Thunder Over the Plains

During reconstruction, Texas-born Army Captain Randolph Scott is torn between duty and his fellow Texans (including a young Fess Parker), who are in a life-or-death struggle against corrupt officials and ruthless carpetbaggers. Meanwhile, slimy officer Lex Barker gets a little too close to Scott's wife.

Thunder Over The Plains sags just a bit in the middle, but has great production values and is fairly ambitious for a 1950's B-western, with some pretty complex characters. The cinematography and direction by Andre De Toth are excellent.

Elisha Cooke Jr. is pretty good as a sniveling tax collector. Lex Barker's character is especially vile, kind of a surprise considering the times in which this was made and the fact that Barker is so handsome and all-American looking!

Thunder Over The Plains starts with the same premise as John Wayne's Red River and Randolph Scott's earlier film, The Texans. That is the corrupt rule of carpetbaggers post the Civil War. But there are no large herds of cattle to be driven north for profit to escape the burdensome taxes laid down by the occupying carpetbagger civil servants and the army to back them up.

Randolph Scott is a Union army captain, but also a Texan and he sees both sides. Henry Hull is his put upon commanding officer and Charles McGraw plays a leader of a local gang who have risen up like Robin Hood among the oppressed. These guys aren't Ku Klux Klan nightriders by any means though.

Our villains are Hugh Sanders and Elisha Cook, Jr. a pair of scurvy lowlifes if there ever were. They've got quite the little self perpetuating racket. The more they extort, the more McGraw raids, the more Sanders and Cook cry that the army has to stay in Texas. Just about anything is blamed on McGraw and his men.

There's also a domestic crisis of sorts with newly arrived captain Lex Barker, an arrogant sort who was on duty in Washington and would like to get back there. Barker's bored and he makes a play for Phyllis Kirk who is married to Randolph Scott. Since they don't like each other from the beginning that only increases the problem.

Andre DeToth who did several westerns including a few with Randolph Scott brought home a good one here. With themes like an attempt at adultery here, this was not a western for the Saturday matinée kiddie trade. DeToth's best in my opinion is one called Ramrod with Joel McCrea and his then wife Veronica Lake, but this one is pretty good too.

DeToth also learned from the best and the final shootout scene with Scott against four men bears no small resemblance to High Noon, released a year earlier.

Definitely one of Randolph Scott's best westerns of the Fifties.

There's just too many baddies in this film for me to consider this as anything other than an average Randolph Scott Western. Even the nearly-good people have perverse traits – who the Hell are we supposed to care about!

Tale set in post Civil War Texas where carpetbaggers ruled almost supreme, and the occupying Federal troops seemed to let them. There's a gang of patriotic outlaws led by a Robin Hood character trying to redress the balance and a complicated set of sympathies and antagonisms with which to contend. And Lex Barker was playing a nutter. But if I correctly remember my extensive Frank Yerby reading when I was a kid surely in reality the Ku Klux Klan couldn't have been far away in matters of this kind in their role of Southern saviours? There's time in this shortish formula fiction film for lots of plot twists, cold business, love, jealousy, rage, backstabbings, murders galore, some honour and integrity, all of it delivered with plenty of panache, a nice colour and sporadically excellent camera-work.

It's enjoyable hokum up to a point but ultimately loses its way because there's no one you can really root for but many you can root against. Naturally, Scott is as dependable as usual.

Randolph Scott often shines as typical westerner. Here he plays Captain Potter a perfect example for Christian charity. He even prefers humiliation and danger to reputation of his lovely wife. He is a hero and a saint.

Scott never looks unbelievable in his part.

Lex Barker, former Tarzan and later superman "Old Shatterhand", plays against his image as arrogant villain. And I think he does it very well.

The story is entertaining and there are a lot of other good actors like Henry Hull, Phyllis Kirk and Elisha Cook jr. in it.

This really is an enjoyable B-western directed by veteran Andre de Toth.

In post Civil War Texas, an Army captain is charged with bringing in an outlaw who has become a legend for taking on the Carpetbaggers. It begins and ends with hokey narration, but in between there is a fairly interesting story, helped by nice color cinematography. Scott is his usual solid self as the captain. McGraw plays the outlaw, but it is Barker (coming off his final Tarzan movie) as another Army captain that is the real villain here. Kirk does well as Scott's understanding wife. It's not up to the level of Scott's later Westerns with Budd Boetticher, but it's competently directed by de Toth. The final gunfight is too drawn out and somewhat anti-climactic.