Thunder Bay

Thunder Bay is an anomaly, a pedantic film on a subject seldom dealt with in the movies, the conflict between businessmen, whose ambitions will cause great change in the local landscape, and the locals, who want things to remain as they are. In this case it's oil drillers versus shrimp fisherman in the Louisiana of the early 1950's. The conflict at times seems almost Marxian, with James Stewart's hardheaded, no-nonsense outsider going up against ragin' Cajun Gilbert Roland, a far more charming and sympathetic figure. Rather than shy away from class conflict, the movie confronts the issue repeatedly, in a variety of ways, and builds up a good deal of tension along the way, as Stewart's compulsive, oil drilling loner, increasingly isolated, takes on the entire community.

There's a good deal of fifties sociology here, with the modern, inner-directed Stewart against the tradition-centered fishing people. Neither side understands the other, as one can well see how these local folks would view Stewart as an uncaring and forbidding figure, the embodiment of alien, big city values. On the other hand these people are a rough and tumble lot, uneducated, clannish and utterly without curiosity. It's easy to see how an educated man might look down on them. There's a good deal of action along the way, and some fist-fights. At a time when many Americans still thought of themselves in terms of class, and with the Depression fresh in everyone's minds, it was rather bold of director Anthony Mann to take on this subject from a middle of the road, basically Republican (but not right wing) perspective. In this respect the movie, which came out in the first year of the Eisenhower administration, heralded a new era of compromise, with the promise of better things yet to come. As to which side is right, well, you be the judge. I'm still thinking this over.

From the director/actor team that brought us many of the great westerns of the 1950s, Thunder Bay teams Anthony Mann and James Stewart in what could easily be called a modern western. Stewart plays Steve Martin, an oil driller with a dream. His goal is to build an off-shore drill in the Gulf of Mexico. He receives the financial backing of oil tycoon Kermit MacDonald (Jay C. Flippen) and begins work.

He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.

Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.

The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.

Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.

As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.

What starts off as a cute conman buddy movie turns into an unexpected dual romance as the pals find girls in a small fishing town, and a locals-against-outsiders fight. James Stewart and Dan Duryea, frequent costars, have great chemistry together as friends who are down on their luck. With failures on their resume and nothing but slick tongues, they con their way into a car ride into town, renting a boat for the day, and hosting a business meeting with an important investor - all without paying. Joanne Dru is skeptical, Gilbert Roland is jealous, Marcia Henderson is interested, and Jay C. Flippen believes in their vision: underwater off-shore drilling.

If you like the actual story of the drilling and the local fisherman trying to sabotage their plans, you'll really enjoy Thunder Bay. I was more interested in the love stories, and I was still happy. Dan Duryea usually plays slimy villains, so I can only imagine what a treat it was for him to be the funny comic sidekick with an eye for the ladies. I've never seen him get to smooch someone after exclaiming, "Oh darling!" It's just adorable. If this is the first movie you see of his, you probably won't be able to imagine him playing a bad guy in his other movies.

It's Louisiana 1946. Navy buddies Johnny Gambi (Dan Duryea) and Steve Martin (James Stewart) are a couple of talkers and always with a scheme. They rent a fishing boat but the boat owner's daughter Stella Rigaud (Joanne Dru) immediately distrusts them. It doesn't stop Steve from falling for her. Gambi sets his sights on the younger sister Francesca. The two men are actually wildcatters showing an oil executive their plans to do off-shore drilling. It's a risky new form of drilling. Stella stops her father from helping the oilmen. So they rent from shrimper Teche Bossier (Gilbert Roland) instead but soon it's the shrimpers against the oilmen.

I'm not naturally pro-oil and anti-shrimp. So this comes with some normal resistance. The actual work from the oilmen is interesting. I'm not compelled to root for either side of the dispute. The shrimp is an easy out for the awkward conflict. This movie starts with some innocent fun but it gets a bit darker than I want. I like the start but it all gets a bit muddled especially in the modern sense.

In 1946, the drifters Steve Martin (James Stewart) and his partner and friend Johnny Gambi (Dan Duryea) travel to Port Felicity in Lousianna completely broken to meet the investor Kermit MacDonald (Jay C. Flippen). Steve dreams on building an offshore drilling barge to explore oil in the Gulf of Mexico and MacDonald, who is an entrepreneur and also a dreamer, decides to finance them but gives a short schedule to find oil.

They initially hire the fishing vessel of skipper Dominique Rigaud (Antonio Moreno) since the fishermen are having difficulties to catch shrimps. Steve and Johnny try to befriend the locals but when they use dynamite to locate oil, the population turns against them. Meanwhile Johnny dates the younger daughter of Dominique, Francesca (Marcia Henderson), while her older sister Stella Rigaud (Joanne Dru) feels attraction for Steve, but she rejects him since she is a wounded woman with a past. Steve, Johnny and their crew need to face the hostility and sabotage from the locals and also a hurricane while searching for the valuable oil.

"Thunder Bay" is an entertaining romantic adventure that takes place in the period of the beginning of exploration of oil in the Gulf of Mexico and shows the friction between the local fishermen and the oilmen. The plot is corny, with a feel-good conclusion but James Stewart is always an attraction. Further, for those that work in the oil business, it is great to see the early period of offshore exploration of oil. My vote is seven.

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