Claws for Alarm

Chuck Jones's 'Claws for Alarm' is an inferior remake of his own 'Scaredy Cat'. While 'Scaredy Cat' had provided a brilliant combination of laughs and genuinely creepy horror, 'Claws for Alarm' very much concentrates on the former. This wouldn't necessarily be a bad thing had 'Scaredy Cat' not done everything 'Claws for Alarm' attempts better already. 'Claws for Alarm' uses more limited animation than the lush 'Scaredy Cat' which, while it is lively and colourful, doesn't come close to creating as affective an atmosphere as the former cartoon's gorgeous, intricate look. The plot is almost entirely identical (Sylvester attempts to rescue Porky Pig from some psychotic mice) except that this time round Porky never realises the truth, eventually driving Sylvester to violence. This leads to an ominous ending which is perhaps the only thing about 'Claws for Alarm' that is actually better than 'Scaredy Cat' (which had a rather weird ending based on an outdated reference). While many people's personal preference may be down to which they saw first, 'Scaredy Cat' is, to my mind, clearly the superior picture and its very existence renders 'Claws for Alarm' entirely redundant.

Porky Pig and Sylvester are driving in a spooky town looking for a place to stay the night. When Porky finds a hotel, Sylvester is scared silly. An unseen presence keeps trying to kill Porky only to be saved by Sylvester, but Porky never sees it. Porky thinks that Sylvester is going crazy.

This is a great little Looney Tunes for Halloween. I love the start of the unlikely duo driving into a spooky town and I love the designs of the buildings. I do wonder if WB shouldn't show a bunch of these cartoons for Halloween although they may be too morbidly violent for today. I can see parents groups going crazy.

In one of the many classic Looney Tunes cartoons, Porky Pig and Sylvester spend the night in a desert town. The only thing is, this town appears to be haunted or something. So, Porky, completely clueless, goes about doing his business while a gaggle of nasty mice try to kill him. Sure enough, every time that Sylvester narrowly saves Porky, Porky believes him to be insane.

Some of the stuff in here might seem a little far out for a cartoon, especially in the '50s. But that's just why the Looney Tunes were so great: they weren't afraid to do whatever they wanted. You'd better believe that they were all about trashing the rules; and that's just what they do here. These cartoons were truly the gold standard of their era. Really funny.

So yes, do give me a home...

In my opinion, one of the greatest Warner Bros. cartoons ever. Another of the long list of great Chuck Jones shorts of the '50s ("Drip-Along Daffy", "Rabbit Seasoning", "One Froggy Evening") and another in which Porky Pig and (here, his pet cat) Sylvester go on a trip and face disaster, unknown to Porky (see also "Jumpin' Jupiter", 1955).

Porky and Sylvester check into an abandoned hotel, and are menaced by evil (satanic?) mice intent on killing them both. It's beyond me how such subversive stuff was put on cinema screens in 1954. The collaboration of Chuck Jones and Michael Maltese brings about a level of twisted genius, as well as cockeyed comedy, that few cartoons, even WB cartoons, can ever hope to match. A true masterpiece of short animation.

I really loved Claws for Alarm, the 1950s were a wonderful time for Looney Tunes cartoons, and this is no exception. Comparisons with Scaredy Cat are inevitable, though I am not going to compare, other than to say although I loved Scaredy Cat I marginally preferred this(probably not a popular opinion here but oh well). The animation is dark and atmospheric, and also has a crisp and smooth feel to it. The backgrounds especially are wonderful to look at. The music is clever and also adds to the atmosphere. The dialogue is very good too, and the sight gags are interesting. And I have to say I loved the ending, it was very scary. Porky is good, but Sylvester is the scene stealer in my opinion, while Mel Blanc is exceptional once again as always. Overall, atmospheric with a great ending. 10/10 Bethany Cox