The Belles of St. Trinian's

The Belles Of St Trinian's (1954) -

While I would have always said that the earlier St Trinian's films were the better ones, having only recently watched the reboot from 2007, I think that the first ever cinematic outing for the girls just lacked something that the newer one had (The sequel (2009) wasn't much good though) I can only assume that the following 'Blue Murder At' (1957) and 'Pure Hell Of' (1960) films were the ones that resonated with me as a younger viewer during school holidays. Those and 'The Great Train Robbery' (1966) of course, which I know was brilliant as it's the one I have seen most often.

This one was a bit of a simple story and the girls didn't seem to be as united as they later became, so it was difficult to know whose side to be on?

With the Rupert Everett ones, the girls are all working together to keep the school running, in order to continue their shenanigans unhampered, but this film had them all broken in to factions against the headmistress and each other, in a selfish way, which didn't show them at their best.

Alistair Sim was of course superb in the dual role of Miss Fritton and her Brother Clarence and the majority of the others did a good job too. Not to forget dear old George Cole, who will eternally be remembered as Flash Harry and how could he not be with that portrayal as good as it is.

There's no denying that it's still great fun to watch and lead the way for the others that followed admirably, as well as probably a number of other films that must surely have used this as a reference to realise genius comedy, full of innuendo for years after, but it's not my favourite of the collection.

577.22/1000.

The first of five St Trinian's films (although the last is usually discounted) was based around artist Ronald Searle's schoolgirl characters, and features the wonderful Alastair Sim in drag as Millicent Fritton, headmistress, as well as her own brother. Much of the humour is dated, yet curiously touching and outrageous in today's PC world - the girls drink, gamble, smoke and are later sold off to rich Arabs, yet always remain in charge, defeating bureaucrats, police, judges and other establishment figures as they maraud across England. Perhaps because the films have been so regularly seen on TV, St Trinians still inspires fancy dress parties and club nights. The films have recurring characters that include PC Ruby Gates (Joyce Grenfell) and Flash Harry (George Cole). The precursor to the entire series is a charming film called 'The Happiest Days Of Your Life' (1950).

I first saw this film in the late fifties or early sixties on tv. If I recall correctly there were a few other films in the story of the St. Trinian's Belles. I don't remember the others quite well, but the first one is without question one of the funniest films out of Britain I have ever seen. For that matter, out of anywhere. The sight gags are fast and furious, the dialogue is to die for and almost all the characters are brilliantly drawn and just plain funny. Everyone seems to be enjoying themselves immensely. I highly recommend this movie to anyone who appreciates good old fashioned comedy (not rated R) and I think even children will love it. This is one of those movies (and its sequels) that I would pay almost anything to own. Enjoy it if you ever get a chance to see it.

I remember seeing this movie on U.S. Television way before Monty Python or Benny Hill. This was my introduction to British Comedy. I had not seen the film for about 25 years until I found it on video. It was just as funny as when I saw it as a child!

It's funny, camp and silly. I can watch it over and over again. Alistair Sim in drag in a hoot! The stereotypes are hysterical. I believe this was the film that inspired Carry-On movies, which in turn inspired other sketch comedies. If you can look past the fact that this movie is almost 50 years old, I strongly recommend getting a hold of it for some good, old-fashioned bawdy laughs!

This comic classic of English school girl antics is and was one of the great art house classics. Then the art house disappeared with the arrival of videos. And so did the audience for this movie. The loss is not to the art houses or to this great film. The loss is to those who will never have a real opportunity to view this memorable laugh filled cinematic masterpiece. But I am preaching to the converted aren't I. Who else would search for this flick?