Thunder Over the Plains

(1953) Thunder Over The Plains WESTERN

When the north defeated the south during the civil war, unfair practices were being exercised when southern farmers were unfairly overtaxed as opposed to regular farmers living in the north, forcing some to give up land easily belonging to them by auction. Fictionalize story line based on fact that if there is any reason to watch this film, it would only be for the history lesson. The action is not a plenty, but well- known Western actor Randolph Scott's tall, valiant screen presence keeps the film from becoming boring. This is the fourth of six movies Randolph Scott collaborated with director Andre De Toth.

During reconstruction, Texas-born Army Captain Randolph Scott is torn between duty and his fellow Texans (including a young Fess Parker), who are in a life-or-death struggle against corrupt officials and ruthless carpetbaggers. Meanwhile, slimy officer Lex Barker gets a little too close to Scott's wife.

Thunder Over The Plains sags just a bit in the middle, but has great production values and is fairly ambitious for a 1950's B-western, with some pretty complex characters. The cinematography and direction by Andre De Toth are excellent.

Elisha Cooke Jr. is pretty good as a sniveling tax collector. Lex Barker's character is especially vile, kind of a surprise considering the times in which this was made and the fact that Barker is so handsome and all-American looking!

There's just too many baddies in this film for me to consider this as anything other than an average Randolph Scott Western. Even the nearly-good people have perverse traits – who the Hell are we supposed to care about!

Tale set in post Civil War Texas where carpetbaggers ruled almost supreme, and the occupying Federal troops seemed to let them. There's a gang of patriotic outlaws led by a Robin Hood character trying to redress the balance and a complicated set of sympathies and antagonisms with which to contend. And Lex Barker was playing a nutter. But if I correctly remember my extensive Frank Yerby reading when I was a kid surely in reality the Ku Klux Klan couldn't have been far away in matters of this kind in their role of Southern saviours? There's time in this shortish formula fiction film for lots of plot twists, cold business, love, jealousy, rage, backstabbings, murders galore, some honour and integrity, all of it delivered with plenty of panache, a nice colour and sporadically excellent camera-work.

It's enjoyable hokum up to a point but ultimately loses its way because there's no one you can really root for but many you can root against. Naturally, Scott is as dependable as usual.

Thunder Over The Plains is directed by André De Toth and written by Russell S. Hughes. It stars Randolph Scott, Lex Barker, Phyllis Kirk, Charles McGraw, Henry Hull & Elisha Cook Jr. Filmed in WarnerColor the exterior photography is by Bert Glennon at the Warner Ranch in Calabasas, and David Buttolph scores the music.

It's 1869, and Texas is still not part of the Union. Carpetbaggers rule the state and criminal activity is high. Captain Porter (Scott), a proud Texan himself, finds he has to carry out orders against his own countrymen. When a man in town is murdered in cold blood, suspicion falls on rogue cowboy Ben Westman (McGraw), but Porter believes he's innocent and strikes a deal to bring him in for a fair trial. However, this sets off a chain of events that leads to Porter himself becoming a wanted man.

Knowing direction, fine acting and a darn good script, all make Thunder Over The Plains essential viewing for the 50s Western fan. The bonus, aside from the impressive support cast, is the story itself. This was a troubled time, a time when only two states were not yet accepted back into the Union post the Civil War. Toth and Hughes paint a murky town, one of corruption, tax oppression and shifty shenanigans. There's even room in the story for strains on the family home of Porter and an attempt at adultery. Throw in the nice colour and scenery, pace it briskly with enjoyable action set-pieces (the shoot out at the end is familiar but excellently done), and it's a fictionalised winner. 7/10

In post Civil War Texas, an Army captain is charged with bringing in an outlaw who has become a legend for taking on the Carpetbaggers. It begins and ends with hokey narration, but in between there is a fairly interesting story, helped by nice color cinematography. Scott is his usual solid self as the captain. McGraw plays the outlaw, but it is Barker (coming off his final Tarzan movie) as another Army captain that is the real villain here. Kirk does well as Scott's understanding wife. It's not up to the level of Scott's later Westerns with Budd Boetticher, but it's competently directed by de Toth. The final gunfight is too drawn out and somewhat anti-climactic.