Porky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to d... Read allPorky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to do them in, while Porky chalks his fears up to insanity.Porky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to do them in, while Porky chalks his fears up to insanity.
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I really loved Claws for Alarm, the 1950s were a wonderful time for Looney Tunes cartoons, and this is no exception. Comparisons with Scaredy Cat are inevitable, though I am not going to compare, other than to say although I loved Scaredy Cat I marginally preferred this(probably not a popular opinion here but oh well). The animation is dark and atmospheric, and also has a crisp and smooth feel to it. The backgrounds especially are wonderful to look at. The music is clever and also adds to the atmosphere. The dialogue is very good too, and the sight gags are interesting. And I have to say I loved the ending, it was very scary. Porky is good, but Sylvester is the scene stealer in my opinion, while Mel Blanc is exceptional once again as always. Overall, atmospheric with a great ending. 10/10 Bethany Cox
In one of the many classic Looney Tunes cartoons, Porky Pig and Sylvester spend the night in a desert town. The only thing is, this town appears to be haunted or something. So, Porky, completely clueless, goes about doing his business while a gaggle of nasty mice try to kill him. Sure enough, every time that Sylvester narrowly saves Porky, Porky believes him to be insane.
Some of the stuff in here might seem a little far out for a cartoon, especially in the '50s. But that's just why the Looney Tunes were so great: they weren't afraid to do whatever they wanted. You'd better believe that they were all about trashing the rules; and that's just what they do here. These cartoons were truly the gold standard of their era. Really funny.
So yes, do give me a home...
Some of the stuff in here might seem a little far out for a cartoon, especially in the '50s. But that's just why the Looney Tunes were so great: they weren't afraid to do whatever they wanted. You'd better believe that they were all about trashing the rules; and that's just what they do here. These cartoons were truly the gold standard of their era. Really funny.
So yes, do give me a home...
Sylvester leaves his indomitable role as a chaser of canaries and becomes a pet to Porky Pig. After traveling all day, Porky decides to spend the night at dry gulch. It is a haunted hotel and immediately Porky's life is in danger. Sylvester does everything he can to save him from assaults, but every time he tries he gets blamed for doing what the ghosts are actually doing. It is non-stop entertainment.
10Pope-8
In my opinion, one of the greatest Warner Bros. cartoons ever. Another of the long list of great Chuck Jones shorts of the '50s ("Drip-Along Daffy", "Rabbit Seasoning", "One Froggy Evening") and another in which Porky Pig and (here, his pet cat) Sylvester go on a trip and face disaster, unknown to Porky (see also "Jumpin' Jupiter", 1955).
Porky and Sylvester check into an abandoned hotel, and are menaced by evil (satanic?) mice intent on killing them both. It's beyond me how such subversive stuff was put on cinema screens in 1954. The collaboration of Chuck Jones and Michael Maltese brings about a level of twisted genius, as well as cockeyed comedy, that few cartoons, even WB cartoons, can ever hope to match. A true masterpiece of short animation.
Porky and Sylvester check into an abandoned hotel, and are menaced by evil (satanic?) mice intent on killing them both. It's beyond me how such subversive stuff was put on cinema screens in 1954. The collaboration of Chuck Jones and Michael Maltese brings about a level of twisted genius, as well as cockeyed comedy, that few cartoons, even WB cartoons, can ever hope to match. A true masterpiece of short animation.
Several years after Scaredy Cat, Porky Pig and Sylvester the Cat would once again play master and his pet who is easily frightened especially by malevolent mice when they visit a haunted house. As before, Porky is oblivious to everything as he tries to sleep and blames his pet for any disturbances he gets while Sylvester is only trying to save him at every opportunity. Plenty of genuine scares and laughs abound, that's for sure! Also, as before, Sylvester doesn't speak to emphasize his underling relationship with Porky which works perfectly well for them in these cartoons of which three were made. Actually, in this one, Sylvester does somewhat take charge at the end. Kudos to Chuck Jones and his team for making these entertaining shorts.
Did you know
- TriviaThis is the second of three cartoons teaming Porky and Sylvester, continuing his non-speaking role as Porky's cat in a spooky setting where only Sylvester is aware of the danger the pair are in. The other two films in the series are Scaredy Cat (1948) and Jumpin' Jupiter (1955)
- Crazy creditsPorky and Sylvester receive an over the title card for this cartoon.
- ConnectionsEdited into Bugs Bunny's Howl-oween Special (1977)
- SoundtracksThe Dying Cowboy
(uncredited)
aka "Bury Me Not on the Lone Prairie"
Traditional
Played at the beginning
Details
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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