Thunder Bay

Thunder Bay is an anomaly, a pedantic film on a subject seldom dealt with in the movies, the conflict between businessmen, whose ambitions will cause great change in the local landscape, and the locals, who want things to remain as they are. In this case it's oil drillers versus shrimp fisherman in the Louisiana of the early 1950's. The conflict at times seems almost Marxian, with James Stewart's hardheaded, no-nonsense outsider going up against ragin' Cajun Gilbert Roland, a far more charming and sympathetic figure. Rather than shy away from class conflict, the movie confronts the issue repeatedly, in a variety of ways, and builds up a good deal of tension along the way, as Stewart's compulsive, oil drilling loner, increasingly isolated, takes on the entire community.

There's a good deal of fifties sociology here, with the modern, inner-directed Stewart against the tradition-centered fishing people. Neither side understands the other, as one can well see how these local folks would view Stewart as an uncaring and forbidding figure, the embodiment of alien, big city values. On the other hand these people are a rough and tumble lot, uneducated, clannish and utterly without curiosity. It's easy to see how an educated man might look down on them. There's a good deal of action along the way, and some fist-fights. At a time when many Americans still thought of themselves in terms of class, and with the Depression fresh in everyone's minds, it was rather bold of director Anthony Mann to take on this subject from a middle of the road, basically Republican (but not right wing) perspective. In this respect the movie, which came out in the first year of the Eisenhower administration, heralded a new era of compromise, with the promise of better things yet to come. As to which side is right, well, you be the judge. I'm still thinking this over.

Thunder Bay is directed by Anthony Mann and written by Gil Doud and George W. George. It stars James Stewart, Joanne Dru, Dan Duryea, Gilbert Roland and Jay C. Flippen. Music is by Frank Skinner and cinematography by William H. Daniels.

Offshore oil drillers set up base at Port Felicity, Louisiana and find the town's shrimpers are not at all happy about this threat to their livelihood. Conflict and affairs of the heart do follow.

One of the eight films that James Stewart and Anthony Mann made together, Thunder Bay was relevant in topicality upon its release, and remains so today. Whilst lacking the psychological smarts that the duo's Western productions had, it's a handsome production with the expected qualities in front of and behind the cameras. There's a lot of talky passages, which given the subject matter pulsing away at the core is understandable, but Mann ensures that action and suspense is never far away. It all builds to a crescendo, with loose ends and quibbles conveniently tied up in a Hollywood bow, but such is the skills of actors and director it rounds out as good and thorough entertainment. 7/10

In 1946, the drifters Steve Martin (James Stewart) and his partner and friend Johnny Gambi (Dan Duryea) travel to Port Felicity in Lousianna completely broken to meet the investor Kermit MacDonald (Jay C. Flippen). Steve dreams on building an offshore drilling barge to explore oil in the Gulf of Mexico and MacDonald, who is an entrepreneur and also a dreamer, decides to finance them but gives a short schedule to find oil.

They initially hire the fishing vessel of skipper Dominique Rigaud (Antonio Moreno) since the fishermen are having difficulties to catch shrimps. Steve and Johnny try to befriend the locals but when they use dynamite to locate oil, the population turns against them. Meanwhile Johnny dates the younger daughter of Dominique, Francesca (Marcia Henderson), while her older sister Stella Rigaud (Joanne Dru) feels attraction for Steve, but she rejects him since she is a wounded woman with a past. Steve, Johnny and their crew need to face the hostility and sabotage from the locals and also a hurricane while searching for the valuable oil.

"Thunder Bay" is an entertaining romantic adventure that takes place in the period of the beginning of exploration of oil in the Gulf of Mexico and shows the friction between the local fishermen and the oilmen. The plot is corny, with a feel-good conclusion but James Stewart is always an attraction. Further, for those that work in the oil business, it is great to see the early period of offshore exploration of oil. My vote is seven.

Title (Brazil): Not Available

This is the mailing , brawling saga of Steve Martin , the Bayou woman he loved and the billion dollar dream of glory he battled into the biggest bonanza of them all . In 1946, a pair of Louisiana wildcat oil drillers , formed by ex-Navy engineer Steve Martin (James Stewart) along with his pal Johnny (Dan Duryea) come to a Louisiana town with a dream : to construct a drill rig . As they believe there is oil at the bottom of the Gulf of Mexico off the coast of the town of Port Felicity. Having finessed financing from a big oil company (managed by Jay C Flippen) , formerly penniless . Steve and his colleague Johnny are in business...and getting interested in shrimp-boat captain Rigaud's two lovely daughters (Joanne Dru , Marcia Henderson) ; however , the fishermen believe they will interfere with their livehoods and problems crop out . In any way , they decide to built the oil platfom in spite of hazards and opposition from the fishing community growing fast , led by Stella Rigaud. Tensions rise between the groups and violence seems likely ..

Action-filled with timely story ,including hurricane , brawls , a near-lynching and free-for-alls , being based on an ahead-of-its-time script and story from John Michael Hayes , George Slavin and George George . There's much of the spirit of the Western here , though , especially astounding the main and support cast giving over-the-top interpretations . This attractive movie deals with a confrontation between Shrimpers and oilmen clashing when an ambitious wildcatter begins constructing an off-shore oilrig ; however , a lot of risks and strong opposition emerges , including sabotage , betrayal , violent fights ...and a treacherous board of directors . James Stewart took a break from their great series of rugged Westerns along with Anthony Mann such as : Winchester 73 , When the river bends , The naked spur , Far horizons , The man from Laramie , to play this equally exciting and action-packed drama story of two wild-catters drilling for oil . James Stewart delivers a very good acting , as usual , as the engineer who wants to build a safe platform for offshore oil drilling and in the end completes the winning formula by getting covered in oil . Support cast is frankly good , plenty of reliable and rich cast of notorious secondaries such as : Marcia Henderson , Jay C Flippen , Gilbert Roland , Antonio Moreno , Robert Monet and Fortunato Bonanova .

Colorful and brilliant cinematography in Technicolor and wide-screen by William Daniels , Greta Garbo's usual cameraman . Being shot on location in Morgan City and on an oil platform in the Gulf of Mexico . Stirring and moving musical score by Frank Skinner . This Universal International Picture flick lavishly produced by Aaron Rosenberg was competently directed by Anthony Mann . Mann was an expert on all kinds of genres as Thriller/Film Noir such as: Desperate , T Men , Raw Deal , Border incident ; Wartime as Strategic Air command , Men in war , Heroes of Telemark ; Historical and biographical : Reign of terror , El Cid , The fall of the Roman empire , The Glenn Miller story ; and outstanding in Western genre as Devil's doorway with Robert Taylor , The tin star with Henry Fonda , Man of the West with Gary Cooper , The Furies with Barbara Stanwick , Cimarron with Glenn Ford and The tall target .Being his last one, A Dandy in aspic , played and co-directed by Laurence Harvey . Rating : 7/10 . Better than average . Well worth watching . The picture will appeal to James Stewart fans .

The posted comment about wanting to see the "widescreen" version needs to be addressed.

As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.

It must have looked awful. Count yourself lucky you don't get to see it.

(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)