IMDb RATING
5.9/10
1.4K
YOUR RATING
Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.
Luis Álvarez
- A Hotel Clerk
- (uncredited)
5.91.4K
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Featured reviews
Don't get into that cable car!
When characters in a film get into a cable car, you know it's only a matter of time before PING! the cable snaps. Strand by strand, of course, for maximum
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
Dithers until the Climax
The producers could have skipped the first hour, which is just filling time until the tram trip climax. And what a nail-biter that teetering-over-the-abyss is-- very well done in the special effects department. My only regret is the Palance-Mitchum face off, which should have been a bigger doozy than it is, considering it was for the broad-shoulders championship of Hollywood. Then too, both guys remain immaculately dressed the whole 90-minures—not what you'd expect of tough guys south of the border.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
The Stars Hanging By A Wire Thread
Second Chance finds Robert Mitchum as a boxer picking up fights in Mexico with manager Roy Roberts hoping for a comeback in America. He runs into Linda Darnell who is a Virginia Hill like mob moll who the Senate Racketeering Committee wants to testify. She's fled to Mexico, but the syndicate boss whose girl friend she was doesn't want her testifying. He sends hit man Jack Palance after Darnell to make sure she doesn't testify.
But Palance has his own ideas concerning Linda and his jealousy is aroused when he sees her being drawn to Mitchum. She at first is just looking for protection, but romance soon takes over with them and jealousy just rules Palance.
For Mitchum and Darnell Second Chance was pretty routine stuff, but Palance really dominates in his scenes. When Second Chance was hitting theaters Palance was already well known for the killer role he played in Shane. Although Second Chance gives him quite a bit more dialog, Jack still conveys a chilling meanness that you don't forget.
The film was shot in 3-D and it was one that Howard Hughes personally produced. Even without the 3-D on television the final sequence involving all the principal players in a cable car accident will leave you breathless.
Second Chance is a nicely constructed adventure tale with some good location cinematography in Cuernavaca and Tasco in old Mexico. The film holds up well after almost 60 years and definitely recommended for fans of Mitchum, Darnell, and Palance.
But Palance has his own ideas concerning Linda and his jealousy is aroused when he sees her being drawn to Mitchum. She at first is just looking for protection, but romance soon takes over with them and jealousy just rules Palance.
For Mitchum and Darnell Second Chance was pretty routine stuff, but Palance really dominates in his scenes. When Second Chance was hitting theaters Palance was already well known for the killer role he played in Shane. Although Second Chance gives him quite a bit more dialog, Jack still conveys a chilling meanness that you don't forget.
The film was shot in 3-D and it was one that Howard Hughes personally produced. Even without the 3-D on television the final sequence involving all the principal players in a cable car accident will leave you breathless.
Second Chance is a nicely constructed adventure tale with some good location cinematography in Cuernavaca and Tasco in old Mexico. The film holds up well after almost 60 years and definitely recommended for fans of Mitchum, Darnell, and Palance.
Dreary movie with good action finish
A film with Robert Mitchum and Jack Palance and they slug it out in a cable car at the end of the film! Sounds like exciting stuff.! Unfortunately the film is heavy going up to the final climax. Jack Palance feels it necessary to shoot someone in an early scene and then the film just plods along with little excitement. Worth watching for the final exciting action.
What a Beautiful Disaster!"
These are the last spoken words in this movie, before it ends rather abruptly. They characterize the whole affair accurately. Second Chance is a beautiful movie, the locations in Mexico look superb and made me yearn for my next holiday, despite the faded colors. In the middle there is a long sequence of a typical fiesta with fireworks and a surprisingly lascivious and suggestive dance scene just for the fun of it. The action moves on to a spectacular old suspension railway which I also found impressive and entertaining.
Unfortunately the story development is not good. It looks like nobody could decide what kind of movie this should be. It starts out like a film noir, then becomes a dreamy romance before turning into a classic, full fledged disaster flick with a suspended cable car full of different characters (look how all passengers assemble on the rear platform without the whole thing keeling over as I expect it should). Every part is OK in itself, but the different pieces do not tie together well.
Anybody who is interested in old movies, where locations, objects and events may or may not have symbolic significance will like this Technicolor movie made by RKO studios in its last stages of existence.
Unfortunately the story development is not good. It looks like nobody could decide what kind of movie this should be. It starts out like a film noir, then becomes a dreamy romance before turning into a classic, full fledged disaster flick with a suspended cable car full of different characters (look how all passengers assemble on the rear platform without the whole thing keeling over as I expect it should). Every part is OK in itself, but the different pieces do not tie together well.
Anybody who is interested in old movies, where locations, objects and events may or may not have symbolic significance will like this Technicolor movie made by RKO studios in its last stages of existence.
Did you know
- TriviaRobert Mitchum and Jack Palance were former professional boxers. Also, the real-life Mexican boxer Abel Fernandez (Rivera) made his screen debut in this film.
- GoofsWhen Clare is in the telegraph office, she is shown to have been completing a telegram to a Senate crime commission, in tidy cursive script. In closeup, the misspelled word ''commsion'' is visible, missing two letters.
- ConnectionsFeatured in Robert Mitchum, le mauvais garçon d'Hollywood (2018)
- How long is Second Chance?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,000,000
- Runtime
- 1h 22m(82 min)
- Aspect ratio
- 1.37 : 1
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