.
But, the film is beautiful in its color, and there's some very nice Latin music here.
Mervyn Leroy is one of the great directors, but, as the old saying goes, you can't win them all.
Speaking of beauty, Lana is not at her most beautiful here...a little full in the face. And it's difficult to judge her acting here since the story is so dumb. Ricardo Montalban actually does quite well here, as does John Lund. Louis Calhern is absolutely delightful in the illogical role of the Latin Lover's grandfather. And, it's nice to see Beulah Bondi in an atypical role for her -- psychiatrist (too bad it was such a small -- though pivotal -- role). Jean Hagen is pretty good in her supporting role here, but Eduard Franz has a disappointing role for such a fine character actor.
But, the film is beautiful in its color, and there's some very nice Latin music here.
Mervyn Leroy is one of the great directors, but, as the old saying goes, you can't win them all.
It should have made a strong case for Ricardo Montalban as a matinée idol: he smolders and smolders!
Shallow time-filler, directed by the estimable Mervyn LeRoy (who must have been a bit embarrassed), this picture-postcard travelogue-cum-romance should have put Ricardo Montalban on the map as a huge matinée idol. Montalban never quite broke the ethnic barrier to become a Valentino-type player in Hollywood, and filmdom certainly missed a prime opportunity. Montalban swaggers and struts and exudes mucho charisma as a horse rancher in Brazil who falls for vacationing heiress Lana Turner. Semi-musical piece of Hollywood factory gloss entertains in its fashion, but you'll be ashamed of yourself in the morning. Turner is so aloof that even Ricardo fails to melt her icy exterior, but the South American flavor is amusingly captured and the picture looks good enough to eat. ** from ****
Ricardo Montalban stepped in as last minute substitute for Fernando Lamas for this film Latin Lovers. Originally meant as a follow up for the Fernando Lamas/Lana Turner version of The Merry Widow, the breakup between Lamas and Turner was not amicable. Lana just did not want to emote for the big screen with Lamas any more.
One thing Lamas did leave behind was possibly his singing voice. Ricardo had a couple of numbers to sing and he did not sing. If you've seen The Merry Widow or Rose Marie you know that Fernando Lamas did have a strong singing voice. What comes out of Montalban's mouth sounds an awful lot like Fernando Lamas.
Lana is a wealthy woman who worries all the time that men are interested in her for her money only. To be rich and have worries like that. She's going out with John Lund who's a bit richer, but he is such a titanic bore.
Things do pick up when on a trip to Brazil she meets Montalban who also has a few shekels though the family fortune is really in the hands of his grandfather Louis Calhern. What follows are the usual romantic games people play and is the outcome ever in doubt?
Also note in the cast are Jean Hagen as Turner's girl Friday and Archer MacDonald as the nerdy American embassy employee who is giving Turner lessons in Portugese. Sadly MacDonald would be dead in two years and by his own hand.
Latin Lovers is a pleasant if not taxing piece of romantic fluff.
One thing Lamas did leave behind was possibly his singing voice. Ricardo had a couple of numbers to sing and he did not sing. If you've seen The Merry Widow or Rose Marie you know that Fernando Lamas did have a strong singing voice. What comes out of Montalban's mouth sounds an awful lot like Fernando Lamas.
Lana is a wealthy woman who worries all the time that men are interested in her for her money only. To be rich and have worries like that. She's going out with John Lund who's a bit richer, but he is such a titanic bore.
Things do pick up when on a trip to Brazil she meets Montalban who also has a few shekels though the family fortune is really in the hands of his grandfather Louis Calhern. What follows are the usual romantic games people play and is the outcome ever in doubt?
Also note in the cast are Jean Hagen as Turner's girl Friday and Archer MacDonald as the nerdy American embassy employee who is giving Turner lessons in Portugese. Sadly MacDonald would be dead in two years and by his own hand.
Latin Lovers is a pleasant if not taxing piece of romantic fluff.
"Latin Lovers" is a tough movie to love. After all, the main character, Nora (Lana Turner), is very rich AND very arrogant. Through much of the film she seems to think she is entitled due to her money...yet she also is worried a man might want her for her money. Oddly, despite this, she is uninterested in marrying her long-time boyfriend (John Lund)...who is even richer than her.
When the boyfriend goes to Brazil to play polo, she follows and soon is smitten with Roberto (Ricardo Montalban). She worries he, too, wants her money. And, when she tells him she's loaded, he's thrilled...futher convincing her that all men want is her cash, not her circa 1953 hot bod.
In addition to Nora acting dumb and annoying through much of the film, the two men in her life aren't exactly prizes either--though you still often wonder WHAT they see in her! This is because Nora OFTEN gets angry and huffy and is as pleasant as a lion with a toothache. So, with some unlikable characters all you have left is the nice MGM gloss...which this one has in spades.
When the boyfriend goes to Brazil to play polo, she follows and soon is smitten with Roberto (Ricardo Montalban). She worries he, too, wants her money. And, when she tells him she's loaded, he's thrilled...futher convincing her that all men want is her cash, not her circa 1953 hot bod.
In addition to Nora acting dumb and annoying through much of the film, the two men in her life aren't exactly prizes either--though you still often wonder WHAT they see in her! This is because Nora OFTEN gets angry and huffy and is as pleasant as a lion with a toothache. So, with some unlikable characters all you have left is the nice MGM gloss...which this one has in spades.
Did you know
- TriviaLana Turner and Fernando Lamas had recently costarred in The Merry Widow (1952). Attending a party one night, Turner was asked to dance by Lex Barker (whom she would later marry). This enraged Lamas who made an off-color remark and forcing Turner to leave the party. Returning home, they were involved in an argument which led to physical violence.
As Turner later wrote in her autobiography, "After I got him out of the house I was in such a condition that I dreaded being seen by anyone I knew. I drove immediately to Palm Springs, where I stayed for most of a week." Turner said: "I found Ricardo a delightful costar. A rigorously devout Catholic, utterly loyal to his wife, he played his role professionally but not privately."
- Quotes
Roberto Santos: I took one look at you and knew I had to kiss you.
- ConnectionsFeatured in That's Dancing! (1985)
- SoundtracksThe Night and You
Written by Nicholas Brodszky
Details
- Release date
- Country of origin
- Language
- Also known as
- Serenade in Rio
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,769,000 (estimated)
- Runtime
- 1h 44m(104 min)
- Aspect ratio
- 1.37 : 1
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