Paratrooper

Somehow 'The Red Beret,' by no measure a fine film, remains one of my sentimental favorites, perhaps because in my teens it aired often on late night TV, under its U.S. title 'Paratrooper.' Alan Ladd, even when he wasn't acting, appeared as the sexy strong stoical silent type, and here he again fills that bill. I also love this film because it's one of the many that carved out for Harry Andrews his reputation for playing tough-tender sergeants and sergeant majors; in 'The Red Beret' his last-words line, "Pity the man who hears the pipes and was na born in Scotland," has stuck pleasantly with me into my sixth decade; he also gives a lovely little take when the red berets are issued to him and his men and his character must part with his beloved regimental headgear. Also very sexy here, in his own astute, urbane way - quite different from Ladd's, is Leo Genn (who, in my experience, never gave a poor screen performance, and who was very good as the psychiatrist in 'The Snake Pit' and as Mr. Starbuck in John Huston's adaptation of 'Moby Dick'). Pert, pretty Susan Stephen - in a curls-and-frizz hairdo that was fifteen years ahead of its time! - doesn't act very well here, but I still find her effort affecting as Ladd's character's love interest.

I suppose my affection for 'The Red Beret' is one more proof that "There's no accounting for taste." Which helps to explain, if not to excuse, most of the rubbish studios churn out nowadays for uncritical mass consumption. I wish 'The Red Beret' would release on disc so that once, and many times over, in the wee hours I could snuggle down on the sofa and enjoy it as I did when I was a teenager.

Not too bad for a typical Alan Ladd movie of its time (released in 1953). Not a must-see but it is entertaining. Having seen this movie a number of times, I was recently surprised to see what appears to be a lot of blue screen shots overlaid on backgrounds. Much of the static dialog seems to be shot on a sound stage and then superimposed on whatever was supposed to be going on in the scene.

Of particular interest is the difference in equipment and training between British and American paratroopers. As with most Alan Ladd movies he's portrayed as the arch-typical quiet loner who, when pushed, reacts with sufficient violence as to be given plenty of space. In reality, Ladd was too small to be much of a menace to most (unless he's pulling a trigger). To give you an idea of how diverse his career was at this time, this movie was released in the same year as his hits "Botany Bay" and "Shane".

At the time this film was made (1953) many of the men who took part in ww2 wearing the RED BERET were still around and expecting to see a movie depicting what they had accomplished, and the opening text pays tribute to them somewhat, the film then goes on to a disappointing plot about an American leading man Alan Ladd,whose sole purpose seems to be to sell the movie in the U.S. The action depicting the raid on the Bruneval radar installation is o.k. but the later action which I think is supposed to be the fight in Tunisia gives a very seedy type of appearance,amateur,and certainly unconvincing acting and generally cheap looking sets, possibly a gravel-pit somewhere,(I guess most of the budget was spent on the leading star's salary) although the training scenes were very accurate. It was shot at R.A.F. Abingdon,near Oxford, the Parachute Training School at that time, the Guardroom at the rear gate can be recognized, where they are issued with their Red Berets.Considering all the hard fighting that this regiment actually did in fact do in so many places this had the potential to be a great movie. What was required was a good plot,a good script and less of a romantic storyline and some tight direction, sadly this did not happen and no serious attempt at a movie was made about the heroic actions of the Airborne Forces until "A Bridge Too Far". Other movies like The Cruel Sea, Twelve O'Clock High, Bridge on the River Kwai, King Rat and Das Boot etc.depict the sacrifices made by these men accurately I think, the men who wore the Red Beret must have left this screening very disappointed,I certainly did. Worth having a copy in your collection as I have, if only to think of what might have been.

The Red Beret (AKA Paratrooper) is directed by Terence Young and stars Alan Ladd & Leo Genn. It is based on the book of the same name written by Hilary Saint George Saunders.

"This story tells of one small part of the war. The story of those men who joined the parachute regiment — Men from many different countries and creeds, who were to find themselves one day in a parachute training establishment. Only in the telling and in the spirit of these men themselves do history and fiction meet — even if we dare not show in this film what some of these men did in fact and in real life achieve. For nobody would ever believe it."

Somewhere in England. The year 1940 after Dunkirk.

A rather popular film at the Worldwide box office on release, this in spite of some British complaints about American actor Ladd playing the lead in a British war story, The Red Beret is serviceable as an action character piece. The story is in effect a play on real war hero John Frost, who is here played by Genn as Major Snow (Frost was portrayed by Anthony Hopkins in A Bridge Too Far). With this in mind it's obvious that Ladd, who does OK in his role of the reluctant leader, is purely there for American audience enticement. However, the makers do a good enough job of not letting Ladd's part in the film be the sole point of reference and detract from the real heroes from which the core of the film is based. There's some poor technical aspects to put up with, such as major superimposed sequences that stick out like a sore thumb, but these are off set a touch by the well constructed battle scenes.

If in an undemanding war film mood this just about leaves a favourable impression. 6/10

In real life, Alan Ladd was scared to death of flying (he preferred trains), but you'd never know it in this exciting action adventure set in early World War II.

The old English method of training paratroopers by jumping from balloons is accurately depicted, as is the result of landing with an unopened parachute (the British, like the German airborne, eschewed the use of reserve parachutes).

It's actually a pretty standard war movie, though the score is exciting and memorable, and the combat scenes, though dated now, are pretty well done, considering this movie was shot in 1953.

Definitely worth watching!