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5.9/10
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Mobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.
Featured reviews
A film with Robert Mitchum and Jack Palance and they slug it out in a cable car at the end of the film! Sounds like exciting stuff.! Unfortunately the film is heavy going up to the final climax. Jack Palance feels it necessary to shoot someone in an early scene and then the film just plods along with little excitement. Worth watching for the final exciting action.
When characters in a film get into a cable car, you know it's only a matter of time before PING! the cable snaps. Strand by strand, of course, for maximum
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
SECOND CHANCE is a routinely-plotted thriller with an above-average setting (the glorious mountain top terrain of Mexico) and a decent cast to lift it above the norm for the genre. I should also note that it was originally released in 3D in 1953 as part of the short-lived 3D boom in movies, although watching it 'flat' there aren't many (or any) eye-popping sequences that stand out as in the likes of HOUSE OF WAX, for example.
The story opens with some excellent and suspenseful chase sequences in which put-upon heroine Linda Darnell is being hunted through the streets by the vengeful Jack Palance. It turns out that she's a witness ready to testify against a mob boss and he's the bodyguard sent to bring her home. You know the story by now, but what makes this fun is an ultra-laconic Robert Mitchum as a boozy boxer who Darnell ends up hooking up with.
Sadly the middle part of the film gets a little tedious with some drawn-out romance scenes and the great Palance left skulking in the background. However, things pick up for an extended, disaster-fuelled climax set in and atop a broken cable car. There are some great fight scenes and stunts which make full use of the taut scenario. SECOND CHANCE isn't the greatest film out there, but it's certainly a distinctive and memorable one.
The story opens with some excellent and suspenseful chase sequences in which put-upon heroine Linda Darnell is being hunted through the streets by the vengeful Jack Palance. It turns out that she's a witness ready to testify against a mob boss and he's the bodyguard sent to bring her home. You know the story by now, but what makes this fun is an ultra-laconic Robert Mitchum as a boozy boxer who Darnell ends up hooking up with.
Sadly the middle part of the film gets a little tedious with some drawn-out romance scenes and the great Palance left skulking in the background. However, things pick up for an extended, disaster-fuelled climax set in and atop a broken cable car. There are some great fight scenes and stunts which make full use of the taut scenario. SECOND CHANCE isn't the greatest film out there, but it's certainly a distinctive and memorable one.
Linda Darnell and Robert Mitchum are two people in love and looking for a "Second Chance," a 1953 film also starring Jack Palance. I chose to see this film because Darnell, Mitchum, and Palance are three of my screen favorites - Darnell for her looks and association with some of my favorite films, Mitchum just because I love him, and Palance because he can be quite interesting.
The movie concerns a gangster's ex-girlfriend Claire (Darnell) being pursued by a gunman named Cappy (Palance) as she runs away to avoid testifying against her ex-boyfriend. Though it seems like Cappy is stalking her, he really wants her for himself.
In Mexico, Claire meets a down but not quite out prizefighter Russ (Mitchum) and the two fall in love. He wants her to go away with him to his next fight and then to New York, where he intends to fight in Madison Square Garden and make a comeback.
I found this film fairly routine, dull, predictable and in the beginning, somewhat confusing. The star is really Mexico. Shot in color, the scenery is incredible. The last scenes on the cable car were very exciting and then tension really built.
Mitchum looks great but is somewhat lethargic - that sullen sexuality of his can become merely passive, and it does here. Darnell is beautiful and has the more dramatic role, which she handles well.
Palance plays a somewhat bizarre character - a killer in love with his proposed victim - and it's not one of his better performances. It's probably the role, which isn't fleshed out - every time we see him he's threatening Claire in one manner or another.
This movie is okay but the end and the scenery are well worth seeing. Unfortunately, I didn't see it in 3D, and you won't either.
The movie concerns a gangster's ex-girlfriend Claire (Darnell) being pursued by a gunman named Cappy (Palance) as she runs away to avoid testifying against her ex-boyfriend. Though it seems like Cappy is stalking her, he really wants her for himself.
In Mexico, Claire meets a down but not quite out prizefighter Russ (Mitchum) and the two fall in love. He wants her to go away with him to his next fight and then to New York, where he intends to fight in Madison Square Garden and make a comeback.
I found this film fairly routine, dull, predictable and in the beginning, somewhat confusing. The star is really Mexico. Shot in color, the scenery is incredible. The last scenes on the cable car were very exciting and then tension really built.
Mitchum looks great but is somewhat lethargic - that sullen sexuality of his can become merely passive, and it does here. Darnell is beautiful and has the more dramatic role, which she handles well.
Palance plays a somewhat bizarre character - a killer in love with his proposed victim - and it's not one of his better performances. It's probably the role, which isn't fleshed out - every time we see him he's threatening Claire in one manner or another.
This movie is okay but the end and the scenery are well worth seeing. Unfortunately, I didn't see it in 3D, and you won't either.
The producers could have skipped the first hour, which is just filling time until the tram trip climax. And what a nail-biter that teetering-over-the-abyss is-- very well done in the special effects department. My only regret is the Palance-Mitchum face off, which should have been a bigger doozy than it is, considering it was for the broad-shoulders championship of Hollywood. Then too, both guys remain immaculately dressed the whole 90-minures—not what you'd expect of tough guys south of the border.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
Did you know
- TriviaRobert Mitchum and Jack Palance were former professional boxers. Also, the real-life Mexican boxer Abel Fernandez (Rivera) made his screen debut in this film.
- GoofsWhen Clare is in the telegraph office, she is shown to have been completing a telegram to a crime commission, in tidy cursive script. In closeup, the misspelled word 'commision' is visible.
While Clare has nice penmanship, she, like many other people, is not good at spelling.
- ConnectionsFeatured in Robert Mitchum, le mauvais garçon d'Hollywood (2018)
- How long is Second Chance?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,000,000
- Runtime
- 1h 22m(82 min)
- Aspect ratio
- 1.37 : 1
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