IMDb RATING
7.2/10
1.1K
YOUR RATING
Hypnosis doesn't help the Coyote catch the Road Runner, nor do a clutch of string-controlled rifles or dozens of mousetraps, but they all manage to backfire on him, naturally.Hypnosis doesn't help the Coyote catch the Road Runner, nor do a clutch of string-controlled rifles or dozens of mousetraps, but they all manage to backfire on him, naturally.Hypnosis doesn't help the Coyote catch the Road Runner, nor do a clutch of string-controlled rifles or dozens of mousetraps, but they all manage to backfire on him, naturally.
- Director
- Writer
- Stars
Mel Blanc
- Wile E. Coyote Screams
- (uncredited)
Paul Julian
- Road Runner
- (archive sound)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The life of a predator isn't what it's cracked up to be! He must be up to his eyeballs in debt to Acme (or has a sizable source of funds), his medical bills equally large and for what? A singular lack of success in catching one bird! I say give up, get a pizza and take up stamp collecting. Great fun and worth watching. Recommended.
It's strange how your perspective shifts as you get older. When I was a young devotee of ROADRUNNER, it was the titular hero I identified with, his speed, obviously, his unassailability, his grace, his freedom, his cheek. Watching him again, nearly two decades on, I find that the real hero of the cartoon is not this miraculous popinjay, but his hapless nemesis, Wil E. Coyote.
There is something monstrous and inhuman about Roadrunner's indestructability, but nothing heroic. He is a creature of instinct, he is what he is, a road runner. We should no more applaud his skill than we should marvel at rain falling. Even his mockery seems mechanical, unwilled. He is something abstract, ungraspable, a hurtling metaphor for all we fail to achieve in life.
Wil E. we can love, identify with. He has a name. Like all self-willed names, it is preposterously inappropriate. Although part of his failure can be attributed to his enemy's fleet feet, it is his ineptitude that is mostly to blame. His wily schemes are incompetently conceived in the heat of the moment - the eternal chase allows no room for pause.
These cartoons are a further elaboration of Buster Keaton's Beckettian agonies - here plot is completely abandoned, for a daring, perpetual repetition, where closure is forever denied. Because the only closure could be death - Road Runner's, Wil E.'s, or ours. We will never pin down that which we can sense, but cannot hold. And yet we must continued to try, because stillness can only lead to thoughts of mortality and despair.
Chuck Jones' imagination only improves with age. The Cezanne-like geometrics are a marvel to behold. The saturated colours still dazzle, and the backgrounds, part simplistic children's book illustration, part bleak dreamscape, are as piercingly evocative as ever. The insane and complex variations on what is essentially a simple, inexorable plot are breathtaking, and puts almost everything that was stumbling lamely out of Hollywood at the time to shame. Jones, horribly underrated, was at least as great a director as Keaton, Hawks or Sirk, and it is about time we said so. So I did.
There is something monstrous and inhuman about Roadrunner's indestructability, but nothing heroic. He is a creature of instinct, he is what he is, a road runner. We should no more applaud his skill than we should marvel at rain falling. Even his mockery seems mechanical, unwilled. He is something abstract, ungraspable, a hurtling metaphor for all we fail to achieve in life.
Wil E. we can love, identify with. He has a name. Like all self-willed names, it is preposterously inappropriate. Although part of his failure can be attributed to his enemy's fleet feet, it is his ineptitude that is mostly to blame. His wily schemes are incompetently conceived in the heat of the moment - the eternal chase allows no room for pause.
These cartoons are a further elaboration of Buster Keaton's Beckettian agonies - here plot is completely abandoned, for a daring, perpetual repetition, where closure is forever denied. Because the only closure could be death - Road Runner's, Wil E.'s, or ours. We will never pin down that which we can sense, but cannot hold. And yet we must continued to try, because stillness can only lead to thoughts of mortality and despair.
Chuck Jones' imagination only improves with age. The Cezanne-like geometrics are a marvel to behold. The saturated colours still dazzle, and the backgrounds, part simplistic children's book illustration, part bleak dreamscape, are as piercingly evocative as ever. The insane and complex variations on what is essentially a simple, inexorable plot are breathtaking, and puts almost everything that was stumbling lamely out of Hollywood at the time to shame. Jones, horribly underrated, was at least as great a director as Keaton, Hawks or Sirk, and it is about time we said so. So I did.
I like these opening graphics which give us various "scientific names" of the two main characters. This time, the roadrunner - who is shown outracing a fast train - is labeled "velocitus tremenjus." Wile E. Coyote, watching from above, is now labeled "Road Runnerus Digestus."
Wile E.'s slapstick attempts at getting the bird include a hand grenade, mousetraps, a giant kite with a big bomb, falling telephone poles, bird seed with steel shot and a giant magnet, hypnotism, a giant boulder, shotguns and more! It's unbelievable how many attempts the coyote makes in each cartoon with the predictable results.
This wasn't one of the funnier episodes, I didn't think, although it was entertaining as always.
Wile E.'s slapstick attempts at getting the bird include a hand grenade, mousetraps, a giant kite with a big bomb, falling telephone poles, bird seed with steel shot and a giant magnet, hypnotism, a giant boulder, shotguns and more! It's unbelievable how many attempts the coyote makes in each cartoon with the predictable results.
This wasn't one of the funnier episodes, I didn't think, although it was entertaining as always.
The forth pairing of Wile E. Coyote and the Road Runner is still good and features many gags that work, including grenades, mousetraps, a giant kite, a bigger magnet, and even hypnosis. Of course none of these work, but they make for a hilarious cartoon. Man I love that coyote's work ethic. This animated short can be seen on Disc 2 of the Looney Tunes Golden Collection Volume 2. It also has a little 11 minute featurette "Behind the Tunes - Crash! Bang! Boom!: The Wild Sounds of Treg Brown" that I'll get more into in the listing for that on this site.
My Grade:A+
My Grade:A+
'Zipping Along' introduces the Road Runner as Velocitus Tremendus and the Coyote as Road-Runnerus Digestus before the chase starts. In this cartoon the Coyote uses, or tries using, mousetraps, cannons, a lot of guns and even hypnosis that he tests on a bug. Of course things do not work as planned and every single time the joke is on him.
Like with all other Road Runner vs. Coyote cartoons you will not be bored. I smiled almost the entire time. The simple but quite funny animation works for most moments and this is one of those cartoons where the music helps with the gags. There are better ones from the series but it is most definitely entertaining and enjoyable enough.
Like with all other Road Runner vs. Coyote cartoons you will not be bored. I smiled almost the entire time. The simple but quite funny animation works for most moments and this is one of those cartoons where the music helps with the gags. There are better ones from the series but it is most definitely entertaining and enjoyable enough.
Did you know
- TriviaAlthough the colorful desert appears to be in the canyonlands around the Utah-Arizona border, Roadrunner zips past a Joshua Tree early on. This plant, a relative to the lily, is native to the Mojave Desert in California.
- Crazy creditsRoad-Runner (Velocitus Tremenjus)
- ConnectionsEdited into The Bugs Bunny/Road-Runner Movie (1979)
Details
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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