The Tell-Tale Heart

Whew. It's as spooky as ever, and James Mason's reading brings to it an hysterical drama that is absent from his movies.

Sometimes the stark images illustrate the events and sometimes they're surrealistic images of moons, branches, upright things draped in cloth.

I don't know how Poe could bring these stories off. Here, for instance, he begins with the otherwise nice old man whose filmy white eyeball the narrator simply can't stand and which eventually drives him to murder.

If I had written it, I'd have to have had to explain what the living arrangement was. Did they come to share a flat? How did they handle the rent? Who did the cooking and who washed the dishes? And how the hell did the unnamed narrator ever wind up in a situation like this? Poe dispenses with all this irrelevant details, a device in accord with his theory that everything could, and should, be thrown out the window in favor of effect.

Some effect!

"The Tell-Tale Heart" is probably the most popular and famous of all of Edgar Allan Poe's tales. It's a very simple, quick, and easy to read tale that has a great plot, wonderful style, and a memorable ending. It is the perfect Poe tale!

This film is a brief adaptation of this beloved classic, and it captures its mood and suspense gloriously. The narration by the great James Mason is pitch perfect, and the animation style is creepy and superb! The film is genuinely intense, too. The atmosphere is heavy, and it makes for a great experience. My heart was practically pounding as I watched it-which is interesting to note due to the title and subject of the story.

A boarder becomes increasingly horrified by the nasty eye of his landlord, and plans to kill him. However, he hasn't taken the power of a guilty conscience into consideration. One is faced with a challenge when adapting something that is already impeccable in its original form. To make one's work worth producing and, for others, to take in, one must truly do justice to what made it so. Poe's short story has chilled countless people for more than a century, with its downright disgusting descriptions, how direct he is in the rendition of pure terror, and of the immersion into madness. Many of his words are used here, with a pristine performance by James Mason bringing them to life. The sound FX and eerie music further enhance this retelling, and completing the trifecta is the vivid, at times surreal animation. Never a tale of people but one of states of mind, of emotion and mood, this barely shows faces, it is not a clear, chronological narrative, no, rather, you feel what our narrator felt, and while you undoubtedly want to distance yourself from his actions, you can't look upon the situation from the outside, with judgment and clarity, you are pulled in, and drown in the insanity. The dark, dingy colors, the sparse detail, indeed, at one point, even... sheer black. Silence. This is how you adapt this magnificent author, R.I.P. There is disturbing content in this. I recommend this to any fan of Gothic horror. 8/10

Just tonight I saw this short in a presentation of animated films as part of the Milwaukee International Film Festival. I found myself literally watching this with my mouth hanging open in awe. The animation is not groundbreaking in the various techniques used, but the ways they are used, and the ways they are merged to create brilliant, original techniques in their own light, are astounding. The use of numerous versions of a full paintings to animate things like the changing of a light source is shocking in it's simple, yet immense effectiveness. The music is very minimalistic, but very appropriate for the film. James Mason is haunting in his narration. This film is one of the most beautiful, unconventional, and effective uses of the animation art form in American film history. It is a shame that it is not available on video, though it may be that the only way to really experience it fully is in a theater. In that case it is a shame that it isn't played very often.

UPDATE...

The film is now available as an extra on the DVD for the original theatrical version of the film Hellboy. The only reason I can see for this is that Hell Boy director Guillermo del Toro must be a fan of it. The film Hellboy isn't bad, but the DVD is worth it for this short alone. And it can be had quite readily in used shops for a very good price (I've seen them as low as $9.99).

United Productions of America, one of the most original and ground-breaking animation studios of the U.S., achieved the peak of their "limited animation" style (an abstract style that champions symbolism over realism) with this short film based on Edgar Allan Poe's famous short story of the same name. With their minimalistic approach to animation and their total dedication to the art, this small company changed American animation forever and the magnitude of its influential was felt many decades after its creation.

"The Tell-Tale Heart" is the story of a man (voiced by James Mason) consumed by a bizarre and sick obsession with his old landlord's "strange" eye. An obsession that will take the man to murder the old man and hide the body, but the horrors are not finished with that. It's a story of madness and obsession told from the point of view of the madman who calmly retells his story and how he reached that state of insanity.

In barely 8 minutes the short film captures the haunting atmosphere of the Gothic novel and Poe's tale of madness becomes vivid with fluid animation and frightening images of chaos reflecting the madman's mind. The limited animation technique used by UPA never found itself more at home that here, where its artistic conception can (and is) explored to its max creating the image of a real painting in movement. "The Tell-Tale Heart" is so beautifully conceived and so perfectly crafted that it feels as if one was truly watching the dark dreams of a psycho.

Now, James Mason's voice-work is what truly takes this film from high class art to masterpiece proportions, as basically the film revolves around his first person narrative. Every line is delivered with a deep emotion that conveys the narrator's frightful experience with amazing believability. Writers Bill Scott & Fred Grable, as well as director Ted Parmelee and the rest of UPA's team crafted one of animation's finest films when they did "The Tell-Tale Heart", a very different animated experience.

Maybe nowadays UPA's achievements have been overshadowed by the many other studios that had more commercial success, but their influence is not forgotten. This terrific short film is without a doubt a classic of animation and a masterpiece of the horror genre, a film that must be seen at least once. 10/10