Carnival Story

Made a couple of years after Cecil B. Demille's circus tribute movie almost epic "Greatest Show on Earth," this movie is a wayward daughter of that film. The great circus acts are pretty well limited to a single high diving act. It is set in Germany because a carnival can't make any money any more in the United States. The television series, "Flash Gordon" was also made in Germany in 1954, so I guess, producers heard they could get a lot for their production buck in Germany at that time.

The movie works better than it should. Being filmed in Germany, it allows Ann Baxter to show a bit more sexuality than she could have gotten away with in Hollywood under the moral code at that time. She shows a lot of leg and showers while taking a shower.

She really turns in a strong performance. The script is cliché ridden and the lines are as deep as a pulp detective novel, but she managers to really make us believe her when she strips to her underwear and tells a man that she's not afraid of anything. This is about as far from "All About Eve" or "Magnificent Ambersons" material, but she carries it off somehow, and keeps your eyes glued to the screen.

Altogether, the script is mediocre melodrama, but good direction and good acting keep it on track and make it fun. While it never reaches the grandeur of "Greatest Show on Earth" it doesn't have the dull stretches that GSOE has either.

A movie equivalent of one of those 1950s gaudy crime paperbacks, this low budget effort starts down a familiar path but is still able to provide its share of suspense and surprises.

The lovely Anne Baxter, though a long way from ALL ABOUT EVE is an attractive heroine albeit with an accent that has a tendency to disappear at times. She obtains work in the carnival through Joe (Steve Cochran)whose pocket she has picked out of desperation and then becomes a partner of Lyle Bettger in a high-dive act. This is an intriguing start as Bettger often played sneering villains and Joe seems decent enough at first, though we soon learn that this is not the case. Steve Cochran was ideal in this sort of role.

There is an incredibly similar sequence featuring a high-diver who jumps into a blazing tank in a section of the British film ENCORE, released two or three years before, which may have given the makers of this film some ideas.

A young girl (Anne Baxter) runs away and joins a traveling carnival troupe in Colonia (Germany), an American-owned circus in all its beautiful and sadness in the setting . She falls in love with her employer (Steve Cochran) and is hired by the ringmaster (J.C. Flippen). Later on , she is contracted by a somersault artist (Lyle Bettger), who teaches her the leap routine and soon becomes the main attraction but he has a fatal accident . Anne Baxter as an aerial acrobat dropping to swimming pool is interested in both men.

The film is a melodramatic and romantic tale with the classic triangular love story through an European tour and meshing drama with events offstage . It deals with an U.S. carnival in Colonia sets the scene for sin , sex , passion and melodrama . The movie is wrought with romance and glamour but is a simple and tragic story about a scheming young girl and the men of whom she takes advantage . This dramatic flick packs an exciting final adding the beauty-beast myth . Extraordinary cast and good performances , especially from Anne Baxter and George Nader as a journalist , both of whom are top-notch under Kurt Neumann's correct direction . Furthermore , some scenes the actors perform their own stunts . After that , George Nader stayed in Germany where had success playing Jerry Cotton , a solid entry in German crime series . Fine camera work with exquisite images in Agfacolor and superb European location by cameraman Ernest Haller . The motion picture was well directed by Kurt Neumann , known director of classic Sci-Fi (The fly , Rocketship X-M , Kronos) , besides he realized at the same time the German version titled ¨Circus of love¨ with Curt Jurgens and Eva Bartok in similar roles .

"Carnival Story" is a film in the public domain, so it can either be downloaded for free from the link on IMDb or you get can the disc from Netflix--which is ALSO rather washed out and in need of restoration. Considering that the film is not all that good, I wouldn't hold my breath waiting for a cleaner copy.

This is an unusual film in that it's an American-German co-production. In fact, two different versions were filmed at the same time--one with American actors in the leads ("Carnival Story") and another with Germans ("Circus of Love"). It's about an American carnival (with circus acts as well) that has traveled to Germany. There, the show is a huge hit. Into this setting, a German lady (Anne Baxter) meets up with what SEEMS like a nice guy working with the carnival (Steve Cochran). He's really nice to her and she is smitten with him. Soon, a nice guy (Lyle Bettger--playing against type) teaches her his diving act and the two of them become a sensation. Soon, they marry but Baxter is an idiot and soon starts carrying on with Cochran behind her poor husband's back. What's going to come of this? See the film and find out for yourself.

This is a moderately diverting film. However, I think it could have been written a bit better. In particular, Baxter's character seems very inconsistent and silly---and is definitely a weak point in the film. Even if this had been better, the film screams 'mediocre' throughout and is only mildly diverting...mildly.

Unpretentious describes this film production fairly well. But that's consistent with the setting: a small, insular world, wherein a variety of atypical and colorful people move in and out of scenes, as the plot dictates. These people, for the most part, are tricksters and hangers-on whose only claim to fame relates to some physical trait, or some bizarre gift or craft.

More talented than most is Frank (Lyle Bettger) who high dives into a burning tank of water. Then there's Joe (Steve Cochran), an announcer who tries to convince attendees to part with a few cents, to see the magic of the headless wonder, or some such. But one of Joe's attendees, a young, attractive woman named Willie (Anne Baxter), follows Joe to a snack stand, whereupon she proceeds to swipe Joe's wallet from his back pocket. With his money, she buys some food. But he catches her. And in so doing, he takes a liking to her. She's destitute, you see, and shapely. And she'll do anything to make some money, even if it's just wash dishes in the carnival's kitchen.

That's the setup for this modest melodrama, wherein Willie learns about life in the circus and, in the process, finds that love can be confusing with so many guys attracted to her. At one point, she concedes hopelessly: "I don't know what love is". Will things work out for Willie? Will she find true, lasting love?

"Carnival Story" is largely a cinematic vehicle for Anne Baxter. I've always liked her. But in this film she overacts a lot. Steve Cochran gives a more relaxed, naturalistic performance, as does Lyle Bettger. Tension derives from Frank's high-dive act, and the rivalry among the various guys drawn to Willie. The film's visuals are acceptable, if unremarkable. Sets seem realistic. Toward the end, the plot trends melodramatically hokey.

A prospective viewer needs to keep expectations reasonably low for this film. It's got melodrama and tension. It's got several fine actors. It's got an unusual setting. And that may be enough, for this small, low-concept story.